These are the same colors Easy Otabor previewed before the original “Beach” pair arrived last October. At the time, many fans thought the purple and red looks might stay friends and family only.

Overall, the design stays clean and understated. A sail leather upper sits on top, with black eyestays and a black mesh bootie around the ankle.

Metallic silver covers the heel spoiler, and the accent color is limited to the midsole trim and TPU sections. The “Varsity Purple” pair uses purple, while the “Varsity Red” pair uses red.

The style codes are JA8018-100 for purple and JA8018-101 for red. Both are expected in men’s sizing through SNKRS and select Jordan Brand retailers.

Jordan Brand has not confirmed the details yet, and no official images have been released. Overall, it is a very exciting update for one of the most respected collabs of 2025.

Read More: The MoMA x Air Jordan 1 High Is Dropping In 3 New Colorways

Infinite Archives x Air Jordan 17 Low

The first Infinite Archives pair was one of the biggest surprises of 2025. Many fans talked about it as a “Sneaker of the Year” contender.

It also helped bring the Air Jordan 17 back into the spotlight. The model has always been one of Jordan Brand’s most unusual designs, with a jazz-inspired look that stands out from most retros.

Easy Otabor showed the first pair during Paris Fashion Week in January 2025, and the shoe later appeared at a NikeLab Seoul exhibit curated by him.

The “Beach” pair released in October 2025 through a Draw raffle. Pairs this time are expected through Nike’s regular retail network.

The collaboration has built a loyal following, so expect strong demand again. Overall, March 2nd could be one of the biggest dates of the spring. We will be watching for official images soon.

Read More: Drake Responds To Pat McAfee’s NFL Halftime Show Suggestion

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Over the years, halftime has become one of the best launch pads in sneaker culture. Here are the 10 best sneakers ever worn at the Super Bowl halftime show:

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10. Kendrick Lamar, Nike Air DT Max ‘96 “Colorado Away” (Super Bowl LIX)

Kendrick Lamar made the sneaker world pay attention with an unexpected pick at Super Bowl LIX. He wore the Nike Air DT Max ‘96 “Colorado Away,” a signature shoe from Deion Sanders.

The white and black upper has gold accents that match the Colorado Buffaloes’ team colors. It released in September 2024 for $170, but demand surged right after the show. StockX reported that trades on the shoe jumped 413% following the performance.

Further, Roc Nation helped produce that show, and now Jay-Z is stepping up to headline one himself. Overall, it was a low-key choice that turned an underrated Nike into a hot pair overnight.

9. Flea, Adidas 8 “Lakers” (Super Bowl XLVIII)

Super Bowl XLVIII proved that a halftime sneaker does not need to be brand new to stand out. Red Hot Chili Peppers bassist Flea walked out in Adidas 8s in the “Lakers” colorway. He is a huge Lakers fan, so the purple and gold made total sense.

The silhouette also started as Kobe Bryant’s adidas signature shoe, which adds even more history to the pair. Meanwhile, frontman Anthony Kiedis wore a pair of Energy Boost. Overall, it was a simple choice that has aged very well, and it still looks great.

8. Big Boi, Air Jordan 3 “Tinker Oregon” PE (Super Bowl LIII)

Travis Scott grabbed most of the sneaker headlines at Super Bowl LIII. However, Big Boi quietly wore one of the rarest pairs in the stadium. The OutKast rapper performed in his home city of Atlanta in the Air Jordan 3 “Tinker Oregon” PE.

Collectors consider the pair super-rare, since it reportedly went to a small group in the Oregon community. That makes it very hard to find outside of that circle.

Overall, it was a deep cut for real sneakerheads in the middle of a very mainstream show. Moments like that are why halftime sneaker spotting has become so much fun.

7. Rihanna, MM6 Maison Margiela x Salomon Cross (Super Bowl LVII)

Rihanna’s return to the stage in 2023 was a huge moment for music and sneakers. She performed in an all-red look with matching MM6 Maison Margiela x Salomon Cross sneakers. Google Trends data showed searches for the silhouette spiked 4,000% after the show.

