It was sold only at Yachty’s Pawn Shop booth at the show. If you weren’t in Los Angeles, you were out of luck. Apparent, some of the attendees even waited hours to get a pair.

The design is bold but still easy to read. Both pairs use a croc-embossed upper, and black piping outlines the panels. The yellow really stands out against the black details.

Yachty also swapped the usual Nike Air branding on the heel for the Concrete Boys logo. On the tongue, the label reads “Just Us.”

There’s a second pair too, but almost nobody will ever see it in person. The pink and black version has only two pairs, and both belong to Yachty.

As of now, Nike hasn’t announced a wider release. Earlier rumors pointed to a Concrete Boys Air Force 1 Mid for Holiday 2026, but nothing confirms whether this pair will return. For now, the yellow pair belongs to the 1,000 people who made it to the booth.

Read More: Air Jordan 1 Mid “Halloween” Is Still In Stock

Lil Yachty x Nike Air Force 1 Mid “Yellow”

The Air Force 1 Mid is a new move for Yachty. Most of his past Nike work has been built around the Air Force 1 Low. Moving to the mid shows how comfortable he is with the brand.

He’s been teasing this shoe for months and rumors about a Concrete Boys Mid started in the spring, and he’s been seen in several different sample pairs. ComplexCon finally gave us a retail version.

Concrete Boys is Yachty’s own crew, and Nike has let him put that identity front and center. Replacing the Nike Air logo with the group’s mark is a big deal.

Conventions make these exclusives feel special for some reason. The pairs are tied to a moment, and only a few people got to be there. Overall with only 1,000 pairs, people will be watching the resale market closely.

Read More: Dame Dash Claims JAŸ-Z Cut Him Off To Build His Image As A Mogul

The post Exclusive Look At Lil Yachty’s New Nike Air Force 1 Mid In “Yellow” appeared first on HotNewHipHop.

Few catalogs demonstrate that alchemy quite like Freddie Jackson’s. The R&B great died October 5 at 70, leaving behind the kind of music that already sounded luxurious before anyone reached for a sampler. His records were lush without being overcrowded, giving producers room to hear possibilities beneath the vocal performance.

Two songs in particular kept finding their way into Hip Hop’s hands. “Love Is Just a Touch Away” and “Have You Ever Loved Somebody” traveled through New York, Cleveland, Los Angeles, and the Bay Area, resurfacing beneath artists who had very different things to say than Jackson did in the 1980s. Sometimes his melodies remained recognizable. Elsewhere, producers grabbed the record’s bones and built something new.

That is part of what makes sampling such a fitting way to remember him. The original songs stayed intact, but Hip Hop kept refusing to leave them where it found them.

“Love Is Just A Touch Away” Becomes A Hip Hop Favorite

Buried on Jackson’s 1985 debut Rock Me Tonight, “Love Is Just a Touch Away” became one of those records that seemed to keep whispering ideas to producers long after its release. The song had enough polish for adult R&B radio, but underneath it sat a groove sturdy enough to survive being pulled into entirely different settings.

AZ – “Gimme Yours (Erick Sermon Remix)”

Erick Sermon heard exactly that. His remix of AZ’s “Gimme Yours” draws from Jackson’s “Love Is Just a Touch Away,” giving the record a warmer, smoother foundation than the original Pete Rock production.

It fits AZ almost suspiciously well. His delivery has always carried a certain ease, even when the subject matter gets grim, and Jackson’s music gives him even more room to glide. Nothing about the pairing feels forced. Instead, the sample turns an ’80s R&B groove into the kind of understated luxury that became part of AZ’s musical identity in the mid-’90s.

Foesum – “Whowouldofeveathought?”

Long Beach gave “Love Is Just a Touch Away” a completely different climate. On “Whowouldofeveathought?,” from Foesum’s 1996 debut Perfection, producers DJ Glaze and Tony G reworked Jackson’s bassline throughout the track, letting that polished R&B groove settle comfortably into the group’s G-funk world.

The connection works because nobody tries to force Freddie’s record to sound tougher than it is. Instead, the sample keeps its smoothness while the drums and low-end pull it west, giving the track that easy, sun-warmed glide associated with so much mid-’90s Long Beach Rap. A sophisticated Quiet Storm suddenly sounds perfectly at home cruising a different coastline.

