Release Date: June 5, 2026
Genre: Hip-Hop/Rap
Album: Cry Baby

Tracklist For Cry Baby

1. Blackberry Marmalade
2. Go! Go! Gorilla
3. White Flag
4. The Running Man
5. TV Guide
6. The Big Bad Wolf
7. Only In America
8. Do You Know The Devil
9. Cotton
10. 7 In The Morning

The post Cry Baby— Album By Vince Staples appeared first on HotNewHipHop.

“Hey Elon if u see this please put the audio post feature back on here,” she said. Then she immediately launching into a series of insults aimed at the billionaire entrepreneur. “Thanks, u frog build looking b*tch, barrel chested ewok u look like u eat sand.”

As expected, the post quickly went viral. Fans flooded social media with reactions.

“That’s funny af and a perfect description,” one person commented.

“Feel like Elon likes being talked to like that lol,” another said.

The exchange is the latest example of Doja Cat’s unpredictable online presence. Over the years, she has built a reputation for trolling and genuine commentary in ways that regularly leave fans wondering whether she’s serious or joking. More often than not, it ends up being a little bit of both.

Read More: Drake Dominated 2016 Ten Years Ago & Hasn’t Let Up

Doja Cat Has A Message For Elon Musk

View this post on Instagram

A post shared by No Jumper (@nojumper)

Meanwhile, X users have continued debating several platform changes introduced under Musk’s leadership. The audio post feature was popular among some creators, artists, and influencers who used it as a more personal alternative to traditional text posts. Since its removal, many users have repeatedly asked for its return.

The comments come during a busy stretch for Doja. And she’s no stranger to being involved in online conversations.

In fact, just last month Doja Cat made headlines for drama with PlaqueBoyMax. The scenario was, he gifted her 20 subs and her Twitch moderators immediately banned him. Doja Cat later shared an apology on X. “Getting rid of some of my mods for banning plaquboymax cuz that wasn’t even my idea and i don’t appreciate people doing that when he didn’t do anything wrong,” Doja said.

When some fans blamed it on PlaqueBoyMax’s prior criticism of her Scarlet album, she added: “I don’t f*ckin care???”

Meanwhile, Doja has been traveling on the Tour Ma Vie World Tour. She’s returning to North America in October for another leg with shows in Seattle, San Francisco, Miami, and more cities. The tour wraps up in New York City in December.

Read More: PlaqueBoyMax Blasts Doja Cat Fans For Hating On Him

The post Doja Cat Delivers Hilarious Rant At Elon Musk While Begging For X Feature To Return appeared first on HotNewHipHop.

Instead, Joy shared a twerk video. Due to timing, many fans interpreted it as message to critics who have been discussing her nonstop throughout the week. The clip quickly circulated and social media had a lot to say.

“As a mother of two boys, I could never embarrass my kids like this,” one person wrote.

“yall was in the comments like “ im soooo sorry this happened to you”…meanwhile,” another person said.

“At this point trying very hard to pretend she doesn’t care actually overcompensating psych 101. She cares greatly,” another typed.

The post arrives shortly after Joy publicly addressed the leaked footage that spread across social media over the weekend. In a statement that was later deleted, she claimed the video was recorded without her consent and alleged that she was extorted by individuals attempting to profit from the footage.

According to Joy, she refused to pay the requested money, which ultimately resulted in the video being circulated online.

Read More: 50 Cent Goes Off On Daphne Joy On Stage Following Diddy Sex Tape Leak

Daphne Joy Seemingly Responds To The Haters

View this post on Instagram

A post shared by The Neighborhood Talk (@theneighborhoodtalk)

The situation became even more complicated due to Diddy’s involvement. Since the Bad Boy founder’s recent conviction, many online observers argued that sharing or consuming the footage was inappropriate given the allegations that have surrounded him. Others expressed sympathy for Joy, who claimed she was forced to relive a traumatic experience after the video’s release.

Meanwhile, 50 Cent has continued weighing in (laughing) on the controversy. The rapper recently made headlines after addressing the leak during a public appearance, where he made it clear that he does not view Joy as a victim in the situation.

