During a recent appearance on the IMO (In My Opinion) podcast with Michelle Obama and Craig Robinson, Ayesha addressed the narrative head-on and admitted her earlier comments didn’t come across the way she intended.

“Let’s clear it up,” she said during the conversation. “I was 14 years old. I was not allowed to talk to boys.”

Ayesha went on to explain that while she had previously suggested athletes weren’t her type growing up, that wasn’t the full story, especially when it came to Steph.

“Did I think you were cute? Absolutely,” she added. “What I was saying was, I didn’t think I was his type.”

According to Ayesha, her comments were more about her own insecurity at the time rather than any lack of interest. She described herself as a “nerdy theater kid” and admitted she didn’t think someone like Steph, a standout athlete even then, would be interested in her. The moment turned into a lighthearted but sincere apology directed at her husband.

“Very disrespectful on my part,” she said, acknowledging how the statement could have been perceived.

Read More: Steph Curry Laces Up Nike Air More Uptempo 96 “Olympics” In The Tunnel

Ayesha Curry Apologizes

Steph and Ayesha Curry first met as teenagers before eventually reconnecting years later and building a life together. The resurfaced comments had sparked debate online, with some fans questioning the original statement while others defended Ayesha, pointing out the context of her age at the time.

Now, with her clarification, Ayesha is making it clear that Steph was always her type. It just took time for her to believe she could be his too.

She also explained her “no athlete” rule she had as a teenager, and said she was “protecting [her] peace.” “When I finally realized that the direction it was going in, I verbalized that to him, that I was confused,” Ayesha said.

Read More: Steph Curry Just Showed Up In A Kyrie Irving ANTA Sneaker

The post Ayesha Curry Apologizes To Steph Curry For Saying He Wasn’t Her Type appeared first on HotNewHipHop.

While speaking about the situation on the Talk With Flee podcast, J. Cole explained that the original plan was to align an interview with Cam’ron’s platform to the rollout of the album. However, as the project continued to be pushed back, so did the timing of the interview. This eventually lead to complications.

“I was telling you, man, I think I’ll have this s**t done by September,” Cole said. “September 1st, at 9AM, this n*** Cam was on my line.”

According to J. Cole, the disconnect came from expectations around timing. As The Fall-Off missed its anticipated release window, the coordination behind the interview began to unravel, ultimately contributing to the dispute between the two artists.

Read More: J. Cole Confronts Cam’ron Face-To-Face Following Lawsuit Drama

J. Cole Explains Legal Situation

While full details of the lawsuit haven’t been laid out publicly in full, Cole’s explanation suggests the issue may have stemmed more from scheduling and rollout strategy than anything personal. Cam claimed that, in exchange for a guest verse, Cole agreed to either give him a verse or appear on his sports talk show with Mase, It Is What It Is.

The situation caught many fans off guard, especially given the respect both artists have shown each other over the years. Cam’ron, known for his outspoken personality both in music and media, has built a strong presence with his sports talk show It Is What It Is, while Cole has remained more reserved and strategic with his appearances.

Now, with Cole addressing the situation directly, fans are getting a clearer picture of how business decisions and shifting timelines can sometimes spill over into public disputes.

Read More: Afroman Beat The Case—So Where Are Free Speech Warriors When Hip-Hop’s On Trial?

The post J. Cole Explains How Cam’ron Jumped The Gun On Lawsuit Against Him appeared first on HotNewHipHop.

Release Date: March 27, 2026

Genre: Hip-Hop

Tracklist for ADL

A Dangerous Lyfe 
01. Purpose General
02. Face the Flame ft. NBA YoungBoy & Grimes
03. Lose Control ft. Elton John
04. Griddle ft. Don Toliver
05. What I Want ft. BNYX
06. Liv Like Dis
07. Taller
08. My Way ft. Julia Wolf
09. Let King Tonka Talk ft. King Kylie
10. Dangerous House
11. No More Ghosts ft. Kid Cudi

A Dangerous Love 
01. 2Nite
02. Geek Luv
03. Naked
04. Went Wrong ft. 070 Shake
05. Real Life Shit
06. My Time ft. Swizz Beatz
07. 2 Planes
08. Silk Face
09. Back Home ft. Joji
10. Up from Here

The post ADL – Album by Yeat appeared first on HotNewHipHop.

