“Ya Hit,” which also features Loe Shimmy, Travis Scott, and ad-libs from Sexyy Red, has drawn all sorts of reactions. Some, from media figures like Joe Budden and his podcast, focused more on the music and on the Pluto “stimulus package.” However, many reactions from fans instead focus on the alleged dynamic between the What A Time To Be Alive duo.

This was the same with “Ran To Atlanta” and the Freebandz artist’s moves after its release, as folks questioned why they were apart from each other for the music video. There’s a similar narrative circulating around videos of all the “Ya Hit” collaborators partying and posing for a picture, with the Atlanta superstar and his Toronto counterpart being pretty distant.

Read More: A Comprehensive History Of Hip-Hop In “Grand Theft Auto”

Drake & Future’s History

Drake and Future’s alleged dynamic also came up amid the former’s 40th birthday celebrations, which the latter reportedly attended or at least made a partial appearance at. At the end of the day, all of this is just speculation, but it speaks to how fans are re-litigating the 2024 rap battle and the industry and personal relationships between these artists.

Some feel like the 6ix God should’ve never let Hendrix back into his life, while others feel the same but with inverted roles. There were also similar questions about Drake and Travis Scott, but the friendship between them despite beef rumors stemming from 2024 seems much more clear these days.

Fans React

In any case, it goes to show how fans aren’t content with just new music and these artists doing business together. Until they actually show extracurricular affection or speak on these matters directly, these rumors will continue. Elsewhere, other fans are urging their colleagues to focus on the music rather than any beef narratives.

Read More: JAŸ-Z Only Has One Choice For His Super Bowl Halftime Show Intro

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In a clip caught by diiito on Twitter, you can see the two performing the “Back To Sleep” remix from two different ends of the stage. According to TMZ, this distant staging is consistent with how they’ve performed this track so far on their joint trek. Also, they reportedly performed their “It Depends” remix as well.

This is notable because, during the first Atlanta night, they reportedly didn’t perform their tracks together. However, social media discussion is pointing to clips of Usher allegedly storming off backstage, Breezy’s Instagram comments under posts promoting the Usher shows, and more as alleged proof of their feud.

As for the reports on the matter, there are conflicting statements from TMZ about which artist allegedly wanted to wait fans to arrive at night one and which one wanted to keep the show going. Guests at night two reportedly included Bow Wow and Muni Long. This whole situation has also caused renewed discussion around Chris Brown and Usher’s previous alleged altercations.

Read More: A Comprehensive History Of Hip-Hop In “Grand Theft Auto”

Chris Brown & Usher’s Alleged Fight

For those unaware, Chris Brown and Usher’s alleged backstage argument allegedly caused the three-hour delay for the first Atlanta show. While it doesn’t seem like its second go-around faced these issues, TMZ reported heavy ego-clashing backstage as a source of tension.

Chris Brown seemed to deny these Usher rumors online, taking to his IG Story to write “Internet [cap emoji]. Don’t fall for it.” No reports have emerged about any statements the two may have made onstage last night.

But this joint performance of the “Back To Sleep” remix indicates that, if there really is any tension, they will keep the shows going as best they can. Still, fans continue to have questions about other missed duets and what the artists’ body languages indicate. The duo has three more nights in Atlanta (November 8, 10, and 11), representing the most stops at the venue by a tour in the stadium’s history.

Read More: JAŸ-Z Only Has One Choice For His Super Bowl Halftime Show Intro

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The price seems like a nod to the Air Jordan 11 and the date the entries close. It is a clever way to celebrate the 30th anniversary of Space Jam.

Entries close on Wednesday, November 11th, at 11:59 PM ET. Fans need to sign in to Flight Club’s drawing page, choose a size, and pick a store.

Important to note that pairs can only be collected in person at the Los Angeles, New York, and Miami stores. The lucky winners get the chance to buy a pair for $11, a dream for sneakerheads.

The timing is perfect, since the new Air Jordan 11 “Space Jam” is only about a month away. That retro is set for December 12th at $235.

Flight Club has not said how many pairs are available. That means the odds will probably be tough. Overall, it is a fun promotion that rewards fans in the right cities.

Read More: Miami Heat Unveil Vice City Uniforms With Travis Scott And Rockstar

Air Jordan 11 “Space Jam”

The 2016 Space Jam retro was one of the biggest releases of its year. Concord accents replaced the original Varsity Royal color, which made it stand out from the earlier pairs.

This year’s version goes back to the 2000 look. Varsity Royal returns, and Jordan Brand also added #23 to the heel.