Bone Thugs-N-Harmony – “Ain’t Nothin Changed (Everyday Thang Part 2)”

Melody was already part of Bone Thugs-N-Harmony’s bloodstream, which made Freddie Jackson less of an unexpected guest than a natural ancestor. “Ain’t Nothin Changed (Everyday Thang Part 2),” from 1997’s The Art of War, has hints of “Love Is Just a Touch Away,” but the connection lands less like a sample flip than a meeting of musical instincts.

Bone could make grief, paranoia, prayer, and street reportage live inside the same harmony. Jackson came from a different world, but his records understood how much emotion a melody could carry before the words even finished the job. On “Ain’t Nothin Changed,” that shared instinct matters more than genre lines ever could.

Mack 10 ft. Gerald Levert – “Money’s Just A Touch Away”

Sometimes the homage announces itself before the beat even drops. The title of “Money’s Just A Touch Away” openly flips Jackson’s “Love Is Just a Touch Away,” and the 1998 The Recipe cut credits Freddie Jackson and Barry Eastmond among its writers. Gerald Levert handles the hook, turning the record into a small bridge between two generations of R&B and West Coast Rap.

That lineage gives the track its charm. Mack 10 takes the romantic promise in Jackson’s original and redirects it toward hustle and proximity to success, while Levert keeps one foot planted in the soul tradition the song came from. Freddie’s melody is still recognizable, but the destination has changed completely.

J. Stalin ft. The Jacka – “Party Jumpin’”

The Bay Area found another use for Freddie’s polish. “Party Jumpin’,” released in 2006, samples “Love Is Just a Touch Away,” but there’s nothing especially delicate about the way the record moves. The sample gets folded into the loose, conversational energy of J. Stalin and The Jacka, where Jackson’s smoothness becomes part of the atmosphere rather than the centerpiece.

What makes this one more interesting in hindsight is that Freddie wasn’t a one-time pull from the crates. Years later, Stalin would deliberately return to his catalog for “Party Jumpin’ 2,” effectively making Jackson part of the DNA of the series. That kind of repeat visit says more than a single sample credit ever could.

Snoop Dogg ft. October London – “Touch Away”

Nearly four decades after “Love Is Just a Touch Away” first appeared, Snoop Dogg and October London brought it back into circulation on 2022’s “Touch Away.” The record draws from Jackson’s original, but by then, the source had already lived several Hip Hop lives across New York, Cleveland, Long Beach, and the Bay.

That history gives Snoop’s version a little extra weight. London handles the Soul side of the equation while Snoop keeps the record rooted in West Coast ease, making “Touch Away” feel less like a rediscovery and more like another handoff. Freddie’s music had been passed around Rap for years by then, and it still had enough life in it to sound current.

“Have You Ever Loved Somebody” Finds A Different Emotional Life

If “Love Is Just a Touch Away” proved how adaptable Freddie Jackson’s grooves could be, “Have You Ever Loved Somebody” gave rappers something else to work with. Released in 1986, the song was built around a question meant for romance, but Hip Hop kept finding heavier answers inside it.

Glasses Malone feat. Rick Ross, T-Pain & Birdman – “Sun Come Up”

By 2009, that question had traveled a long way from Quiet Storm radio. Glasses Malone’s “Sun Come Up” samples “Have You Ever Loved Somebody,” placing Freddie’s romantic foundation beneath a record crowded with money talk and the larger-than-life energy that defined plenty of Rap at the end of the decade.

T-Pain helps keep the connection from feeling completely severed. His hook carries the melody while Malone, Rick Ross, and Birdman occupy a much different world than the one Jackson was singing from in 1986. The source remains recognizable, but whatever candlelight once surrounded it has been replaced by something considerably louder.

DMX – “Have You Eva”

The tenderness disappears almost immediately. On “Have You Eva,” from 2012’s Undisputed, “Have You Ever Loved Somebody” becomes the foundation for a record that has almost nothing to do with romance. X turns the familiar “have you ever” setup into a running inventory of hard lessons, asking questions shaped by the life he had been rapping about for years.

That is what makes Freddie Jackson such an effective source here. The original carries warmth and emotional openness, while DMX uses the same melodic memory to make listeners brace themselves for what comes next. The sample is recognizable enough to create familiarity, then the song immediately pulls that comfort out from under you.

E-40 ft. Ricco Barrino – “Somebody”

There’s something almost perfect about Freddie Jackson’s romantic longing getting repurposed into a song about trying to become somebody in the first place. On “Somebody,” E-40 and Ricco Barrino lean on “Have You Ever Loved Somebody” as an homage, but the ache has been redirected. The question is no longer who loved you, but whether you can turn your life into something worth recognizing.