Further, it proved that a Halftime sneaker does not need a Nike or Jordan logo to make an impact. The pair also showed how quickly this stage can turn a fashion sneaker into a household name. Overall, it was a rare halftime sneaker moment that came straight from the fashion world.

6. Usher, Custom Chrome Air Jordan 4 (Super Bowl LVIII)

Usher ran through his biggest hits from the early 2000s at Super Bowl LVIII. His custom Air Jordan 4 stood out just as much. He wore the chrome pair with an Off-White outfit covered in 394,000 embroidered crystals.

Usher, Jordan Brand, and customizer The Shoe Surgeon created the shoe together. The upper mixes shiny chrome with shades of blue, grey, and white. It also fit the throwback energy of his set perfectly.

Further, it showed how far custom work can go on a stage this big. Overall, it gave Air Jordan 4 fans one of the flashiest halftime pairs ever.

5. Bad Bunny, Adidas BadBo 1.0 “Resilience” (Super Bowl LX)

Bad Bunny used the biggest stage in sports to debut his first signature sneaker with Adidas. He wore the BadBo 1.0 in an all-white “Resilience” colorway that matched his cream outfit.

The shoe was designed from the ground up with its own identity instead of reworking an old Adidas silhouette. It released the day after the game, which kept the hype at its peak.

The show became the most-watched halftime performance on record.

4. Eminem, Air Jordan 3 “Slim Shady” PE (Super Bowl LVI)

Eminem walked into Super Bowl LVI in an unreleased Air Jordan 3 PE with a “Fire Red” look. The best detail sat on the heel, where a name tag read “Hi! My name is Slim Shady.” He later captioned a photo of the pair “Air Shady.”

That show took place at SoFi Stadium, the same venue where Jay-Z will headline in February. Eminem also has a deep history with Jordan Brand, including a famous Air Jordan 4 collab with Carhartt. Overall, it was a creative PE that matched his persona perfectly.

3. J Balvin, Air Jordan 1 High OG “J Balvin” (Super Bowl LIV)

J Balvin teased his Air Jordan 1 collab before Super Bowl LIV, then wore it on stage. He joined Jennifer Lopez and Shakira for a guest spot during the show. The multicolor shoe, with its bright patches and his smiley face logo, stood out immediately.

Sneakerheads wanted a pair right away, but COVID delays pushed the release to December. It still sold out instantly once it finally dropped.

This was the first halftime show after Roc Nation partnered with the NFL. It remains one of the most eye-catching Air Jordan 1s ever released.

2. Travis Scott, Air Jordan 6 “Olive” (Super Bowl LIII)

Travis Scott used Super Bowl LIII to show off the Air Jordan 6 “Olive” before anyone could buy it. He debuted the shoe right before taking the stage, and its glow-in-the-dark outsole added extra mystery.

He also gave Maroon 5’s Adam Levine an unreleased pair of the Travis Scott x Air Jordan 1 “Mocha.” Levine’s pair came with pink laces, which made it easy to spot. Neither shoe was available yet, which made the hype even bigger.

The Air Jordan 6 was later released in October and sold out right away. Overall, few halftime moments have led to such a huge release afterward.

1. Justin Timberlake, Tinker Hatfield x Air Jordan 3 “JTH” (Super Bowl LII)

Justin Timberlake’s Air Jordan 3 “JTH” is the shoe that started the halftime sneaker playbook. He wore a never-before-seen Tinker Hatfield design with a “White Cement”-inspired look and a reflective Swoosh. Both Timberlake’s and Hatfield’s signatures were inside the tongues.

Many people assumed it was a one-of-one, but Nike dropped the colorway on SNKRS right as his performance ended. Anyone who grabbed a pair now owns a true big-game grail.

Since then, Jordan Brand has treated halftime like a launch stage. With Jay-Z now stepping onto that stage in 2027, the bar for halftime sneakers has never been higher.