It is part of a huge collection that celebrates the film’s 30th anniversary. The group includes the “Magic Ball,” the “Green Screen,” and several other Space Jam pairs.

Drawings like this one also show how much the sneaker world loves a good promotion. Flight Club has built its reputation on rare pairs, and it knows hype sells.

With the movie’s anniversary and the new retro on the way, Space Jam is everywhere this month. Overall, this is a perfect warm-up for the December release.

Read More: Dr. Dre Doubles Down On AI In Music, Takes Jab At Critics

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That night is called “A Night in Vice City.” The Heat host the Bucks at Kaseya Center at 7 p.m. ET on ESPN, one day before GTA VI launches.

Fans can buy the Swingman jersey and shorts in limited quantities starting November 18th. The Heat will wear a separate on-court version during the game.

Overall, the retail jersey is a black base with pink and white trim. “Vice City” runs across the chest in place of the Heat logo, and a palm-filled “VI” patch adds the GTA touch.

Travis’ signature flipped Swoosh sits on the right chest. Six pink stars and Cactus Jack branding appear near the hem, along with a tag that carries the Rockstar, Heat, and Cactus Jack names.

The on-court version is a little quieter because of NBA uniform rules. It uses a subtle GTA map pattern inside the Heat lettering, with small Cactus Jack touches.

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Travis Scott x Miami Heat x GTA 6

The look matches the rest of Travis’ GTA rollout. The pink stars and Vice City colors also appear on his GTA VI Air Force 1 Lows, which are expected on November 19th. The first look at the black pair showed the same pink stars on the outsole.

Rockstar has also taken over Miami for weeks, with Vice City banners, a blimp, and a rebranded Kaseya Center. The jerseys give the campaign a basketball moment.

The Heat also have history with Vice-themed uniforms. Their pink and blue “Vice” City Edition debuted in 2017-18, and it has been a fan favorite ever since.

Matching the game’s launch to an NBA night is a smart move. It brings sneakers, music, gaming, and basketball into one big weekend.

Overall, this could be one of the coolest uniform releases in years. Fans in Miami will be wearing it for a long time.

Read More: Air Jordan 4 “Bloodline” Receives A Release Date

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Release Date: November 6, 2026

Genre: Hip-Hop

Album: N/A

Quotable Lyrics from 3rd Eye

Ayy, walkin’ through the storm, see my shadows in the rain
You told me that you get it, but you never felt my pain
I’m shootin’ with precision, gotta watch out when I aim
I still take the money any day and trade it for this fame

The post 3rd Eye – Song by Lil Skies appeared first on HotNewHipHop.

Dre discussed AI during an appearance on Ice Cube and Mike Epps’ new podcast, Listen & Laugh. A clip shared by NFR Podcast on X Friday (Nov. 6) captured the Aftermath founder explaining why he’s so enthusiastic about its possibilities. “I am extremely excited about AI, I love it,” Dre said. “I love the potential of it, I love the idea of where it could possibly go with music and film.”

He went further when discussing people who oppose its growing presence in entertainment. “It’s just a whole new level of creativity,” he continued. “I think the only people who are going to be mad about AI are people who aren’t that creative.”

Read More: Meek Mill Praises AI As A Learning Tool And Sparks Backlash

Dr. Dre Previously Defended Using AI In Music Production

Dre’s latest comments align with his position in an August interview with The New York Times. Speaking alongside longtime business partner Jimmy Iovine, he compared the criticism surrounding AI to the resistance that greeted drum machines and synthesizers when they entered music production. “It’s a new tool for creativity. Some people are afraid of learning new things,” he said at the time. Dre also confirmed that he was already using AI in his own production process to experiment with material he’d created.

Iovine shared his enthusiasm, arguing that talented musicians could make better records by incorporating the technology. He also suggested that more producers were experimenting with AI privately than were willing to acknowledge publicly. Their remarks drew criticism from Hip Hop fans, particularly those concerned about the technology’s impact on artists and the value of human creativity.

Dre’s argument that creative people have nothing to fear doesn’t necessarily address those concerns. Producers using AI to experiment with their own recordings approach the technology differently from companies generating music using material artists may not have authorized.

Still, Dre appears increasingly comfortable discussing his enthusiasm publicly. His August interview established that he’s already incorporating AI into his workflow, while his conversation with Cube and Epps extends that endorsement to filmmaking. He hasn’t explained how he believes the industry should handle the ownership and compensation questions that have accompanied AI’s expansion into music.

