These facts are not new. What’s changed is how some of the most visible men in music are choosing to talk about them.

In a recent interview, J. Cole explained why he chose not to release a podcast episode about his past altercation with Combs. He said he didn’t want to “kick a man while he’s down.” Around the same time, Usher addressed the ongoing case by saying he didn’t have anything negative to say, adding that Combs had been “misrepresented” and pointing instead to his personal experience.

Read More: Usher Has Nothing But Praise For Diddy Despite Everything That’s Happened

Neither response engages what is already public. Instead, they redirect the conversation. One frames accountability as excess while the other leans on proximity, as if knowing someone in one context outweighs what has been documented in another. That matters when there’s already a video of Combs kicking and dragging Cassie across a hotel hallway floor. That alone should have settled the tone of the conversation.

Instead, what’s emerged in recent weeks is something else. It’s not confusion or uncertainty, but a change in the language from some of the most visible men in music, away from what’s been documented and toward something softer, more careful, and easier to sit with.

Read More: 50 Cent Calls Out Usher For Coming To Diddy’s Defense

“Not Kicking A Man While He’s Down”

J. Cole’s comment would have landed differently if the public record around Sean Combs were unclear. It isn’t. On Cam’ron’s Talk With Flee, Cole explained why he chose not to release a podcast episode detailing an altercation with Diddy in 2013 because he said it felt like “kicking a man while he’s down,” suggesting that adding to the conversation would only give people more reason to tear him apart.

That moves the focus. The most widely circulated image tied to this case isn’t speculation. It’s surveillance footage of Combs kicking and dragging Cassie Ventura in a hotel. That moment alone changed the public conversation. It removed any ambiguity about what kind of behavior was being discussed.

Read More: Usher’s Son Left In Utter Disbelief After Being Called “Young Diddy”

So, when Cole talks about restraint, the question isn’t whether piling on is necessary. It’s why the language centers Combs at all. “Kicking a man while he’s down” suggests harm being done to him. This recasts accountability as excess. It turns public criticism into something bordering on cruelty, rather than a response to what’s already been shown. It redirects attention away from the people who have spoken, and toward protecting the person they’re speaking about.

“I Don’t Have Anything Negative To Say”

Then, in a recent interview, Usher said he had nothing negative to say about Combs. He described his own experience as different from what’s being discussed publicly and suggested that Combs has been “misrepresented.” The focus stayed on what he knew, what he saw, and how he chose to remember it.

That does something specific by narrowing the conversation to personal proximity. It suggests that if someone didn’t experience harm directly, they are not in a position to speak on it. On its surface, that sounds reasonable. In practice, it creates distance between the speaker and what has already been documented.

Read More: Dawn Richard Alleges Diddy Punched Cassie During A Star-Studded Dinner With Usher, Ne-Yo & Jimmy Iovine

There are lawsuits and testimony, undeniably. There is a video and multiple accounts that point in the same direction. None of that requires personal experience to acknowledge. It requires recognition, and that’s where Usher’s response lands differently.

Saying “I didn’t experience that” is one thing. Using that as the boundary for what can be said publicly is another. It shifts the standard from what is known to what is personally felt. When that happens, the people who were harmed fall out of the frame, and in this case, that relationship is doing more work than the record.

What Is Actually Known

The public conversation around Sean Combs is not built on a single allegation or one moment taken out of context. It is crafted from multiple accounts across different years and by different people, describing similar behavior.

Cassie filed a lawsuit detailing years of physical abuse and control. She later gave testimony in federal court. In one of the most widely circulated pieces of evidence tied to the case, surveillance footage shows Combs kicking and dragging her in a hotel hallway. Another former partner, Gina Huynh, described her own experience publicly, saying he stomped on her and subjected her to repeated physical abuse during their relationship.

