The allegations emerged in an October 18 investigation by The New York Times, which examined newly unsealed federal records and interviewed people connected to the case. Ippolito’s brother, Sam, initially told the newspaper that Joey returned to their Los Angeles apartment around midnight on June 12, 1994, after leaving to help a friend. According to Sam, Joey had what appeared to be blood on his hands before placing his clothes into a bag and asking his brother to get rid of it. Sam claimed he discarded the bag in a dumpster near a construction site along Doheny Drive, although he never established what was inside.

Joey reportedly knew Simpson through his longtime friend Al Cowlings, who famously drove the white Ford Bronco during the televised police pursuit. After being arrested in 1995, Ippolito became a federal informant and provided authorities with information concerning Simpson and the missing murder weapon. The newly unsealed documents indicate that federal officials shared some of his information with prosecutors. However, neither Ippolito nor his brother testified during Simpson’s murder trial.

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O.J. Simpson’s Alleged Accomplice Account Faces Serious Questions

The investigation also uncovered significant problems with Sam’s account. After giving his initial story, he asked The New York Times for payment and later tried to retract his claims when the newspaper refused. He said he wasn’t sure he could reliably separate his memories from confusion about events that occurred more than three decades earlier. Other people familiar with Joey disputed his alleged involvement in the killings.

Former lead prosecutor Marcia Clark also questioned how significant Ippolito’s information was. Speaking with the outlet, she said she had never been informed that he possessed credible evidence relevant to the murder case. “The fact that I was never so informed establishes he had no credible or relevant evidence to provide,” she stated.

The possibility of an accomplice has circulated for years, partly because of Simpson’s own hypothetical account of the killings. In his controversial book If I Did It, he introduced a character named Charlie who appeared during his imagined description of the murders. Simpson later discussed that scenario in a televised interview, although the character has never been definitively connected to Ippolito.

Read More: Nicole Brown Simpson “Always Knew” OJ Would Hurt Her, Family Alleges

Simpson was acquitted of murdering Brown Simpson and Goldman in 1995 but was found liable for their deaths in a 1997 civil proceeding. He died in April 2024, while Ippolito died in 2006. Neither man can address the allegations raised by the investigation.

The Los Angeles Police Department told The New York Times that the double-murder investigation remains open because no one has been convicted. Authorities indicated they would pursue credible new evidence if it emerged. Whether Ippolito ever possessed the missing weapon is still unknown, leaving Sam’s disputed account and the information preserved in federal records as two pieces of a decades-old case that investigators have yet to reconcile.

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The exhibition will run through January 18th, 2027. General tickets go on sale on October 23rd, starting at $25. The show is a joint project between the Virgil Abloh Archive and Nike. It features nearly 1,000 objects pulled from an archive of more than 20,000.

Visitors will see finished work next to sketches, prototypes, and other pieces that show how Virgil thought. The exhibition covers fashion, footwear, art, architecture, graphic design, and music.

Overall, it sounds like a deep look at his process, not just a greatest hits show. One highlight is a working recreation of his Paris office, which includes a computer full of raw design files.

There is also an exclusive merch collection for the gallery. It was curated by Justin Saunders, the founder of JJJJound.

The exhibition was curated by Chloe Sultan and Mahfuz Sultan. It first appeared at the Grand Palais in Paris last fall. This New York version is a streamlined take on that original show, with the same focus on Virgil’s ideas and collaborators.

Read More: Supreme x Timberland Celebrates 20 Years With Upcoming Winter Drop

Virgil Abloh’s The Codes NYC

November 28th marks five years since Virgil passed away, and the exhibition opens just a couple of weeks later. It is not the first big Virgil show in New York. In 2022, the Brooklyn Museum hosted “Figures of Speech,” the first major museum survey of his work.

Since then, the archive has kept his work alive through new projects. Sneaker fans have seen several V.A.A. releases, and more could be on the way.

One report points to an orange sample that could appear at the event. Nothing has been confirmed, but it would be a fun surprise.

Virgil changed sneaker culture in a big way. “The Ten” with Nike is still one of the most important collections ever made. For New Yorkers, this is a great chance to see his work up close. Presale information is available through The Shed’s website.

Read More: Corteiz And Nike Turn The Shox R4 Into The R419

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“When your mom has friends around, you look at them and just see friends,” 50 told Variety. His grandmother eventually helped him understand that the women spending time with his mother weren’t simply friends. “I’m not ashamed of that in any way,” he explained. “I grew up around that.”

Jackson gave birth to 50 Cent when she was 15 and died when he was eight. With his father absent from his life, the future rapper was raised by his grandmother. He told Variety that he struggled to comprehend his mother’s death, initially believing she would eventually return home. Those childhood experiences later became part of his music, including his memorable contribution to The Game’s 2005 hit “Hate It or Love It.”