“Ten? If you don’t freestyle, and you actually work on the singles and record great choruses and develop your songs,” Cohen told Young Thug. “You just record so many songs and leave them like little orphans out there. You have to come back to them.”

Thug, whose prolific output became an integral part of his enigma, fired back, “The critics come back to them!”

He wasn’t lying. By 2016, hip-hop was in a strange place, both deviating from its traditions while clinging to them at the same time. In the middle of that tension, Young Thug became the culture’s most effective agitator without even trying. Years later, someone like Lil Nas X would need a deliberately provocative moment—like kissing another man onstage—to spark industry-wide discourse. Young Thug just had to call his friends “babe.” His presence alone was disruptive. Fashion, vocal delivery, slang, melody—everything about him felt like a challenge to the boundaries hip-hop once treated as rigid.

If there’s one moment that captured Thug’s cultural gravity during this stretch, it happened at Kanye West’s The Life of Pablo listening party at Madison Square Garden. On one side of the room stood Vic Mensa, a Roc Nation signee who at the time looked like Ye’s next protégé. Meanwhile, Young Thug sat on the platform alongside models wearing the latest Yeezy collection. When the album finished, Kanye began letting people preview music through the aux. Mensa stepped up first, debuting a track called “Danger.” The reaction was polite at best, the kind of moment where the room kept talking while the song played in the background. Then Kanye announced that Young Thug had something new to play. The bounce of “With Them” filled the arena, and as Thug yelled, “Thugger, Thugger, baby,” the energy in the building shifted instantly.

Moments like that didn’t make Young Thug’s career, but they quietly affirmed something the industry was still trying to process: he belonged in the same pantheon of creative weirdos that Kanye West had spent a decade carving space for. Around that same time, Slime Season 3 arrived to make the same statement in Young Thug’s own catalog. For an artist whose career had been defined by chaotic output, cult fandom, and constant controversy, the project marked something different. Slime Season 3 didn’t just extend his momentum. It was the moment that pulled Young Thug from abstract into the trajectory of a mainstream superstar.

The Slime Season mixtape series ultimately showed that progression. The first installment exemplified his hit-making potential through songs like “Power” and “Best Friend,” even if the sequencing reflected the directionless essence of mixtapes. Its sequel refined that formula with more noticeable intent. Across both projects, he simply unloaded the best music from his vault over the past year and packaged it for public consumption—and it worked.

But Slime Season 3 marked a critical turning point, and it was evident in the rollout. Despite a few delays, he formally announced the project at SXSW with a funeral march and the release date displayed on a casket. The spectacle was symbolic, signaling the end of that era of Young Thug—the one where, to quote Lyor Cohen, he would “record so many songs and leave them like little orphans out there.” A few months later, the Jeffrey era emerged, but Slime Season 3 remained the connective tissue of this transition. The artist who had been championed by hipsters and trappers alike for his oddities and uncanny musical brilliance became equally heralded by Elton John, demonstrating how Thug transcended genres, borders, and generations.

It’s difficult not to see why Slime Season 3 had that effect. The project was brief but colorful, never stagnant, and constantly pushing boundaries that Thug acted like never existed in the first place. “With Them” exemplified the type of focused songwriting Cohen wanted from him. The way it rattled Madison Square Garden before its official release only reinforced that vision. Structurally, the song felt more deliberate than much of Thug’s earlier work, weaving together bridges and pre-choruses before exploding into one of the most memorable intros of his catalog.

Even when he flirted with industry conventions, he never abandoned the eccentricities that made him compelling. He remained the experimental, surrealist rapper fans had fallen for—just with a bit more polish. The skrrt on “Memo” felt like a spiritual cousin to “Halftime,” amplified by the paranoia of his rising celebrity as street authority and fame blurred together. Then there were records like “Digits,” which birthed timeless—if often misunderstood—get-money aphorisms over London On Da Track’s piano-laden production.