Read More: Usher Speaks On Experience Living With Diddy At 13 In Resurfaced Clip

Further, Dawn Richard filed a lawsuit accusing Combs of abuse and stated that she witnessed him assault Cassie—in front of Usher. She also described an environment where speaking out carried consequences. Amid that, producer Rodney “Lil Rod” Jones filed a lawsuit alleging sexual harassment, coercion, and exposure to ongoing misconduct while working closely with Combs. His claims expand the scope beyond personal relationships into professional spaces.

Moreover, in testimony connected to the broader case, Kid Cudi alleged that his car was set on fire after a conflict involving Cassie, an incident long rumored and now tied more directly to Combs through court proceedings. These accounts do not exist in isolation and point to recurring themes.

What Gets Lost When Men Choose Silence

What stands out in both J. Cole and Usher’s comments is not just what they said, but what they chose not to engage. Neither of them named Cassie Ventura. They didn’t acknowledge the video that has already circulated widely or the evidence collected by authorities, the one that shows Sean Combs kicking and dragging Cassie across a hotel hallway floor. That absence is noticeable because it requires intention. It requires looking at what is already public and deciding not to speak to it directly.

That same purposeful ignorance extends further. Huynh described being stomped during her relationship with Combs. Dawn filed a lawsuit and said she witnessed abuse. Other lawsuits and testimony have outlined patterns of coercion, control, and violence across different spaces, not just personal relationships, but professional ones as well. These are not isolated claims. They build and reinforce on each other.

Read More: Diddy’s (Alleged) Dirty Deeds: Sinister Stories & Scandals Throughout The Years

Instead, both men center on something else. J. Cole frames the moment around restraint, around not wanting to add to a situation where Combs is already under scrutiny. Usher frames it through personal experience, emphasizing that he did not see that version of Combs and that he chose to speak from that position. In both cases, the focus shifts away from the people who have come forward and back toward the man they know.

In industries built on access, relationships carry weight. They open doors, sustain careers, and shape public narratives. Speaking against someone with that level of influence is rarely neutral, especially if you’ve enjoyed those spaces with them. It can be read as betrayal and can close doors just as quickly as it opens them. In that environment, silence becomes easier to justify, especially when it can be framed as fairness, neutrality, or the avoidance of unnecessary harm. However, neutrality in a moment like this is not neutral.

Read More: Diddy’s Ex Bodyguard Alleges That Usher Was Hospitalized Following Diddy Assault

When multiple women have come forward, and lawsuits have been filed, when testimony has been given, and at least one instance of violence is visible, choosing not to engage those facts doesn’t remove you from the situation. It positions you within it. It draws a line between what is acknowledged publicly and what is left unsaid.

The post The Issue With Usher & J. Cole’s Comments About Diddy appeared first on HotNewHipHop.

Slimesito released his own airbrush SpongeBob tee back in July 2025. The design featured a menacing, graffiti-style SpongeBob rendered in bold yellows and greens.

It had the raw, hand-crafted energy of early 2000s swap meet culture. Travis Scott’s Cactus Jack x SpongeBob collection dropped recently and shares a similar visual language. The capsule leans heavily into neon cartoon aesthetics on heavyweight tees and hoodies.

Slimesito tagged both Scott and Kanye West in his stories via the IG song feature. His caption said it plainly: people at the top are biting his airbrush art.

To be fair, neither artist invented this aesthetic. Gangster cartoon airbrush art has deep roots in American street culture. It dates back to early 2000s swap meets, boardwalks, and bootleg vendors across the country.

SpongeBob has been a fixture of that world for over 20years. Both artists are pulling from the same well that independent artists and vendors built long ago. Still, the timing is hard to ignore. Slimesito dropped his version first.

Travis Scott’s collection arrived shortly after with a nearly identical visual concept. Overall Slimesito noticed and now, so has everyone else.

Read More: Kim Kardashian’s 1995 John Galliano Set Just Hit A Massive Auction Price

Slimesito Calls Out Travis Scott

Slimesito’s airbrush SpongeBob tee came out in July 2025 through his own store. It featured a graffiti-style SpongeBob rendered in bold yellows, greens, and black.