Read More: A$AP Rocky Says AI Should Be A Tool, Not The Artist

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In a new social media video, Shields said she and Davis were previously on good terms and had never had any serious personal issues. According to her account, things changed when she began expressing her preference for Stevenson in conversations about boxing. She suggested Davis took her assessment personally, even though it was an opinion about their respective abilities in the ring.

Shields has maintained this position for some time. During a 2024 appearance on Cigar Talk, she ranked Stevenson above several prominent fighters, including Davis. “Shakur is the best. To me, he’s better than Tank,” she said, arguing that Stevenson’s technical abilities and experience against difficult opponents gave him an advantage.

That history has resurfaced as their latest disagreement becomes increasingly personal. Davis initially criticized Shields’ revealing outfit from her November 2 listening party in Atlanta, writing, “You look a hot ass mess.” Shields responded with insults of her own, including references to the domestic violence allegations against Davis, which he has disputed.

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Read More: Gervonta Davis’ Claressa Shields Insult Has Papoose Firing Back

Claressa Shields Takes More Shots At Gervonta Davis

Papoose then joined in, mocking Davis’ controversial fight with Lamont Roach Jr. Shields wasn’t finished, either. On Thursday (Nov. 5), she shared an AI-generated image of Davis wearing the same black lace-up jumpsuit and red boots he had criticized her for wearing. The altered photo placed the revealing cutouts along the front of his outfit rather than the back.

Her accompanying message was considerably less playful. Shields accused Davis of selectively sharing portions of a private exchange with Papoose, claiming he had questioned why the rapper was defending her. She also rejected any suggestion that the two men had a friendship that Papoose was obligated to respect.

“Pap don’t have no bro code to you!” she wrote, according to The Shade Room. “That’s my man & WE DON’T FK WITH YOU!”

The boxer also accused Davis of spreading claims about her relationships with other fighters, which she denied, and continued criticizing his alleged treatment of women. Davis has denied wrongdoing in legal proceedings involving allegations of domestic violence.

Shields’ explanation about Stevenson adds context to a rivalry that predates this week’s exchange. Although she has criticized Davis’ boxing résumé, she has also publicly praised his abilities, including defending his skills after his March 2025 draw with Roach.

Read More: Claressa Shields Claps Back At Gervonta Davis Over Outfit Diss

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The song leans into the idea of Santa Claus having a secret romantic encounter, with suggestive lyrics and a cheeky approach to the familiar holiday characters. Chlöe teased the release earlier this week with the caption, “naughty AND nice this year,” making it clear that she wasn’t preparing another traditional Christmas ballad.

Reactions have been divided, with critics accusing the singer of unnecessarily sexualizing the holiday. Others have questioned her continued reliance on provocative material, an argument that has followed her throughout her solo career. Her defenders, however, believe the criticism is excessive, especially since the record is meant to be humorous.

The song’s premise even made its way to daytime television before its release. On Tuesday’s (Nov. 3) episode of Today with Jenna & Sheinelle, Jenna Bush Hager reacted to the title by asking, “She hooking up with Santa?” Co-host Sheinelle Jones jokingly called the concept “naughty,” while the pair wondered why Santa would cheat on Mrs. Claus.

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Chlöe Bailey’s Christmas Single Revives Familiar Criticism

The conversation resembles the scrutiny Chlöe faced when she began releasing solo music outside Chloe x Halle. Her 2021 debut single, “Have Mercy,” introduced a more sexually expressive image that some listeners struggled to reconcile with the singer they had watched grow up alongside her sister, Halle Bailey.

Her latest release isn’t her first venture into Christmas music, either. She previously recorded “Winter Wonderland” for the 2023 film Candy Cane Lane, demonstrating a more traditional approach to the holiday catalog. Whatever listeners think of her newest offering, the criticism hasn’t prevented it from attracting buyers. On Friday, Chlöe reposted an X update announcing that “MRS CLAUS DONT HAVE 2 KNOW” had reached No. 3 on the U.S. iTunes Top Holiday Songs chart. Her accompanying message was brief and playful. “Mwahaha,” she wrote. Whether the song becomes a recurring Christmas favorite is another matter, but its opening-day reception suggests that some listeners are more interested in adding it to their playlists than debating Santa’s marriage.

Read More: Chloe Bailey Responds To Criticisms That She’s Too Dorky To Be A Pop Star

The post Chlöe Bailey Laughs Off Criticism Of Her Sexy “Mrs. Claus” Song appeared first on HotNewHipHop.