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50 Cent Compares His Experience To Jay-Z’s Relationship With His Mother

During the interview, 50 also spoke about why he included the reference to his mother’s sexuality in “Hate It or Love It.” He believed others could relate to his experience but might hesitate to discuss it publicly because they feared how they would be perceived. “I didn’t care about being vulnerable,” he said. “It made it more powerful for me because I know someone else has had that experience and would understand it.”

The conversation also turned to Jay-Z, whose mother, Gloria Carter, publicly discussed her sexuality through the song “Smile” from his 2017 album 4:44. Asked whether the two rappers had ever talked about having lesbian mothers, 50 said they hadn’t. However, he suggested they approached the subject differently. “No, but it is something we have in common,” he explained. “We just reacted differently to it. One of us doesn’t mind, and the other one kind of minds a little bit.”

Read More: Rick Ross Taunts 50 Cent For Refusing To Drop More Music, Mentions 50’s Mom

Jay-Z has previously described how his mother was initially reluctant to have her personal life discussed publicly. During an appearance on The Shop, he recalled her objections after hearing “Smile.” Gloria later explained her hesitation, saying she had shared something personal with her son without initially intending for the world to know. She eventually contributed a spoken-word poem to the recording.

This isn’t the first time 50 has addressed his mother’s sexuality. During a 2012 interview with Perez Hilton, he talked about his upbringing and voiced support for same-sex marriage, citing Barack Obama’s public endorsement of marriage equality. His latest remarks revisit an experience he has never treated as a secret and offer more insight into why he chose to include it in his music. The subject may never have come up between him and Jay-Z, but both artists have recorded personal accounts of their mothers’ lives, with Gloria Carter eventually choosing to tell part of her story in her own voice.

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Unlike many past drops, there are no boots this time. The collection is entirely clothing and cold-weather accessories.

The headline piece is a suede puffer jacket. It has a fur-trimmed hood and comes in tan, pink with white sleeves, and black. A big Timberland tree logo appears on the back. There is also a lighter utility jacket in green, pink, and black, plus a patterned fleece jacket in blue. Together, they make a very complete winter layering set.

The rest of the lineup covers the basics. You will find thermal-lined zip-up hoodies in yellow, navy, red, and black, along with matching sweatpants. A football-style long sleeve top comes in pink and white, navy, and black.

Also the denim fans are covered too. Utility jeans come in a few washes, including dark and light.

Beanies in several colors and a Polartec balaclava finish the collection. The balaclava uses the same patterned look as the fleece jacket. The drop will happen through Supreme’s website and flagship stores, with an Asia release on October 24th.

Read More: Corteiz And Nike Turn The Shox R4 Into The R419

Supreme x Timberland Collection

Supreme and Timberland first linked up in 2006. Since then, they have turned boots, jackets, and accessories into some of the most recognizable collabs in streetwear.

Both brands are deeply tied to New York. Timberland boots became part of the city’s street style decades ago, and Supreme grew out of that same culture.

The collection arrives just weeks after the Diamond Plate 6-Inch Boot returned in wheat and black. That boot reportedly cost $248, and the pink version was left out.

This new drop shifts the focus from footwear to winter clothing. It feels like a natural next step for a partnership that has always been about practical, cold-weather gear.

Supreme drops can sell out quickly, so the puffer jacket and hoodies could go first. If you want something, it helps to be ready at 11 Am sharp.

Read More: Sony & UMG Turn Up The Pressure On DistroKid Over AI-Generated Songs

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The name combines the Shox R4 with Clint 419’s own tag. It follows the Air Max 95 and the Air Trainer Huarache, which were the first two Nike projects from the London label.

Reports point to three colorways: silver, black, and royal blue. Red accents appear across the group, which ties the whole set together.

Overall, the silver pair looks like the standout. A metallic finish covers the upper, and it gives the Shox R4 a futuristic feel. That fits the early 2000s style that the shoe is known for.

Some details carry across the pairs. Black appears on the laces, sockliner, and top of the tongue, where a red C and CRTZ SHOX logo add the co-branding.

Release plans are still TBD. A UK report mentions October 31st, but nothing is official. Also Corteiz has staggered released his past drops, so the colors could land on different days.

Read More: Sony & UMG Turn Up The Pressure On DistroKid Over AI-Generated Songs

Corteiz x Nike Shox R419

There is also a nine-piece apparel collection. Expect football jerseys, tracksuits, shorts, technical layers, and utility outerwear, all matching the shoe colors.

Football is a big part of Clint’s world. He is a huge supporter of Brazil, and the Shox has plenty of football energy. The silhouette has also returned as a streetwear and fashion favorite lately.