The character wore a fitted cap and boots, dripping with the raw energy of early 2000s street art. It felt handmade and intentional in a way that mass-produced merch rarely does.

Travis Scott’s Cactus Jack x SpongeBob collection dropped recently and covers similar ground. The capsule includes heavyweight tees, hoodies, beanies, and hats built around the same gangster cartoon aesthetic.

Pieces like the Chum Bucket Tee lean into neon cartoon graphics with a spray-paint sensibility. The collection is polished and well-produced, but the visual DNA is strikingly familiar.

Read More: Tyler Reddick Laces Up The Virgil Abloh Archive “Alaska” Jordan 1

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A rare 1995 John Galliano two-piece set is currently leading the auction at $80,000,100. That number is almost too wild to believe. The set consists of a structured blazer and a floor-length satin skirt.

The single-breasted jacket is made of brushed angora and features an oversized, sculpted collar with dramatic sleeve trim. The look is dark, theatrical, and impossibly precise. A black satin high-waisted skirt with an embroidered leaf design completes the ensemble.

The third image above shows the original runway version from 1995. It walked so everything after it could run. Comparing the two is a lesson in how great archival fashion holds up across decades.

Kardashian wore the set during the All’s Fair Los Angeles press event in October 2025. The piece was altered to fit her frame but remains in very good vintage condition otherwise.

Kardashian launched the auction on March 27, with all net sales going directly to fund free legal services for women in need. Fashion and philanthropy do not always align this cleanly but this time, they did.

Read More: Tiger Woods’ Sun Day Red Polo Sells Out After Arrest Mugshot Goes Viral

Kim Kardashian’s John Galliano Set

John Galliano’s work in the mid-1990s redefined what fashion could be. His designs leaned heavily on drama, structure, and a gothic romanticism that felt entirely his own.

This 1995 set captures all of that. The jacket’s ruffled angora collar wraps the shoulders like armor. Oversized cuffs anchor the sleeves with the same textured detailing throughout. Below the waist, a sleek black satin skirt creates a sharp visual contrast.

The entire look is built in all-black, which only amplifies the silhouette. Pieces like this rarely surface publicly. When they do, they remind us why fashion carries so much cultural weight.

Read More: Tyler Reddick Laces Up The Virgil Abloh Archive “Alaska” Jordan 1

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It is one of the most anticipated sneaker releases of 2026 and Reddick had them on foot. The choice did not go unnoticed by sneaker fans watching his pre-race coverage.

Sneaker Bar Detroit reports that the Virgil Abloh Archive x Air Jordan 1 High OG “Alaska” is releasing on April 3rd, 2026.

Reddick entered today as arguably the hottest driver in all of motorsport. He has won 4 of the first 6 Cup Series races this season which is a remarkable feat.

Furthermore, his presence at a major race in such a culturally significant sneaker says something about where NASCAR’s audience is heading. The sport continues to attract a younger, more fashion-conscious fanbase with each passing season.

The “Alaska” colorway suits Reddick’s laid-back, understated personal style perfectly. He paired the shoes with black pants and a tan corduroy jacket for a clean overall look.

Read More: Tiger Woods’ Sun Day Red Polo Sells Out After Arrest Mugshot Goes Viral

Virgil Abloh Archive x Air Jordan 1 High OG “Alaska”

The Virgil Abloh Archive x Air Jordan 1 “Alaska” is one of the most meaningful releases tied to Virgil’s legacy. The shoe carries all of Off-White’s signature deconstructed construction details in a serene icy colorway.

Also pale blue and white tones give the upper a ghostly, almost translucent quality. The “SHOELACES” dubrae on the lace and the zip tie are both present and accounted for.

A tonal white Swoosh keeps the branding subtle against the cool blue panels. Further small orange and blue paint-stroke accents provide just enough contrast to feel intentional. “AIR” text is stamped cleanly on the midsole in classic Virgil fashion.

The release is limited to 25,000 pairs worldwide making it genuinely hard to obtain. Seeing a NASCAR Cup Series points leader wearing them before a race is a full cultural crossover moment.