“She’s not a victim, SIRE is can you imagine going to eighth grade to find out this is your mom,” 50 said. “The court system in LA thinks it’s fine. Free Diddy he has gone through enough being born with no penis. LOL.”

As for Joy, her latest social media post suggests she is not interested in engaging with every criticism being thrown her way. Instead, she appears focused on moving forward.

Whether the twerk video was intended as a direct response or simply another social media post, it’s clear that Daphne Joy remains one of the most talked-about names on social media this week.

Read More: Jay-Z Disses Drake During Roots Picnic Freestyle

The post Daphne Joy Appears Unbothered With New Twerk Video Following Diddy Tape Controversy appeared first on HotNewHipHop.

For the most part, ICEMAN stayed remarkably close to the version fans ultimately received. However, the documents reveal a few interesting changes that occurred during the final stages of the rollout.

One of the biggest discoveries involves HABIBTI. According to the spreadsheet, the album originally included “Vital,” a song that has become something of a mythical record within Drake’s fanbase. Instead, the track was ultimately replaced by “Classic” before the album’s release.

Read More: Akademiks Can Barely Keep His Eyes Open During Drake’s “Habibti” Listening Session

OVO Noel Shares Tracklist Drafts

View this post on Instagram

A post shared by Noel Cadastre (@ovonoel)

The mention of “Vital” immediately caught the attention of longtime OVO supporters.

“WE ALMOST GOT VITAL? NAH IT MIGHT FINALLY BE DROPPING SOON,” one person wrote in the comments.

The song dates back nearly a decade and was first teased during Drake’s Boy Meets World Tour in 2017. Despite never receiving an official release, the track eventually leaked online and has remained one of the most requested unreleased Drake records ever since. Seeing it listed on an official working tracklist confirms that it was at least considered for inclusion at some point during the album’s development.

Elsewhere, fans noticed a few title changes. Fan-favorite hit “Janice STFU” appears to have originally been titled simply “Janice,” while another track called “Firm Friends” may have previously existed under the name “Can’t Play Switzerland.”

The documents also suggest that Drake was still making adjustments late in the process. “I’m Spent” featuring Loe Shimmy appears to have been added relatively late in HABIBTI‘s assembly, while MAID OF HONOUR seemingly remained untouched from its original sequencing through release.

The reveal gives fans another glimpse into the meticulous process behind Drake’s latest era. While artists frequently make last-minute changes before an album drops, it is rare to see the actual working documents that show how those decisions unfolded in real time.

Three weeks after their arrival, Drake’s latest releases continue to dominate conversation across hip-hop.

Unfortunately for OVO loyalists, the elusive fan favorite “Vital” remains locked in the vault for now.

Read More: Drake “HABIBTI” & “MAID OF HONOUR” Review

The post Drake’s Sound Engineer Reveals Original Tracklists For “ICEMAN,” “HABIBTI” & “MAID OF HONOUR” appeared first on HotNewHipHop.

Now, Wright has officially entered the conversation. The former Roots affiliate unleashed a lengthy response on YouTube, aimed not only at JAY-Z, but also several figures connected to him. According to clips circulating online, Wright criticized Questlove for remaining loyal to Hov despite what she claims was knowledge of behind-the-scenes issues involving Black Thought’s career. She also questioned why JAY-Z has never publicly distanced himself from Sean “Diddy” Combs amid the Bad Boy mogul’s mounting legal troubles.

Read More: Mal Reveals Drake’s Initial Reaction To Jay-Z’s Roots Picnic Freestyle

Jaguar Wright Has Had Enough

Wright additionally pointed to JAY-Z’s continued relationship with Kanye West over the years, arguing that despite Ye’s controversial comments about his family, Hov still benefited from records and collaborations produced by his former Watch The Throne partner. She then accused the rap icon of hypocrisy. Moreover, she referenced bars from the Roots Picnic freestyle that appeared to criticize artists for involving children in public disputes.

Wright, who previously worked closely with The Roots and famously appeared on JAY-Z’s MTV Unplugged project, has spent much of the last several years making explosive allegations against some of the biggest names in music. Those claims have frequently generated headlines and controversy throughout the industry.