“Drippin,” however, remains the crown jewel of Slime Season 3, a song where the elasticity of Thug’s melodies bursts through the seams. Staccato blurts build with intensity, and the kaleidoscopic imagery of drugs, fashion, violence, and money became a pinnacle in Young Thuggisms. There’s more passion and emotion in hearing Thug scream “drip” in different octaves than any amount of words could capture—a vocal performance that paved the way for songs like “Harambe” and feels absent from his more recent outings.

A level of clarity emerged with Slime Season 3 that extended into his more commercial efforts. In many ways, it’s hard to deem it his most influential project, as subsequent artists drew more clearly from earlier entries in his catalog. But the mixtape cemented the moment when Young Thug could no longer be denied. For as outlandish as he dressed and as incoherent as he sometimes sounded, Young Thug wasn’t here to match the lyrical density of someone like André 3000. Instead, he inherited the peculiar brilliance that made artists like 3000 so compelling. What emerged was a time capsule of Young Thug’s transitional period—the moment his chaotic brilliance hardened into the icon he remains today.

The post Young Thug Started To Give Enough Of A F*ck On “Slime Season 3” appeared first on HotNewHipHop.

As with most public places, filming is prohibited and that was the case with this gas station-like store. While things don’t really escalate inside the business, the two women do politely ask India Love to turn the camera off.

They even offer her an alternative to film outside of the establishment. However, Love tries to downplay things. She says she’s not recording and is just waiting for someone, making it not a big deal in her eyes.

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At times, she ignores the employees’ civil requests, including when they pretty kindly tell her she can talk with corporate if she has an issue with their policy.

After a little bit, India Love eventually complies. But after telling the ladies to have a good day, she immediately chews them out when her friend arrives outside.

Read More: LaRussell’s “Heaven Sent” Controversy Isn’t Being Misunderstood

DJ Akademiks Slams India Love’s Religious Journey

She calls the manager of the store a “f*cking weirdo” and a “f*cking b*tch, which the internet isn’t getting behind. “If they say not to record in there, then turn your camera off ugh,” one annoyed commenter replies.

“Respect store policy…. she also asked nicely,” a second netizen echoes. Another blasts Love for putting the employees’ jobs at risk. “So you want her to lose her job if the company sees you recording in there.”

It’s unclear if Love was searching for sympathy after posting this, but if she was, she’s not going to be getting any it seems.

Another person who doesn’t seem to be a fan of the model and content creator is nonother than DJ Akademiks. The hip-hop reporter recently put women such as her, Brittany Renner, Cassie, and others of that ilk on blast for trying to find help through God for their promiscuous pasts.

He alleges they are merely using the holy being as a way to rebrand themselves rather than go to him legitimately.

Read More: Five Takeaways From Jay-Z’s New Interview With GQ

The post India Love Sparks Controversy For Cussing Out Store Workers After Being Asked To Stop Filming appeared first on HotNewHipHop.

“The meme—half a million dollars or dinner with Jay? Like, that is real,” he said. “Every moment I’ve had with him, every story I could tell, is really just a compounding realization around how much wisdom he has. A lot of it’s through experience, but a lot of it is just instinct. I haven’t met a lot of people with that.”

“I don’t think people realize how deep it is,” he continued. “You get it only through these small snippets in the music or maybe a speech or an action. But if you put the whole corpus together, it’s pretty impressive.”

News of Dorsey’s comments arrives shortly after Forbes reported that Hov is the richest musician in the world. Per the outlet, his net worth is estimated at roughly $2.8 billion thanks to his liquor company, music empire, and more.

Read More: Five Takeaways From Jay-Z’s New Interview With GQ

Jay-Z GQ Interview

His wealth has earned him his fair share of criticism over the years. During his own recent talk with GQ, however, he made it clear that he’s completely unbothered by it.

“I don’t give a f*ck what you say,” he admitted with a laugh. “You can believe what you want to believe. And people behave the way they want to behave—it’s not a dollar amount. It’s almost like a cop-out.”

“You get to demonize this group of folks without fixing the actual system that exists, that’s in play,” he added. “[Money] may enhance it or may cause you to act in a way. But you was going to act like that anyway.”