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The MoMA x Air Jordan 1 collection was first reported for Spring 2027, and now a specific date has appeared. Jordan Brand and the museum have not confirmed it.

The collection includes 3 colorways. Each pair sits on a black base, with grey, orange, and purple used as the accent colors.

The style codes are JF3014-001 for grey, JF3014-002 for orange, and JF3014-003 for purple. Off-white details are expected across the group.

No official images have surfaced yet, so the design is still a mystery. Overall, it is hard to guess how the museum will interpret the shoe. Pairs are expected through MoMA, SNKRS, and select Jordan Brand retailers.

This is the first time MoMA’s relationship with Nike has reached Jordan Brand. The connection goes back to 2017, when an Air Force 1 High appeared in the museum’s “Items: Is Fashion Modern?” exhibition.

Next year also marks the 10th anniversary of the Nike and MoMA partnership, which makes the timing feel intentional. The museum’s Design Store also launched a Nike sock collection in 2024.

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MoMA x Air Jordan 1 High

The Air Jordan 1 High OG is one of the most important sneakers ever made, so it is a smart canvas for an art museum.

A Jordan Brand and MoMA project also fits the brand’s 30th anniversary as its own company in 2027.

Jordan Brand is reportedly planning to release fewer Air Jordan 1 High OGs in 2027. That could make these three pairs stand out even more.

It has also been a busy stretch for Jordan 1 collabs. The Fragment x Union LA x Air Jordan 1 High OG is another example of a design-focused partnership.

Black is also a safe base for a museum collab. It gives the accent colors room to pop, and it keeps the silhouette easy to wear. Overall, MoMA x Air Jordan 1 could become one of the most talked-about collabs of 2027. Fans will want official images soon.

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However, there are some folks who are holding out hope that Drizzy can someday get involved in other ways. For instance, Pat McAfee and his co-hosts would like for Drake to pop out during the NFL’s Thanksgiving Game Halftime Show.

This year, Ella Langley will perform, and it is expected that “Choosin Texas” will be on the menu. That said, McAfee and his co-hosts firmly believe that Drake needs to be there to perform “Solar Eclipse” with her.

Drake seems to agree with this, as he liked a video repost of the Pat McAfee clip on Instagram.

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Drake Is On Board With Pat McAfee

While this would be a lot of fun, and fans would go absolutely bonkers, it is unlikely that we actually get to see this. Even if Langley does want to bring out Drake, the decision rests in the hands of the NFL.

Furthermore, one has to wonder if Drake would really pull up for a Thanksgiving game. There are a lot of factors at play that would have to go 100 percent right for any of this to work out.

Regardless, fans can dream about the potential possibilities here. It would be cool to see Drake at least get some sort of NFL opportunity. Although you shouldn’t hold your breath. For now, this is just pure fantasy.

Read More: The Wild History Of The Air Jordan 11: Fines, Fights, And An $80 Million Fraud

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However, it appears as though Cole has had a change of heart. After a successful album and an even more successful tour, Cole is revealing that he can never commit to calling it quits.

During a conversation with his mentor and music executive Mark Pitts, as well as GQ writer Frazier Tharpe, Cole revealed the truth behind retirement. While he is not committed to making another album, he knows the appetite to create will return eventually.

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J. Cole Goes Back On Retirement

“After this tour right here? Come on man, this is crazy… When I was making that album, I was making it like, ‘Damn, this is going to be my last sh*t.’ Luckily, by the time I got to actually finishing the album, because of circumstances, I’m like, ‘Nah, I’ll never say I’m going to retire.’ I don’t know when the next thing is going to happen, but I’m definitely not going to say no,” Cole revealed.

This is certainly good news for all of the J. Cole fans out there, who no longer have to worry about the possibility of him quitting music for good. That said, don’t expect a new album anytime soon. You’re still going to have to wait patiently for that.