The partnership has a pretty wild history. Nike actually sued Corteiz in 2021 over a name similar to the Cortez. Two years later, they released their first collab on the Air Max 95.

Corteiz was founded in London in 2017. Since then, it has become one of the hottest streetwear labels in the world. The first look came from Clint’s Instagram, where he posted a photo shoot with a Mercedes-Benz SLR McLaren. It is a very Corteiz way to reveal a shoe.

Read More: Cardi B Drops Latto For Kelly Rowland In A Not-So-Subtle Lyric Change

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According to Digital Music News, the labels filed their motion in Manhattan federal court on October 14 after DistroKid resisted a subpoena issued in September. The dispute ties into their ongoing copyright litigation against Suno, which they accuse of using protected recordings without authorization to develop its AI music-generation technology. DistroKid isn’t a defendant in that case, but the labels believe its distribution records could show how widely Suno-generated tracks have entered the streaming market.

The companies are demanding monthly figures showing how many recordings DistroKid distributes and how many its detection software identifies as potentially AI-generated. They also want information about the streaming activity and royalties associated with those recordings. In their filing, the labels called the requested data “highly relevant information that only DistroKid possesses,” arguing that the potential market impact is central to their case against Suno.

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DistroKid Faces Growing Pressure Over AI-Generated Music

Further, the request comes amid a separate legal battle between Universal Music Group and DistroKid. In September, UMG sued the distributor, accusing it of facilitating copyright infringement by allowing unauthorized recordings and AI-generated content onto streaming services. The complaint cited allegedly infringing material connected to artists including Drake and Rihanna. Sony is not involved in that lawsuit.

The volume of music passing through DistroKid has become another point of contention. According to this latest filing, the distributor delivered nearly 12 million tracks to one unnamed streaming platform between March and September 2026. That exceeded the combined submissions of every other distributor to that service. The figure doesn’t show how many of those songs were AI-generated, which is exactly what the labels are seeking.

DistroKid has pushed back against the relevance of the requested information to the Suno case. The company also maintains that its AI-detection technology can produce false positives. This raises questions about how accurately the data could distinguish computer-generated recordings from human-created music. In a statement to Billboard, DistroKid emphasized its position as a third party in the Suno litigation, saying it is “committed to transparency and will continue to cooperate with the legal process.”

Read More: The Game Sues UMG Over Alleged Lack Of Promotion Leading To Poor Album Sales

The legal pressure is already affecting some independent musicians. According to The Verge, DistroKid has removed recordings following UMG’s lawsuit. Several artists alleged that DistroKid took down their original music despite them not using AI. DistroKid acknowledged removing a small number of tracks and said it was working to minimize disruptions.

Universal and Sony have proposed an October 30 deadline for DistroKid to produce the requested information, although the court must first decide whether to order compliance. The data could become a key part of the labels’ effort to show commercial harm in their case against Suno, especially if it reveals how much AI-generated music is competing for streaming royalties.

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The original lyric, “Bad yellow b*tch, look like Latto in this mothaf*cka,” became “Bad brown b*tch, she look like Kelly in this mothaf*cka.” According to People, Rowland shared a clip of the performance on Instagram Stories, writing, “Get it Cardi!!!” Cardi reposted the message with an affectionate “I love youuuu!!!”

The moment occurred during Cardi’s first appearance on NPR’s Tiny Desk Concert series, where she performed an eight-song set backed by a live band led by Adam Blackstone. Her performance included selections from Am I The Drama? alongside earlier hits such as “Bodak Yellow” and “I Like It.” However, the altered “ErrTime” lyric quickly became a separate talking point because of the history surrounding the song.

Read More: Cardi B Delivers Scintillating NPR Tiny Desk Performance

Cardi B & Latto’s Friendship Has Faced Public Tension

The two rappers collaborated on an “ErrTime” remix in September 2025, but their relationship took a hit shortly afterward. A leaked phone conversation captured Cardi insulting Latto while discussing her issues with Ice Spice. Cardi subsequently issued a public apology, explaining that she had been upset during the conversation and still respected her fellow rapper.

Latto revisited the incident on “Gimme Dat,” from her May 2026 album Big Mama. In a later appearance on The Breakfast Club, she confirmed the song addressed Cardi and explained why the insult hurt so much. Latto said she had recorded her “ErrTime” remix verse while pregnant, hoping to support Cardi’s first-week album sales, only to hear the leaked remarks shortly afterward. Although she expressed disappointment, she also left the door open to reconciliation.

Cardi had already removed Latto’s name from “ErrTime” during her Essence Festival performance in July, suggesting the Tiny Desk revision wasn’t an entirely new decision. This time, Rowland publicly endorsed the replacement, while Cardi and Latto have yet to announce that they’ve resolved their differences.