Meanwhile, JAY-Z’s freestyle continues to dominate hip-hop discussions. The performance marked one of his most talked-about appearances in years and reignited tensions with multiple artists and public figures in a single night. While Drake, Kanye West, and Nicki Minaj have yet to issue direct responses, Dame Dash already fired back publicly, calling the freestyle “embarrassing.”

As for Wright, it does not sound like she plans on letting the issue die anytime soon. Given her history with both JAY-Z and The Roots, fans should probably expect this story to continue developing in the days ahead.

Read More: The Villains Of Hip Hop: Power, Chaos, Scandal, & Survival

The post Jaguar Wright Fires Back At JAY-Z After Being Named In Viral Roots Picnic Freestyle appeared first on HotNewHipHop.

Durant has been expanding his partnership with the club beyond ownership, and this footwear collaboration appears to be the latest extension of that relationship. Nike has not officially confirmed the release at this point.

The photos show at least two distinct colorways, though it is unclear whether the release is structured as a two-pair pack or whether the images show mismatched pairs from a single collection. One colorway features a white leather base with navy and red detailing throughout.

A KD logo appears on the heel alongside PSG branding, and the number 35 sits prominently on the tongue. A second colorway features a metallic silver upper with navy mesh and red accents.

PSG branding appears across the images in various placements, including heel tabs and tongue labels. Handwritten text appears on the midsole of at least one shoe, though it is difficult to read in the available photos.

The timing of these images surfacing is notable. PSG just won the UEFA Champions League, beating Arsenal in the final. The KD 6 originally released in 2013. No release date or official details have been confirmed at this stage.

Read More: A First Look At The Mowalola x Air Jordan 14 Has Surfaced

PSG x Nike KD 6

Kevin Durant became a minority owner of PSG in 2024, making him one of the more prominent NBA figures with a direct stake in a major European football club.

His ownership position has since developed into broader creative and commercial involvement with the club. This footwear collaboration represents a natural extension of that relationship into the sneaker space.

The KD 6 was Durant’s signature shoe during the 2013-14 NBA season, the year he won the MVP award. Its straightforward shape has made it a recurring choice for collaboration projects over the years. PSG’s navy, red, and white palette carries over clearly into both colorways visible in these photos.

Whether this is a two-pair pack or a mismatched set remains unclear until Nike confirms the official structure. No further release details have emerged alongside these first look images.

Read More: Nike Releases Star-Studded “Rip The Script” Short Ahead Of World Cup

The post Early Images Of The PSG x Nike KD 6 Have Leaked Online appeared first on HotNewHipHop.

Ovrnundr reports the Mowalola x Air Jordan 14 is going to release on September 18th, 2026.

Nigerian designer Mowalola Ogunlesi has worked with Jordan Brand to produce what appears to be a full collection rather than a standalone sneaker release. A co-branded logo combining the Mowalola mark and the Jumpman was also shared alongside the imagery.

The Air Jordan 14 in the photos features a dark metallic finish across the upper. The shoe appears heavily distressed or treated to achieve a worn, aged look.

Red Mowalola branding runs along the ankle area, connecting the footwear directly to the apparel pieces in the collection. The overall color palette across the collection is dark, leaning on black and deep red tones throughout.

The apparel consists of a matching tracksuit set featuring a plaid or tartan pattern rendered in a mesh-like fabric. A red stripe with the number 23 appears on the chest of the jacket. Jumpman branding sits on the pants alongside what appears to be Mowalola detailing at the hem.

Mowalola has been an emerging name in the fashion space for several years and has collaborated with Nike previously. This Air Jordan 14 collab marks a notable step into Jordan Brand territory for the designer. No official release details have been confirmed at this stage.

Read More: Drake Hits Yet Another Impressive Streaming Milestone With “ICEMAN”

Mowalola x Air Jordan 14

The Air Jordan 14 is not the most frequently revisited silhouette in the Jordan Brand catalog. It originally released in 1998 and is associated with Michael Jordan’s sixth and final championship.