Also the retail price of these will be $230 when they are released.

Read More: DJ Khaled Flexes Travis Scott’s Jordan CJ1 T-Rexx “Green Spark”

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His latest flex was an early pair of the Travis Scott x Jordan CJ1 T-Rexx “Green Spark.” Khaled posted a video holding the shoe directly up to his face with full enthusiasm just before the public drop.

The timing of the post felt like a perfectly placed preview for what was coming. The “Green Spark” officially released yesterday and landed exactly as hard as the sneaker community expected. Seeing Khaled with the pair early only amplified the anticipation heading into launch day. When DJ Khaled has something before the public, the energy always follows.

Khaled’s sneaker credibility runs deep across the culture. He has been gifted exclusive pairs from some of the biggest brands and athletes on the planet. Furthermore, his social media presence turns any sneaker he touches into conversation.

Travis Scott’s CJ1 T-Rexx marks a historic moment as his first fully original Jordan Brand silhouette. The “Green Spark” was first debuted courtside at a Celtics game before official images confirmed the release.

Overall, DJ Khaled gave the culture the perfect send-off into one of 2026’s biggest sneaker drops.

Read More: Ranking The Top 8 Nike Air Yeezy Samples

Travis Scott x Air Jordan CJ1 T-REXX “Green Spark”

The Travis Scott x Jordan CJ1 T-Rexx “Green Spark” is a genuinely fresh addition to the Cactus Jack catalog. The silhouette was designed from the ground up with Travis Scott’s creative direction throughout.

Electric green leather panels dominate the upper against a deep black base. The contrast between the two colors is aggressive and intentional. A mint green Swoosh sits quietly against the louder surrounding panels.

The Cactus Jack logo appears on the ankle strap in matching green tones. Scott’s signature smiley face hits the heel in white as a subtle finishing detail.

A sculpted green outsole wraps the entire bottom dramatically. The custom brown T-REXX shoe box adds a collectible dimension that starts before you even open it.

Read More: Tiger Woods’ Sun Day Red Polo Sells Out After Arrest Mugshot Goes Viral

The post DJ Khaled Flexes Travis Scott’s Jordan CJ1 T-Rexx “Green Spark” appeared first on HotNewHipHop.

He was uninjured but showed signs of impairment according to authorities on the scene. He blew triple 0s on a breathalyzer but refused a urine test and was booked.

The mugshot released shortly after his arrest showed Woods wearing a bright blue polo inside Martin County Jail. That polo has since been identified as the Sun Day Red “Review” polo in the Cosmic Blue colorway.

Within hours of the mugshot circulating online every size of the shirt sold out completely. The internet connected the dots faster than any marketing campaign ever could.

Sun Day Red is Tiger Woods’ own apparel brand launched after his departure from Nike. The brand has been building momentum since its launch and this moment put it in front of an entirely new audience.

Furthermore, the timing is particularly significant with the Masters just weeks away. Woods had only just returned to competitive golf at the TGL championship earlier this week.

This is Woods’ second DUI arrest within the last decade. He was previously arrested in 2017 after being found asleep at the wheel with prescription drugs in his system.

Overall, the polo selling out is one of the stranger cultural side stories to emerge from a very difficult moment.

Read More: Travis Scott Shouts Out Nike On Kanye West’s Bully Album

Tiger Woods Polo

The Sun Day Red “Review” polo in Cosmic Blue is a clean, understated performance piece. It features an all-over tonal checkerboard jacquard texture across a vibrant blue base.

The Sun Day Red logo is embroidered subtly on the chest in white. Pearl-style buttons run down the short placket adding a refined touch. The fabric has a performance-oriented feel consistent with Sun Day Red’s golf-first mission.

Cosmic Blue is a bold, saturated shade that photographs well in any light. The polo became one of the most talked-about pieces of clothing this week for all the wrong reasons. However, the sellout proves that cultural moments however unexpected, drive real consumer behavior.