Regardless, it is good to know that one of this generation’s best artists is not calling it quits so soon. That would be tragic, especially as The Fall-Off proves he still has so much more to give.

Read More: The Wild History Of The Air Jordan 11: Fines, Fights, And An $80 Million Fraud

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Furthermore, Durk received a plethora of character letters from prominent figures. As we reported today and last night, JAY-Z and J. Cole are among those who have vouched for the artist.

Michael Rubin also delivered a character letter, and as you will read, it’s powerful. Rubin speaks on Durk’s work in the community and his involvement in the REFORM Alliance.

“I first met Durk through my work with the REFORM Alliance, an organization dedicated to transforming the probation and parole system and creating opportunities for people who deserve a second chance. Through our interactions, I have come to know a man who places tremendous importance on his family and his ability to make a positive impact on the lives of others,” Rubin wrote.

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Michael Rubin Goes to Bat For Durk

“When we launched the REFORM Alliance, Durk was among the artists who stepped forward to support our mission,” Rubin continued. “He performed at our inaugural event, which raised more than $20 million to help people less fortunate than him be able to return to their families and rehabilitate their lives through an organization that is rethinking antiquated probation restrictions. His willingness to lend his voice and platform to an issue affecting so many individuals and families demonstrated an understanding that success carries with it a responsibility to help create opportunities for others.”

Next week, Durk will learn whether or not these character letters were enough to get him released from jail until his trial in August of next year. If not, then he will remain behind bars as he awaits his final trial.

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However, after winning an NBA title, fans softened on him, just because the vibes were high. Unfortunately, Dolan has done everything in his power to become hated again. From hitting team employees with championship ring phishing emails to shading Mayor Zohran Mamdani, Dolan is hellbent on being the least likeable guy possible.

Now, according to Stephen A. Smith, Dolan is making things a whole lot worse for himself. With the Knicks struggling to start the season, Smith suggests there is tension within the walls of Madison Square Garden. He says this tension stems from the Knicks players not wanting to go to the White House. Dolan is a Trump supporter and is allegedly catching an attitude.

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James Dolan Sabotages The Knicks…Again

If this is true, then it is an absolutely awful look for the New York Knicks. This is one of the most historic franchises in the NBA, and they should be in the midst of celebrating their success. However, once again, their owner has become the topic of conversation.

This is the opposite of what fans were hoping for to start the season. Moreover, one can just imagine how exhausted the players must be from Dolan and his constant narcissism.

Interestingly, Smith refused to talk about his own trip to the White House, where he had dinner with the likes of Bill Maher. Either way, if you’re a Knicks fan, you now know why the team seems distracted.

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These days, it sometimes feels like he has to remind people of the glory days, before he, Jeremy Hecht, and DJ Hed became cornerstones of rap media during the Kendrick-Drake beef. There was CRWN, which became a staple of hip-hop journalism around album releases, and the chemistry between Wilson and B. Dot on Rap Radar that made everyone from JAŸ-Z to Will Smith and Drake comfortable enough to open up about their lives and the lore behind their music.

That kind of access doesn’t happen overnight. It comes from decades of building a reputation and earning the trust of the people you’re covering. Born in 1971, Wilson has spent much of his career documenting and shaping hip-hop journalism. From Beat Down to The Source to XXL, where he eventually became editor-in-chief, Wilson helped guide the magazine through the transition into the digital era. As new generations emerged and the landscape changed, he adapted. Even after leaving XXL, he launched Rap Radar, which became an influential interview platform and a place for audiences to discover the latest hip-hop releases. Wilson has spent decades establishing himself as one of hip-hop’s most recognizable media figures.

Wilson won’t let you forget that history, either. His X feed remains a collage of milestones and bragging rights, a running reminder of what he’s accomplished. But if hip-hop remains youth culture, then you have to meet the youth where they’re at. Young audiences aren’t necessarily digging through the archives. They’re coming across clips that draw a reaction, whether it’s an explosive revelation, a heated exchange, or a controversial opinion. Video formats and podcasts still require some degree of trust in the person speaking, which helps explain why Adam22, Akademiks, and Vlad have built influential platforms despite the backlash they often face. Just as important is the emotional response they can draw from an audience. Outrage is just as valuable as agreement when both can spark a conversation.