Read More: LaRussell’s “Heaven Sent” Controversy Isn’t Being Misunderstood

The post Jack Dorsey Weighs In On Longstanding “Dinner With Jay-Z Or $500K” Meme appeared first on HotNewHipHop.

However, despite these teasers having apparent ties to this project, what’s also capturing fans’ attention is the guest rapper in the clips. That would be nonother than Playboi Carti, whose vocals we sadly don’t get to hear a glimpse of.

If this collaboration releases, it will be just the second time these two have worked together.

They first united their talents on Lil Baby’s most recent offering, December 2025’s The Leaks. The duo, along with Skooly, linked on the song “Let’s Do It.”

Overall, fans seem pretty eager to hear these songs, including Carti’s, as soon as possible. “back in that mode mode,” one fan writes in the comments section. “All these snippets are so hard,” another adds.

A third predicts greatness for Dominique. “Dominique gonna be legendary mark my words.”

Read More: Five Takeaways From Jay-Z’s New Interview With GQ

When Is Lil Baby Dropping Dominique?

While it’s great to see fans still ready for new Lil Baby despite his busy 12 months last year, we feel there’s still a way to go before we get confirmation on it.

After all, Dominique was effectively ditched for The Leaks after the project was being teased to come out in February 2025. It wasn’t until August that we got the idea that the former wasn’t coming any time soon.

Moreover, the last update we got on its whereabouts was that month and Baby didn’t necessarily say Dominique was the next tape to drop. He told PlaqueBoyMax during a stream: “I’m actually dropping two albums, though. I’m dropping another album, like, four weeks after that, something like that. ‘Cause I wasn’t planning on dropping this one.”

That obviously didn’t come to fruition, but maybe these teasers are a sign that things are trending in the right direction. Last January, Lil Baby explained that Dominique will be a more “personal” body of work. “Dominique is more the serious me, more personal. That’s a part of the new journey I’m on. I hate the word vulnerable, but I’m gonna be more open to my fans and my audience.”

Read More: LaRussell’s “Heaven Sent” Controversy Isn’t Being Misunderstood

The post Lil Baby & Playboi Carti Tease New Music Ahead Of “Dominique” appeared first on HotNewHipHop.

Both King and Domani Harris targeted their father’s foe in diss tracks of their own. They referenced 50 Cent’s domestic violence allegations, his late mother, and more. During a recent appearance on The Breakfast Club, Tiny shared her thoughts on all of this, admitting that it made her proud. According to her, however, the situation eventually went too far.

“[King] took it very personal, and he just was going so far,” she recalled. “I kept calling King like, ‘Take this down, take this down.’ He was like, ‘No, I can’t, mama.’ […] I just couldn’t get him to listen to me.”

Read More: Five Takeaways From Jay-Z’s New Interview With GQ

Why Are 50 Cent & T.I. Beefing?

As for how T.I. felt about his kids getting involved in the beef, he agrees that King went too far. On The Laura Ebro Rosenberg Show earlier this month, he claimed the 21-year-old crossed the line when he rocked a t-shirt with 50 Cent’s mother on it.

“The one thing that I am proud of out of all this is that the women and children in our family see that it’s a line of men that’s here against who-the-f*ck-ever,” he explained. “I said that’s enough when I seen that damn T-shirt. […] I said, ‘Man, chill out.’ I’m big on treating people the way I want to be treated.”

T.I. reignited his feud with 50 Cent during a podcast appearance back in February. At the time, he accused the mogul of backing out of a Verzuz battle they had both agreed to. He said that he lost all respect for him as a result, prompting various fiery social media posts from the “Many Men” performer.

Read More: LaRussell’s “Heaven Sent” Controversy Isn’t Being Misunderstood

The post Tiny Harris Reveals What She Really Thinks About Her Sons Dissing 50 Cent appeared first on HotNewHipHop.

Then, rounding out the rest of the list are MLK Community Development Corporation (CDC), MLK Neighborhood Association, and the Northwest Louisiana Youth Golf & Education Foundation.

“I said I would donate proceeds to domestic violence and to sexual assault victims, and I keep my word. I didn’t say where I would make the donations, and I like Shreveport,” 50 Cent said in a video caught by 2Cool2Blog.