Overall Sun Day Red just got the most unintentional and viral product placement in the brand’s short history.

Read More: Nike Air Foamposite Pro “Voltage” Official Images Are Finally Here

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Some of these were scrapped because they were too similar to existing pairs, some because Kanye wasn’t happy with them, and some because Nike simply said no. All of them are worth talking about. Here are the 8 best Nike Air Yeezy samples we never got:

Read More: Rio Da Yung OG Dropped Thousands On One Of Hip-Hop’s Rarest Sneakers

8. Nike Air Yeezy “Tinker Hatfield”

The “Tinker Hatfield” sample is the most understated entry on this list. It’s also one of the most meaningful if you know the backstory. It’s a tribute to the legendary Nike designer who created the Air Jordan 3, Air Jordan 4, and Air Max 1, among others.

The colorway features a white and university blue palette. The Yeezy 1 silhouette looks noticeably cleaner and more lifestyle-oriented in this combination than in any of the three retail colorways. It was never seriously considered for a public release. Further, it exists as more of an internal Nike tribute than a commercial sample.

Still, the idea of a shoe that connects Kanye’s creative vision to Tinker Hatfield’s legacy is a fascinating one, and this sample is a quiet but important footnote in Nike Yeezy history.

7. Nike Air Yeezy 2 “Cheetah”

The “Cheetah” is one of the most mythical samples in the entire Nike Yeezy catalog. Based on the Christmas colorway of the Nike Kobe 7, it takes the Air Yeezy 2 silhouette into an all-purple territory with red laces, gold aglets, a glow-in-the-dark outsole, and a quilted purple upper that looks unlike anything else in the Yeezy lineup.

Only around three pairs are rumored to exist, which makes it one of the rarest physical objects in sneaker collecting. The purple and gold combination is bold and unexpected, and the Kobe connection gives it a layer of meaning that goes beyond just the colorway itself.

It is the kind of sample that makes you genuinely wonder what the Nike Yeezy 2 catalog could have looked like if the partnership had continued past 2014.

6. Nike Air Yeezy 1 “Fire Red” Sample

The “Fire Red” is the sample that came closest to being a real retail release and got pulled at the last minute. Kanye actually wore this one in public during his Glow in the Dark Tour in 2008. Also, according to reports, it was seriously considered as a 4th colorway alongside the Zen Grey, Blink, and Net Tan before Nike decided against it.

The shoe features the Air Yeezy 1 silhouette with a striking red midsole that gives it a visual energy completely different from the three pairs that did release. Looking at it now, it’s hard to understand why it didn’t make the cut.

The “Fire Red” would have been a perfect addition to the original lineup. Its on-tour history with Kanye gives it a real place that most samples on this list simply don’t have.

5. Nike Air Yeezy 2 “Mismatch” Sample

The “Mismatch” is exactly what it sounds like. One half of the shoe takes from the Solar Red colorway while the other pulls from the Pure Platinum, creating a split that reads more like a deliberate design statement than a color test.

Nike cancelled it because it was considered too derivative of the two existing retail colorways, but Kanye was reportedly a genuine fan of the concept. What makes this sample truly unique beyond the colorway is the fact that the only known pair is signed by Kanye himself on the midsole, making it one of the most singular collector’s items in sneaker history.

The “Mismatch” didn’t make it to retail, but it made it onto one very special shelf somewhere, and that story alone is enough to land it firmly in the top half of this list.

4. Nike Air Yeezy 2 “MBDTF” Sample

Before most sneakerheads had ever laid eyes on the Air Yeezy 2 silhouette, Kanye showed up at Coachella in 2011 wearing this. The black and off-white colorway was named after his critically acclaimed album My Beautiful Dark Twisted Fantasy. It was the first public appearance of the second Yeezy design, and it immediately broke the internet.

The tonal dark upper with cream accents and gum sole felt sophisticated and restrained compared to some of the other samples from this era. In hindsight, it set the visual template for what the Air Yeezy 2 would eventually become with the other releases.