The difference is that many of these personalities didn’t spend decades working their way through the same institutions as Wilson. Yet their influence has grown beyond what traditional hip-hop journalism can easily contain. The scope of the genre’s media landscape has expanded far beyond newspapers, magazines, and online publications. Rappers have followed the blueprint of Drink Champs without always bringing the same curiosity to their interviews. Executives and A&Rs can offer insight into the inner workings of an industry that most fans rarely get to see. Then there are the streamers and influencers whose interest in hip-hop began while Wilson was interviewing their favorite rappers. The people being interviewed have increasingly become interviewers themselves, and the gatekeepers who once controlled access to the culture no longer have the same authority.

Wilson’s legacy, however, has become more complicated over the past year and change. At the height of The Bigger Picture, he took on Director of Hip Hop Journalism across HipHopDX, Uproxx, and Dime. Those outlets have since leaned more heavily into Instagram as their websites have shifted toward video. That alone reflects a broader shift away from the traditional online publication model. The Bigger Picture itself attracted attention not only because of the chemistry between its hosts, but also because of the behind-the-scenes insight Wilson and DJ Hed could offer into Drake, Kendrick Lamar, and the other rappers caught up in that saga. Their access made the show compelling. At the same time, Wilson appeared to be learning that being a media personality was different from simply being a host or interviewer. Sometimes, a little provocation can go a long way.

During an appearance on The Joe Budden Podcast, B. Dot discussed his falling-out with Wilson after the two did not renew their Rap Radar partnership. He described a shift in Wilson’s public persona, one that increasingly seemed to position him as an antagonist. That perception became harder to separate from Wilson’s own public comments regarding the media landscape these days. He apologized to Kai Cenat after criticizing the streamer amid Nicki Minaj’s interest in reaching younger audiences through platforms like his. He also questioned Cam’ron and Ma$e’s move into sports commentary, despite their pursuing a lane distinct from his own. In both cases, Wilson’s reactions raised a question of whether was he defending the standards of hip-hop journalism, or reacting to a media landscape in which his own approach no longer commanded the same attention.

Those moments still brought viral currency back to Wilson’s name. He eventually sat down with Cam’ron on Talk With Flee, where they addressed their differences, and he later ran into Kai Cenat and apologized. His visibility didn’t necessarily wane. Instead, the controversies prompted people to question whether his priorities were still centered on elevating hip-hop or increasingly on elevating himself.

That tension became more apparent when Wilson attempted to work with Vlad on a one-off episode of VladTV featuring Hit-Boy. The partnership was short-lived. Vlad later alleged that Wilson wanted a payout for the interview that was double the revenue Vlad’s channel had generated from the segment. Wilson has also faced allegations surrounding a separate financial dispute with SaVon Slater of The Joe Budden Podcast, who has claimed that Wilson owes him $20,000. These are competing accounts and allegations, but they’ve contributed to the scrutiny surrounding Wilson’s business relationships.

Business is business, at the end of the day. But the fallout from Wilson’s Rap Radar partnership–despite saying that he and B.Dot could pick up right where they left off if and the disputes that have followed raise questions about how he approaches his relationships with peers and collaborators. At least, that’s how some of the public has come to view him. After years of providing value to hip-hop, Wilson now finds himself under suspicion from people who once might have given him the benefit of the doubt. Part of that reaction comes from stan wars and the expectation that a journalist should remain impartial, even when covering artists whose fans have turned every disagreement into a contest. But another part stems from the perception that Wilson has become increasingly estranged from peers and partners with whom he once shared a rapport.