The shoe features a low-profile design with a Ferrari-inspired aesthetic that informed its original construction. Mowalola’s take on the silhouette appears to move away from that heritage significantly in terms of finish and presentation.

The distressed metallic treatment visible in the photos gives the shoe a very different character from previous AJ14 retros. The apparel component of the collaboration adds context and suggests this is intended to function as a fashion-forward project rather than a traditional sneaker release.

Mowalola previously worked with Nike on apparel-focused projects, so pairing footwear with a full clothing collection fits the designer’s established approach to brand collaborations.

Read More: Nike Releases Star-Studded “Rip The Script” Short Ahead Of World Cup

The post A First Look At The Mowalola x Air Jordan 14 Has Surfaced appeared first on HotNewHipHop.

The video brings together a large group of soccer players, musicians, and entertainers in a single production. It represents one of the larger marketing efforts Nike has put together around a World Cup.

The film opens with a director trying to get Nike’s football stars to stick to a script before things quickly go off course. From there, the action moves across a studio backlot as players take over the production.

The cast includes Cristiano Ronaldo, Kylian Mbappe, Erling Haaland, Vini Jr., LeBron James, Travis Scott, Kim Kardashian, Channing Tatum, Jason Sudeikis as Ted Lasso, and legends including Ronaldinho, Zlatan Ibrahimovic, and Didier Drogba.

The campaign also includes a series of capsule collections created in partnership with creative collaborators, including Palace x England, Jacquemus x France, and Patta x Netherlands. The film serves as the centerpiece of a broader World Cup marketing push from Nike that spans product, partnerships, and content.

The release comes as Nike looks to position itself at the center of conversations surrounding the 2026 tournament, which kicks off in North America later this month.

Read More: Drake Hits Yet Another Impressive Streaming Milestone With “ICEMAN”

Nike “Rip The Script” Video

Nike’s World Cup campaign comes during a period where the brand is actively working to restore momentum and reverse a stretch of sluggish sales. Soccer and the World Cup are central to that effort, particularly with the tournament taking place in North America for the first time.

It ends with a young player cutting through a crowd of Nike athletes to get to the ball, before Haaland delivers the final kick. The structure positions the established stars alongside the next generation, which aligns with a broader message Nike has been pushing around youth and grassroots football.

Beyond the film itself, Nike has also been expanding its World Cup presence through initiatives focused on creating opportunities for younger players and cultural crossovers including a collaboration with LEGO. The campaign is designed to unfold across multiple touchpoints leading up to and through the tournament.

Read More: DJ Akademiks Claims Drake’s First Three Albums Are Worth More Than Jay-Z’s Entire Discography

The post Nike Releases Star-Studded “Rip The Script” Short Ahead Of World Cup appeared first on HotNewHipHop.

Hip Hop has spent much of its existence celebrating youth while treating aging like a problem to be solved. Every few years, the conversation returns in a slightly different form. Older rappers should step aside and leave room for the next generation. They should stop trying to compete with younger artists. The latest version arrived recently when rapper Trim suggested that Rap’s elders should focus on business before becoming “washed up,” a sentiment that sparked debate across social media.

View this post on Instagram

A post shared by Roc Nation (@rocnation)

Read More: JAŸ-Z Already Warned Us: 2026 Is All Offense

The problem with that argument is that reality keeps refusing to cooperate. Jay-Z’s appearance at the Roots Picnic wasn’t a victory lap built on nostalgia. It was the performance of an artist who still commands a stage, still captivates an audience, and still occupies a place at the center of Hip Hop’s cultural conversation. More than 50 years after the genre’s birth, perhaps the question is no longer whether older rappers belong, but whether Hip Hop is finally mature enough to stop confusing age with irrelevance.

Hip Hop Has Always Had A Complicated Relationship With Aging

Hip Hop’s discomfort with aging is one of the culture’s strangest contradictions. Few genres celebrate legacy more aggressively. Fans debate classic albums and build entire media platforms around the artists who helped create and mold Rap history. Yet, many of those same conversations become noticeably less generous once the artists themselves get older. Somewhere along the way, Hip Hop adopted the idea that relevance has an expiration date, one that often arrives much earlier than it does in other forms of music.