The rapper and entrepreneur has been working alongside the Shreveport community for a handful of years now, so it’s cool to see him continuing this relationship in this way.

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As caught by KSLA, Councilwoman Tabatha Taylor expressed that very sentiment in her address. “It is a commitment that he made when he chose Shreveport, Louisiana. It is nice for us to have economic development, but in that process, too, we need to make sure people are whole.”

Overall, 50 Cent has donated a total of $500,000 to these nine organizations, which all support domestic violence and sexual assault victims. He’s pulling the money from the earnings acquired via the Diddy Netflix documentary, Sean Combs: The Reckoning.

Read More: Five Takeaways From Jay-Z’s New Interview With GQ

50 Cent Blasts Usher For Diddy Comments

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As he stated in the clip, 50 Cent did in fact make this promise a couple of years ago. “All G-Unit Film & Television proceeds from this Documentary will go to victims of Sexual Assault and Rape!” he said in a social media post per Daily Mail.

While this a great deed on Fif’s part, there’s no doubt that all of this ultimately ties back to his beef with Diddy. Just yesterday, he made it a point to call out Usher, who came to the disgraced mogul’s defense. “Usher like I don’t want people to know what he did to my a*s. I’m a grown man now my a*s is off limits. LOL.”

This Instagram caption accompanied a screenshot of PEOPLE covering the singer’s viral remarks. Speaking of those, Usher said in part, “I think certain people are prosecuted and maybe not recognized for the greatness that they offer. I don’t have anything negative to say about Sean Combs. My experience was not what the world has seen and how he’s been, you know, misrepresented.”

He continued, “I’m not saying that every man is perfect. I’m not saying that all of us don’t have flaws, but I can’t with any sense of humanity not recognize the valuable contributions that this man made for us as Black entrepreneurs, for us as people who transition culture and ideas into something that’s tangible. So many people benefited from what he created. And I acknowledge that. That’s why I see him as legacy.”

Read More: LaRussell’s “Heaven Sent” Controversy Isn’t Being Misunderstood

The post 50 Cent Donates Healthy Sum From Diddy Documentary To Domestic Violence Nonprofits appeared first on HotNewHipHop.

Those allegations are coming back to light this week thanks to some recent episodes of the E! docuseries, Dirty Rotten Scandals. The miniseries also focused on other popular programs such as Dr. Phil and America’s Next Top Model.

The two episodes for Price Is Right aired last week and viewers are resharing some clips that supposedly prove Bob Barker’s alleged racism and more. Per a press release acquired by E! the goal was to focus on “the complex truth behind long-rumored toxic workplace operations, sexual harassment and discrimination allegations, and multiple lawsuits that defined a very different era in Hollywood.”

The two episodes interviewed former employees, including Bob Barker’s models on the show known as “Barker’s Beauties.” They recall some alleged moments of Barker’s racism and hateful remarks. Kathleen Bradley, the show’s first full-time Black model, described the work environment as hostile. “Some of the fans were writing negative things about me being on the show,” she says in the series. She also claims that during production meetings, staff allegedly used racial slurs when models weren’t present.

Another employee, Claudia Jordan, alleges this was true even after she joined the program 10 years later. She focused on the contestant selection, alleging there was a racist undertone. Jordan alleges only a small number of Black contestants were allowed per taping. “That was a direct order from Bob Barker,” she alleges.

Read More: LaRussell’s “Heaven Sent” Controversy Isn’t Being Misunderstood

When Did Bob Barker Pass Away?

Another model, Holly Hallstrom, alleges Bob Barker expressed severe discomfort over interracial relationships. He allegedly said that Black men in particular are “the most diseased people on Earth.”

Another moment in the series that’s vindicating people’s claims against Barker is a dug-up clip. The viral video, caught by The Hollywood Reporter, shows Barker backing away from a Black contestant trying to hug him.

Despite Bob Barker passing away almost three full years ago (August 25, 2023), the conversations regarding his alleged racist behavior and comments are loud again thanks to social media and this E! docuseries.

Read More: Five Takeaways From Jay-Z’s New Interview With GQ

The post Bob Barker Accused Of Making Heinous Racist Remarks appeared first on HotNewHipHop.