E-40 described the record in those broader terms himself, framing it around ambition and the pressure to make something of your life. That makes Freddie’s presence feel less decorative and more foundational. The melody still carries yearning, but now it’s reaching for a future instead of a relationship.

J. Stalin ft. The Jacka & G-Eazy – “Party Jumpin’ 2”

Returning to Freddie Jackson for the sequel was deliberate. A decade after “Party Jumpin’” borrowed from “Love Is Just a Touch Away,” J. Stalin reached for a different Jackson record when he made “Party Jumpin’ 2,” this time sampling “Have You Ever Loved Somebody.”

That choice turns Jackson into more than a familiar source tucked somewhere in the production credits. His music becomes part of the connective tissue between both records, linking two different eras of Stalin’s catalog while The Jacka’s posthumous appearance adds its own weight. Revisiting Freddie wasn’t nostalgia for nostalgia’s sake. It was continuity.

The Records Never Stayed In The ’80s

The beauty of sampling is that a record never has to remain where history first placed it. “Love Is Just a Touch Away” and “Have You Ever Loved Somebody” belonged unmistakably to Jackson’s world, but Hip Hop kept finding trapdoors inside them. A bassline could lead to Long Beach. A melody could wind up beneath DMX. Years later, the same catalog was still giving Snoop Dogg and J. Stalin something worth carrying forward.

That may be one of the quieter measures of Jackson’s legacy. Producers didn’t only reach for the giant hits everybody already knew. They dug deeper and found records flexible enough to survive being taken apart and rebuilt for another generation. The songs never stopped belonging to Freddie, but Hip Hop made sure they never belonged only to the past.

The post Hip Hop Gave Freddie Jackson’s Songs New Lives appeared first on HotNewHipHop.

Dame pointed to a situation where LA Reid, the former Artista Records CEO, wanted to do a direct deal with him, rather than with JAŸ because Hov was an artist. “He wanted a businessman to be there,” Dame recalled, stating that Reid told him over a phone call that JAŸ wouldn’t move forward with the deal if Dash was involved. 

“And yeah, he was like, ‘I want to be known as a businessman.’ Like, flat-out said, ‘I want to be known as a businessman, and I can’t be known as a businessman with you next to me,’” Dame recalled JAŸ allegedly telling him. “And I was like, ‘I don’t even want to be next to you, n***a, but you’re not a businessman.’”

Read More: Meet The Mothers Of Chris Brown’s Four Children

Dame Dash On JAŸ-Z’s Business Image

Dame accused JAŸ of using people like Steve Stoute to make the business moves while he became hee face of the business. 

Elsewhere, Dame said that Hov asked for his portion of Reasonable Doubt in exchange for not taking the job. “Jay ain’t sh*t. We all know that. And I’ll say it. And y’all could tell me [I’m a] chatty patty when he fucks up $40 million of my own money,” Dame said. Check the clip above around the 55-minute mark and sound off with your thoughts in the comments below. 

Read More: Quavo & Offset’s Migos Reunion Is Already An Uphill Battle

The post Dame Dash Claims JAŸ-Z Cut Him Off To Build His Image As A Mogul appeared first on HotNewHipHop.

The pair keeps the look dark. The upper is black, with rugged leather overlays sitting over a softer nubuck base. Bright green accents break it up in small doses. The Jumpman on the tongue gets a spooky twist too.

The best detail is the stitching. “XXIII” is sewn into the upper in exposed thread, which gives the shoe a stitched-together look. It’s a clever nod to Michael Jordan’s number 23.

Flip it over and the Halloween theme really shows up. The outsole is green and glows in the dark, sitting below a black midsole. In daylight, it looks like a regular black Mid. After dark, it’s a different shoe.

Sizing is listed as men’s, and pairs are on Nike.com. Sizes tend to disappear once Halloween gets closer, so it’s worth grabbing a pair soon. It’s also the sibling to the Air Jordan 1 Low “Halloween,” which also dropped on Nike and is currently available here.

Read More: 50 Cent Says He Doesn’t Care About Politics

Air Jordan 1 Mid “Halloween”

The Air Jordan 1 Mid is one of the easiest Jordans to wear. The mid-top shape works with just about anything. A black pair with glow details fits that formula perfectly.

Nike has been going big on Halloween this year. The Air Jordan 5 “Halloween” arrives October 17th, and the Air Jordan 14 “Forest Green” lands on Halloween itself.