The expectation never made much sense. Rock legends like Elton John, Bruce Springsteen, Paul McCartney, and Mick Jagger continue performing before sold-out crowds well into their 70s and 80s. Country icons such as Dolly Parton and Willie Nelson are treated as living institutions. Jazz musicians are often celebrated for the perspective and mastery that come with age. Their longevity is viewed as evidence of greatness, not proof that they’ve stayed too long. Rap, meanwhile, spent years acting as though turning 40 should trigger an exit strategy.

View this post on Instagram

A post shared by HotNewHipHop® (@hotnewhiphop)

Read More: Joe Budden Explains Why He Didn’t Like Jay-Z’s Roots Picnic Freestyle

Part of that tension comes from Hip Hop’s origins. The genre emerged from youth culture, driven by young people creating something entirely their own. In its early years, there simply were no elders because the culture itself was still young. However, Hip Hop is no longer fighting for legitimacy. It is more than 50 years old, and the pioneers who built it have aged alongside it.

Moreover, the audience has, too. Many of the fans who bought Reasonable Doubt, Illmatic, The Chronic, or All Eyez on Me when those albums first arrived are now middle-aged themselves. They aren’t looking at Jay-Z, Nas, Black Thought, Busta Rhymes, Common, or LL Cool J as relics from another era. They’re watching artists who continue to evolve while carrying decades of experience. The idea that rappers should quietly disappear after a certain age feels increasingly disconnected from the reality of what Hip Hop has become and who it now serves.

Jay-Z Didn’t Look Washed Up, He Looked Comfortable In Greatness.

One of the reasons the “older rappers should retire” argument continues resurfacing is because people often confuse relevance with visibility. In the social media era, relevance is frequently measured through viral moments, chart placements, controversy, and online engagement. By those standards, almost every artist eventually loses ground to a younger generation. Still, Hip Hop has always had another measure of greatness, one that can’t be captured by algorithms or streaming statistics alone.

Jay-Z’s Roots Picnic performance was a reminder of that distinction. There was no manufactured controversy attached to the appearance or public feud, a desperate attempt to chase trends. There wasn’t a rollout designed to convince audiences that he still mattered. He walked onstage carrying something far more valuable with one of the deepest catalogs in the history of Rap and the confidence that comes from knowing it.

View this post on Instagram

A post shared by Roc Nation (@rocnation)

Read More: Dame Dash Says He Is “Embarrassed” For Jay-Z, Criticizes His Hair

That matters because Hip Hop often treats aging artists as if they’re fighting to preserve their careers, but Jay-Z no longer has anything to prove in that regard. At 56, he occupies a space few artists in any genre ever reach, one where greatness becomes so established that every appearance feels less like a comeback and more like a reminder.

Jay-Z Represents Something Hip Hop Never Planned For

When Jay-Z released Reasonable Doubt in 1996, Hip Hop had no blueprint for what a 56-year-old Rap superstar was supposed to look like. Today, Jay-Z occupies a space that barely existed when his career began. He is no longer simply a recording artist but a businessman, investor, sports executive, philanthropist, and cultural figure whose influence spreads far beyond music. Through ventures such as Rocawear, Roc Nation, Armand de Brignac champagne, D’Ussé cognac, and a series of high-profile investments and partnerships, he helped create a wealth-building model that countless artists have attempted to replicate. Entire generations of rappers now speak openly about ownership and generational wealth using language Jay-Z spent years popularizing through both his music and his business dealings.

What’s remarkable is that none of those accomplishments required him to abandon Rap. For years, Hip Hop treated business success as the exit strategy. Artists were expected to build their wealth, retire from music, and move on. Hov rejected that framework. He became a mogul without surrendering his identity as an artist. That’s why a performance like Roots Picnic carries so much weight. The audience isn’t simply looking at a veteran rapper holding onto relevance. He’s someone who helped redefine what longevity could look like in Hip Hop.