Beyond the colorway itself, the MBDTF sample holds a special place in Nike Yeezy history simply because of the moment it created. It was the reveal before the reveal, and sneaker culture has never forgotten it.

3. Nike Air Yeezy 2 “Silver/White” Sample

The “Silver/White” sample is the most visually striking unreleased Yeezy 2 and makes a strong argument for being better looking than either of the retail colorways.

The metallic silver forefoot contrasts with a white upper in a way that feels futuristic. The glow-in-the-dark outsole, hieroglyphic straps, and Horus branding on the insole tie it back to the design language of the retail pairs.

This one only surfaced recently and immediately got sneaker collectors talking about what the Yeezy 2 lineup could have been. The “LKS SAMPLE” tag visible on one of the pairs only adds to its mystique. It is an exceptional shoe, and the fact that it never made it to retail is one of the bigger what-ifs in Nike Yeezy history.

2. Nike Air Yeezy 1 “Air Jordan 6” Sample

The Air Jordan 6 sample has one of the wildest origin stories in sneaker history. Kanye had been vocal about wanting to incorporate Jordan tooling into the Air Yeezy design, but Nike refused the request.

Nike’s Innovation team went ahead and built a version anyway to see how it would look, but they never showed it to Kanye. The sample was sold at the Doernbecher charity auction in 2009 alongside the Grammy prototype. Kanye himself reportedly had no idea the shoe existed until the day of the sale.

The result of that secret experiment, a Yeezy 1 upper sitting on the foundation of the Air Jordan 6, is a fascinating collision of two of the most important silhouettes in Nike history. It represents the road not taken in the most literal way.

1. Nike Air Yeezy 1 “Grammy” Prototype

The Grammy prototype is not just the most important Nike Yeezy sample. It is arguably the most culturally significant sneaker of the 21st century. Kanye wore this all-black prototype on stage at the 2008 Grammy Awards during his performances of “Stronger” and “Hey Mama.” This made it the first public appearance of the Nike Air Yeezy and the moment that changed the relationship between music and sneaker culture permanently.

The shoe itself had a black leather upper with perforated detailing, a Swoosh, signature Yeezy strap, and pink Y medallion lacelocks. It was built in complete secrecy at Nike’s Innovation Kitchen.

It was sold at the Doernbecher charity auction, changed hands again at Sotheby’s in 2021 for a record-breaking $1.8 million, and was later sold again at Goldin Auctions. No sample on this list comes close to matching what this shoe represents.

Read More: Roman Reigns Laced Up One Of The Rarest Air Jordan 1s Ever

The post Ranking The Top 8 Nike Air Yeezy Samples appeared first on HotNewHipHop.

Release Date: March 29, 2026

Genre: Hip-Hop

Tracklist of Hate Island

1. The Second Tower ($$$)
2. A Hate Supreme ($$$) [with additional production from bub.solutions]
3. G-Uniiittt ($$$)
4. HATE HATE HATE ($$$)
5. Gang $hit ($$$)
6. They Givin’ Speeches ($$$)
7. im sorry ($$$)
8. N****as Thought It Was Autotune LOL ($$$)
9. They Hated Jesus ($$$)
10. Hate Island ($$$)
11. Amtrak Trap Trap ($$$)
12. Benny & WE$ 3: Requiem For A J*****oo (feat. Rent Moneyy)
13. $6,666,666 ($$$)
14. George & Javks ($$$)
15. Let The Hate In ($$$)
16. Everybody Hates Kane ($$$)
17. I Hate You Too ($$$)

The post Hate Island – Album by Teller Bank$ appeared first on HotNewHipHop.

As caught by A Moment In Time on Twitter, Diplomats affiliate J.R. Writer shared the news of her passing via an Instagram Story. He shared the cover of her Git It Girl album from 2007 with the caption “RIP Jha Jha.”

As such, fans took to her IG page to share heartfelt condolences to her loved ones on the last post she put up. “you are legendary and you always showed me love I’ll always be grateful to you! The world lost an icon truly,” one fan wrote. Another added, “Prayers to your son & family!!”