Compared to those two, the Mid is the budget-friendly option. At $140, it’s well below the $215 price tag on both. And since it’s already out, there’s no raffle or early alarm to deal with.

The green glow is a fun detail, but it isn’t loud. Most days, this just looks like a clean black Jordan 1. That makes it an easy pair to keep wearing well after October ends.

If you want one Halloween Jordan that’s simple and easy to find, this is probably the one.

Read More: Blueface Goes Off On Adam22 For Calling Him A Bad Father

The post Air Jordan 1 Mid “Halloween” Is Still In Stock appeared first on HotNewHipHop.

Overall, this is not good news for the fans, who very clearly want to hear as much new music as possible. Some feel as though this was a rough year for mainstream hip-hop, and the decline in albums is not going to help matters.

That said, tonight, we are getting new songs from Gunna, Offset, Don Toliver, and even Rick Ross. On the albums side, we are getting Ovrkast. and Pitbull. As you can clearly tell, it’s a bit light.

Read More: Meet The Mothers Of Chris Brown’s Four Children

What’s Dropping Tonight

Albums & Songs Coming Tonight:

• Gunna — Pop It
• Rick Ross – Loaded
• Ovrkast. — STRIKING
• Offset & Don Toliver — Every Night
• Pitbull — Pitcoin
• Doe Boy — MR. WALK EM DOWN
• HXG — MADNESS (?)
• Jessie Reyez & Samara Cyn — FOR SIXXX IN THE MORNIN
• KA$HDAMI — BLUEPRINT
• Ray Vaughn — Set It Off
• Johnny Venus (of EARTHGANG) — THE 11TH HOUR
• Almighty Jay — when?
• Devstacks — Soul
• KaMillion — Wus Up
• ARDN, Devkota — SUPERNOVA
• Delivery Boys — Young Grasshopper
• Rexv2 — bowling (feat. slayr)
• sixzino — Monster
• Kura — No Parts
• LaRussell, Reecebeats, Tietta & Splash — It’s All Love

Let us know which of these albums and songs you will be listening to first. Are you excited for this Friday’s slate of releases or do you feel underwhelmed? Let us know in the comments below. Additionally, stay tuned to HNHH for the latest news and updates from around the music world.

Read More: Ranking Every Sneaker We Saw At ComplexCon 2026

The post Hip-Hop Albums & Songs Dropping Tonight, October 9, 2026 appeared first on HotNewHipHop.

Release Date: October 8, 2026

Genre: Hip-Hop

Album: GMFU

The post Every Night – Song by Offset featuring Don Toliver appeared first on HotNewHipHop.

“I have no political aspirations,” 50 said. “When your business gets big, it gets political because you’re creating so many jobs; it actually affects the economy there. So yeah, it starts to get political, but I don’t care about politics or want to be involved in politics at all because I’m an entertainer. So, are you red or blue? I’m purple. I’m with everybody.”

Fif said that there are things he sees with the Democratic Party that he doesn’t agree with, and the same thing goes for the Republican Party. 

Read More: Meet The Mothers Of Chris Brown’s Four Children

50 Cent Has No Interest In Politics

This isn’t the first time 50 Cent has rejected the idea of entering politics as an entertainer. At a film premiere earlier this year, he explained that he tries to stay away from both politics and religion, while citing Kanye West as an example. “They say stay away from religion and stay away from politics because no matter what you think, somebody passionately disagrees with you, alright? And I stay away from those things. That’s how Kanye f*cked up,” he said. 

Despite these claims, 50 Cent previously claimed that he would be voting for Trump during the 2024 election, though he later backtracked. He also found himself going back and forth with New York City Mayor Zohran Mamdani in the midst of his mayoral run. While we will never see 50 Cent run for office, he certainly has no issues chiming in on current affairs like anyone else. Check out the clip above. 

Read More: Quavo & Offset’s Migos Reunion Is Already An Uphill Battle

The post 50 Cent Says He Doesn’t Care About Politics appeared first on HotNewHipHop.

While Rock has insisted that Chrisean Jr. does not have a disability, the internet disagrees. Meanwhile, Blue has just gone with the flow and has welcomed Rock back into his home.

During a recent interview with DJ Akademiks, Adam22 offered some criticism of Blueface. He said that while he hasn’t been the best father to his daughter with Lena The Plug, he is still better than Blueface. Overall, he believes that people like Blue couldn’t even be compared to him, and that the standard is on the floor.