As a consumer, it’s hard not to see how some of Wilson’s more antagonistic rhetoric has complicated his legacy. It’s one thing to challenge someone in an investigative report or call them out when you catch them in a lie. It’s another to provoke a reaction simply because the next viral moment is worth chasing. Wilson isn’t Vlad or Akademiks, two personalities who have turned online controversy into an effective part of their brands. He still seems to want the respect that comes with his journalistic legacy, even as he navigates a media landscape where younger personalities have had to build their own platforms without the institutional support that once helped journalists like him get through the door. Leaning into the hate only gets you so far when it risks undermining the principles that made people respect you in the first place.

Clout can outweigh merit in certain circumstances. Wilson’s recent controversies won’t erase what he’s accomplished. But his legacy isn’t immune to scrutiny, either. Those who criticize him often acknowledge the respect they still have for his contributions to hip-hop journalism. The problem is that every new controversy gives his critics more reason to question whether the man he has become is living up to the work he has done.

For all the times Wilson has evolved with the culture, he now faces the challenge of adapting to a generation in which many of his former interview subjects have become the interviewers themselves and the new faces of media haven’t had to jump over the same hurdles he had to face. Trying to shapeshift to fit the mold of the moment risks turning him into a villain, even among people who don’t necessarily want to see him that way. His legacy remains significant. Whether he can protect it without becoming consumed by the very attention economy will have to be seen in whatever he has planned next.

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“I woulda went to war with Pooh Shiesty if he had [impregnated] one of my baby mamas,” he explained. “And I would have went to war with him and tried to get his PO to lock him up.”

These were massive allegations, especially when you consider how Pooh Shiesty is currently in jail awaiting trial for allegedly robbing and kidnapping Gucci Mane.

Despite his predicament, Pooh Shiesty still found some time to respond to Rainwater’s allegations. Over on his Instagram story, he wrote “Mane i dont got no baby momas, no babies otw, nun of that and dont want none! or nun to do with you gabage a** h*es.”

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Pooh Shiesty Responds

Ultimately, this is a strong response to the allegations. Allegations that certainly took some by surprise when they first surfaced on the internet. After all, Pooh Shiesty is a person of interest to hip-hop fans right now. This kind of salacious accusation only adds to the conversation around the rapper’s name.

Now that this is cleared up, Pooh Shiesty will be looking to focus on his upcoming trial. His federal trial is expected to begin on February 22. If convicted, he could face life in prison as a maximum sentence.

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The post Pooh Shiesty Denies Getting Mo3’s Former Girlfriend Pregnant appeared first on HotNewHipHop.

“Ms. Kemp shamelessly used the label ‘on the spectrum’ as a pejorative slur hurled at a child to humiliate him and his family,” Fif’s lawyers argued in a complaint filed Oct. 26. “But autism is not shameful. What is shameful is fabricating a diagnosis for a private child, inventing a sexually degrading cause for it, and broadcasting both to a mass audience in order to degrade him.”

Fif is specifically alleging that Kemp committed libel and slander, false light invasion of privacy, and intentional infliction of emotional distress, and he’s looking for $2M for each count.

Read More: The Wild History Of The Air Jordan 11: Fines, Fights, And An $80 Million Fraud

Tia Kemp & 50 Cent Legal Battle

However, it looks like Tia Kemp isn’t folding. In response to Fif’s lawsuit, she shared a fake GoFundMe fundraiser asking to help her reach her goal of $6M with the caption reading, “I need Money by Monday”–flipping the script on 50 Cent. 

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A post shared by Tia Kemp (@yuntietiaback)

She then shared a video where she heckled 50 Cent over the lawsuit, claiming that he’s still bitter over his feud with 50 Cent. She said that Fif constantly dishes out insults to others but, in this case, sues when the tables have turned. 

“You talking about rat? And you want to ratty ratty with lawyers?” she said. “B*tch, suck a d*ck, p*ssy.”

She then pointed to Fif filing for bankruptcy after he lost his lawsuit to Lastonia Leviston, Rick Ross’s other baby mama. Check out the clip above and sound off with your thoughts in the comment section below. 

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