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The New Orleans rapper, whose real name is Michael Lawrence Tyler, was sentenced to 20 years in prison in June after pleading guilty to third-degree rape. The case stemmed from a 2022 assault at his Louisiana home. When asked about the situation, Master P expressed concern about what he believed was a lack of appropriate treatment for his former artist.

“I don’t think he ever got the right medicine he need,” P said during the podcast interview. He also mentioned substance use, arguing that people often attempt to address their struggles without professional care. “Drugs is killing our culture…they’re self medicating,” he continued. “When you look at mental health, man, a lot of people are afraid to say they’re dealing with this.”

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Read More: Mystikal’s Son Speaks Out, Hopes Rapper Gets Help In Prison

Master P Reflects On Mystikal’s No Limit Legacy

Their professional history dates back to 1996, when Mystikal joined No Limit Records and became one of the label’s most recognizable performers. His albums Unpredictable and Ghetto Fabulous helped establish his place within the company’s successful late-1990s run. Despite the seriousness of his conviction, P maintained that Mystikal’s role in building the label shouldn’t be forgotten.

“Man, Mystikal has helped us build an empire,” he said. P also discussed how Mystikal’s son, Jimi Nu, has performed his father’s music during live shows, keeping that portion of the label’s history represented onstage.

Mystikal’s latest conviction follows an earlier sexual battery case in which he pleaded guilty in 2003 and subsequently served six years in prison. In the 2022 case, the woman told the court that Tyler physically assaulted and raped her after accusing her of stealing money. She requested the maximum sentence allowed under his plea agreement, which reduced the original first-degree rape charge and capped his potential punishment at 20 years.

The rapper also tried to withdraw his guilty plea shortly before sentencing, arguing he hadn’t fully considered the consequences of his agreement. A judge rejected the request. Separately, the woman filed a civil lawsuit in 2023, which remained active after his sentencing.

Check out the clip of Master P on the We in Miami Podcast above.

Read More: Mystikal Details His Sister’s Murder, Has Forgiven The Man He Believes Is Responsible

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The festival is scheduled for December 12 and 13, marking its second consecutive year in Mumbai. According to Rolling Stone India, Metro Boomin will headline the first night alongside Burna Boy, with Big Sean and GoldLink also set to perform. The following evening will feature Skepta and Punjabi rapper Karan Aujla as headliners, with ScHoolboy Q joining the lineup. Indian acts Dhanda Nyoliwala and Seedhe Maut are also scheduled to appear.

For Metro and Sean, the booking puts the longtime collaborators on the same festival bill. The two released their joint album Double Or Nothing in 2017, and Metro has previously defended their collaboration against criticism. Although their appearances are scheduled for the same day, organizers haven’t announced whether they’ll share the stage.

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Read More: Rolling Loud Is What Happens When Everything Becomes Content

Rolling Loud Continues Building Its Presence In India

The upcoming event follows Rolling Loud’s debut in India last year, when the festival expanded into Mumbai through a partnership with entertainment platform District. Its inaugural lineup featured Wiz Khalifa and Don Toliver, alongside homegrown performers, including Karan Aujla. The Punjabi star’s return gives the second edition a familiar headliner while organizers introduce several artists who have never performed in the country.

Rolling Loud co-founder Matt Zingler told Rolling Stone India that the reception from Indian audiences influenced this year’s programming. “One thing that really stood out to us in India was how open the fans were to everything,” he explained. Rather than separating international performers from India’s own Hip Hop artists, organizers have placed both throughout the two-day schedule.

Read More: Rolling Loud Adds Natalie Nunn To Festival Lineup And Fans Are Not Happy

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Earlier in the season, he found himself proclaiming his hatred for the NFL after a late-game Packers collapse. In fact, he made it seem like he was no longer going to support the team.

However, cooler heads have prevailed, and Wayne is back to supporting his guys. On Sunday night, they were playing against the Dallas Cowboys, one of the most hated teams in the entire country.

In the end, the Packers won the game by a score of 23-13. During the course of the game, Wayne was a nervous wreck, especially as the referees continued to make questionable calls. At one point, he even took to X and said the same thing twice. Subsequently, he said the referees make the games hard to watch.

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Lil Wayne Is Just Like Us

Thankfully, for Wayne and Packers fans everywhere, the referees were not enough to take a win away from the Green Bay Packers. The Cowboys lost another one, and that fanbase is in complete and utter despair as a result.

Overall, the Packers are now 4-2 this season, which puts them in a good position in the NFC North. They are a team that has the pieces to make a deep playoff run with quarterback Jordan Love. Whether or not they achieve it is something that still remains to be seen.

If one thing is certain, if the Packers make the playoffs, Wayne will be right there to support them.

Read More: Halle Berry’s Marriage History: A Look At Her Three Ex-Husbands

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