Read More: Mal Reveals Drake’s Initial Reaction To Jay-Z’s Roots Picnic Freestyle

The Best Evidence Against The “Retire” Argument Already Exists

If Jay-Z were the only example, the conversation might be different. Every genre has its outliers. Look across Hip Hop, and you’ll find veterans who continue to produce some of the strongest work of their careers. Nas spent the past several years building one of the most impressive late-career runs the genre has ever seen, releasing multiple acclaimed projects with Hit-Boy and earning a Grammy for King’s Disease. Black Thought remains one of the most respected lyricists in music, delivering performances that routinely remind audiences why he’s considered an elite artist. Killer Mike earned the biggest commercial and critical accolades of his solo career in his late 40s, while artists like Common, LL Cool J, Busta Rhymes, and others continue finding new ways to engage audiences without chasing trends.

Read More: Jay-Z Takes Shots At Kanye West During Roots Picnic Freestyle

Many of these artists stopped competing on the industry’s terms years ago. They are not trying to become the next viral sensation or reinventing themselves every six months to satisfy an algorithm. They are drawing from decades of experience, refining their craft, and creating work that reflects where they are in life. In many ways, that is what maturity in an art form is supposed to look like.

Perhaps the real issue is that Hip Hop spent so many years imagining success as a young person’s game that it never developed the language to talk about artistic longevity. Yet, that longevity is becoming one of the genre’s greatest strengths. The culture is finally old enough to have elders, and many of them are still operating at a remarkably high level. Far from holding the genre back, they are helping expand the possibilities of what a Rap career can become.

The Genre Is Finally Growing Up

The conversation surrounding older rappers also says as much about Hip Hop as it does about the artists being discussed. For decades, the culture has defined itself through innovation, disruption, and the constant arrival of a new generation eager to challenge the one before it. That tension has always been part of Hip Hop’s DNA. Every era believes it is reinventing the genre and eventually finds itself defending its place within it.

Further, Hip Hop is no longer a young culture trying to prove it belongs. It is one of the most influential artistic movements of the last half-century, from fashion and language to politics, sports, and business. The artists who helped build that foundation are now entering their 40s, 50s, and 60s. More importantly, so are the fans who grew up with them. The audience and culture have matured. The conversation around age should mature with it.

View this post on Instagram

A post shared by HotNewHipHop® (@hotnewhiphop)

Read More: Jay-Z & The Roots Host Private Philadelphia Show Before Picnic Set

What’s often missing from debates about older rappers is an understanding of how hard it is to achieve longevity in music. Plenty of artists have a hot year, and some even have a hot decade. Very few remain relevant across multiple generations while continuing to evolve. That requires adaptability, discipline, reinvention, and a level of artistic endurance that cannot be manufactured. Jay-Z didn’t prove that older rappers still belong at the Roots Picnic, but that the conversation itself may be overdue for retirement.

The post JAŸ-Z Proves We Need To Retire The Idea Of OG Rappers Being “Washed Up” appeared first on HotNewHipHop.

So far, Drake has answered both of those questions in the affirmative. He even dropped two other projects for good measure. However, ICEMAN remains the album that everyone is focused on. It has spent two weeks at number one on the Billboard 200, and it is about to be on top for a third week. Overall, this just shows that Drizzy can still deliver event albums that people want to listen to.

On Thursday, it was revealed that Drake continues to dominate the charts and the streaming world. For instance, the album has already reached 1 billion streams on Spotify. This is his 18th project to do so.

Read More: JAŸ-Z Already Warned Us: 2026 Is All Offense

Drake Continues To Hit Milestones

1 billion streams in just three weeks is extremely impressive, especially when some felt as though the artist’s career was dead. With this latest achievement, Drake has shown that he is not going anywhere anytime soon.

Since the release of these three projects, there have been rumblings that Drake is planning more releases for this year. For instance, there is a sense that Scary Hours 4 could very well be on the horizon. With a Jay-Z battle brewing, Scary Hours 4 could certainly be the right move for the artist.

Whatever the case may be, this year has been huge for the Canadian megastar. He has proved many of his doubters wrong, and now, he is free to go on a victory lap.

Read More: It’s About Time Lil Wayne Retires “Tha Carter” Series

The post Drake Hits Yet Another Impressive Streaming Milestone With “ICEMAN” appeared first on HotNewHipHop.