This subsequently led to some harsh remarks from Blueface on his most recent livestream. He addressed Adam directly, stating that Adam is a terrible father because he prioritizes doing adult content over his child.

Read More: Meet The Mothers Of Chris Brown’s Four Children

Blueface Reacts To Adam22

View this post on Instagram

A post shared by Watch Live Bitez (@livebitez)

Blueface also made the point that the audience has seen his children, which demonstrates he cares about them. He thinks that Adam22 keeping his daughter private is somehow an indication of Adam’s abilities as a dad.

At the end of the day, this is all petty stuff that just racks up views for the livestreams. Blueface benefits over on Kick, and Adam benefits over on the No Jumper platform.

Blueface’s Kick livestreams have certainly been under scrutiny. He is constantly being swatted, and the authorities are mostly responding to calls about Chrisean Jr. Needless to say, there is a lot of chaos around the artist right now.

Read More: Ranking Every Sneaker We Saw At ComplexCon 2026

The post Blueface Goes Off On Adam22 For Calling Him A Bad Father appeared first on HotNewHipHop.

A dispute between 42-2 District Court Judge William Hackel III and Mather’s attorney, Camilla Barkovic, reached a boiling point when Barkovic argued that a magistrate agreed to modify the conditions. The alleged modification allowed Mathers to leave court-mandated inpatient treatment after arrangements for a hearing in front of Hackel “on multiple occasions” fell through. 

Hackel said that the magistrate had “no authority to make that decision,” asserting that “the only person that could reverse it would be a circuit judge.” As a result, Mathers is being held in Macomb County Jail until next week, when she’ll have another hearing.

Read More: Meet The Mothers Of Chris Brown’s Four Children

Eminem’s Ex-Wife Has Bond Revoked

Mathers had surrendered to the 42-2 District Court in June after missing three separate court appearances related to DUI charges filed in February and May. She also has a separate OWI case pending in Chesterfield Township. 

In August, prosecutors asked the court to send Mathers to the county jail, citing her continued failure to comply with the terms of her release. Judge Hackel subsequently revoked her bond, but offered a path to release, stating that Mathers could leave custody if she agreed to enter an inpatient treatment program. However, after reporting for the inpatient treatment after the hearing, Mathers didn’t stay in the facility. Hackel said that leaving the facility should’ve led to a bench warrant. 

Ultimately, Hackel said that Barkovic could’ve used the many opportunities available to appear before him, while prosecutors said that a motion could’ve been filed on Mathers’ behalf during the 37 days when she seemingly disappeared. 

“You can’t just disappear,” Hackel told Mathers. “You don’t disappear and then wait a half a month, or a month, to come in and go ‘yeah now I want to address bond, I want to address it in front of whomever’—that’s my issue.”

Read More: Quavo & Offset’s Migos Reunion Is Already An Uphill Battle

The post Eminem’s Ex-Wife Kim Mathers Has Bond Revoked, Sent Back To Jail appeared first on HotNewHipHop.

Recently, Young went on Club Shay Shay for a conversation with Shannon Sharpe. During the episode, Young was asked about his relation to Kendrick, and how he felt about the Drake beef.

This led to a very honest answer from Young, who simply stated that he has no interest in listening to Drake. He believes the 20v1 was a horrific look, and given all the subliminals on ICEMAN, Lamar should fire back soon.

“I don’t listen to no Drake. Who listens to Drake nowadays? … Drake did the 20v1 and start barking and sh*t. I was like, ‘You know what? Kendrick, you got to get him again!'” Young explained.

Read More: Meet The Mothers Of Chris Brown’s Four Children

Nick Young Talks Drake and Kendrick

Young’s comments are not surprising, and they align with how plenty of other Kendrick Lamar fans feel right about now. However, there is no telling whether or not Lamar is actually going to offer a response.

Kendrick has mostly been staying away from the spotlight. After a massive 2024 and early 2025, he has been taking it easy. 2026 has been a down year for him, and while some believe a new album is on the horizon, there is actually no confirmation that this will be the case.

You have to wonder if Lamar even cares to respond to Drake anymore. While the subliminals have been plentiful this past year, Lamar has already been declared the winner of the battle. For an MC like Lamar, that is probably more than enough.

Read More: How Carmelo Anthony Became The Most Underrated Name In Jordan Brand History

The post Nick Young Gives Cousin Kendrick Lamar Some Advice Amid Drake Beef appeared first on HotNewHipHop.