Elsewhere, tributes from the hip-hop world and beyond continue to pour in on social media. Many supporters have expressed shock as they reminisce on some of her best verses and tracks. They also shared personal interactions they remember fondly and their best wishes to her family and friends.

Read More: Does Future Really Have More Classics Than Kendrick Lamar?

How Did Jha Jha Pass Away?

At press time, no official cause of death for Jha Jha has been revealed, nor official statements from her close circle or announcements of funeral arrangements. Fans are asking for patience and understanding while her loved ones navigate this saddening development.

For those unaware, Jha emerged in the mixtape era of hip-hop, when collaborations, surprise releases, and a lot of artistic solidarity developed in rappers’ orbits. Those who haven’t listened to her work are revisiting some of her old hits, such as her contributions to “Get It Poppin” with Jim Jones, “What You Drinkin’ On?,” and many more.

It seems like Capo and Cam’ron haven’t yet spoken out about this news at press time. But again, it’s a difficult time for many loved ones, and fans aim to give them space.

The Diplomats femcee had a nickname among her fans: “The First Lady of Dipset.” Despite her passing, her legacy and contributions to the genre will continue to resonate powerfully for old and new fans of hip-hop.
Rest In Peace Jha Jha.

Read More: Young Thug Started To Give Enough Of A F*ck On “Slime Season 3”

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For those unaware, he seemed to delete an alleged Instagram post that made the allegations about a prison stabbing. “LMAO JIMMY THE RAT GOT POKED UP IN THE JOINT. It’s hard to be tuff around tuff [ninja emoji]. LOL,” the G-Unit mogul allegedly captioned the post. Hours later, he doubled down via another Instagram post that mocked the alleged attack.

“World put Jimmy on a gurney LOL,” he wrote. “3 months ago in Hazelton, old Rat a** [ninja emoji] lying now he in Missouri. HE KNOW I KNOW WHATS UP. See it’s hard to be tuff around the tuff [ninja emoji].” We’ll see if Curtis Jackson deletes this post as well…

But 50 Cent’s longtime foe Jimmy Henchman responded, according to an exclusive AllHipHop report from Grouchy Greg Watkins. “That 100% ain’t true,” he reportedly stated from behind bars. “I’ve been down 15 years. I’ve never even had an argument in this place. A lot of people in my position, given my notoriety, wouldn’t survive this situation. I’ve never even had an argument with somebody, even a shouting match.”

“There’s a weird look sometimes or whatever, and it’s more so because people felt I blew my opportunity, like I threw it away,” Henchman reportedly continued. “But nobody ain’t never pull a knife on me. I’ve never had to pull a knife on no one. It’s never been that situation.”

Read More: Does Future Really Have More Classics Than Kendrick Lamar?

Who Is Jimmy Henchman?

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A post shared by 50 Cent (@50cent)

The former record executive (born James Rosemond) also stood by his avoidance of violence in jail despite his status and enemies. Jimmy claimed he’s not in protective custody at his Louisiana prison.

For those unaware, Jimmy Henchman’s feud with 50 Cent stems from 50 dropping The Game from G-Unit over two decades ago. Henchman was the Compton rapper’s manager.

This led to violent tensions between both camps, with Jimmy facing prison time after a conviction tied to G-Unit affiliate Lodi Mack’s murder. Henchman reportedly spoke about the origin of this feud, which was allegedly Tony Yayo assaulting Jimmy’s son in 2007.

“People have to remember, too, that the reason I’m in here is that a n***a assaulted my 14-year-old boy,” he reportedly expressed. “This is why I’m in jail with a life sentence. It’s because of these n***as. And to allow these dudes, after what they did and after the consequences of that, to still be poking fun at me in my situation, that’s crazy to me. It’s crazy that people even accept that after what they did to my 14-year-old son. That’s ridiculous.”

Read More: Young Thug Started To Give Enough Of A F*ck On “Slime Season 3”

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