“Internet [cap]. Don’t fall for it,” Brown wrote on his Instagram Story Friday (Nov. 6), according to Complex. His brief message arrived amid complaints about Thursday’s performance at Mercedes-Benz Stadium, which reportedly began more than two hours after its advertised start time. Concertgoers complained about shortened performances, while Brown and Usher reportedly never shared the stage despite their co-headlining arrangement. Their tour typically features separate sets alongside joint performances, making the absence particularly noticeable.

According to The Atlanta Journal-Constitution, DJ Fresh entertained the audience for an extended period before the singers took the stage. The publication’s review also criticized the sound quality and described portions of the concert as rushed. Usher’s representatives reportedly couldn’t explain the delay when contacted during the show.

Read More: Usher & Chris Brown Atlanta Show Goes Off The Rails, According To Fans

Chris Brown And Usher Reportedly Disagreed Over Atlanta Concert Delay

The confusion took another turn when TMZ reported that Brown and Usher had gotten into a verbal argument backstage. Sources claimed heavy traffic around the stadium left many fans arriving late, prompting a disagreement over whether to delay the concert. The outlet also cited a source who described the singers as highly competitive throughout their joint tour, suggesting their differences extended beyond Thursday’s scheduling problems. However, neither artist has publicly confirmed an argument.

Moreover, some fans also questioned Usher’s decision to tell the audience, “Atlanta, welcome to my show,” during his opening remarks. The controversy comes amid a major achievement for both entertainers. Their five-show engagement at Mercedes-Benz Stadium sets a venue record for the most performances by one tour during a single stop, surpassing Beyoncé’s four-night Cowboy Carter run in 2025.

Brown and Usher still have four Atlanta performances scheduled for Nov. 6, 8, 10 and 11. With another show taking place Friday night, they’ll have an immediate opportunity to deliver the joint performances missing from Thursday’s concert. Whether either singer offers a fuller explanation remains uncertain, but the next audience will undoubtedly be paying close attention to how they share the stage.

Read More: Chris Brown & Usher’s Alleged Backstage Argument Led To Three-Hour Concert Delay

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The nominations, announced Thursday (Nov. 5), recognize artists whose songwriting has influenced generations of popular music. According to The Hollywood Reporter, the selections span numerous genres, with particularly strong representation from R&B and pop.

Burruss is nominated in the songwriter category, which recognizes writers whose work goes beyond their own recordings. Her contributions include TLC’s “No Scrubs,” Destiny’s Child’s “Bills, Bills, Bills,” and *NSYNC’s “It Makes Me Ill.” Meanwhile, Ne-Yo is competing in the performing songwriter category, with a catalog that includes his own hits alongside songs written for other artists. His credits include Beyoncé’s “Irreplaceable,” Mario’s “Let Me Love You” and Rihanna’s “Take a Bow.” Lady Gaga is also nominated, with compositions such as “Poker Face,” “Bad Romance,” and “Shallow” helping establish her as one of Pop’s most recognizable writers.

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Hip Hop And R&B Hitmakers Earn Songwriters Hall Of Fame Recognition

Other performing songwriter nominees include Shakira, whose credits span “Hips Don’t Lie” and “Whenever, Wherever,” as well as Sia, whose work includes “Chandelier” and Rihanna’s “Diamonds.” Grandmaster Melle Mel earned a nomination for his contributions to Hip Hop, including Grandmaster Flash and the Furious Five’s landmark recording “The Message.”

The songwriter category also features will.i.am, whose works range from the Black Eyed Peas’ “Where Is the Love?” to Usher’s “OMG.” Norwegian production duo Stargate, responsible for hits including Beyoncé’s “Irreplaceable” and Rihanna’s “Diamonds,” earned a nomination alongside Maurice Starr, known for his work with New Edition and New Kids on the Block.

The ballot reaches even further into R&B history. George Merrill and Shannon Rubicam, known professionally as Boy Meets Girl, are recognized for writing Whitney Houston’s “How Will I Know” and “I Wanna Dance with Somebody (Who Loves Me).” Other nominees include members of WAR, Blondie, and the songwriting team Stock Aitken Waterman. The official nominee list also includes Jack White and Boy George.

The Songwriters Hall of Fame requires candidates to have a notable catalog and at least 20 years since their first commercially released song. Eligible members can vote for up to three nominees in each category, with ballots due by midnight Eastern on December 14. The final 2027 inductees will be announced early next year, ahead of the annual ceremony in New York City.

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The post Kandi Burruss, Ne-Yo, P!nk & More Earn Songwriters Hall Of Fame Nods appeared first on HotNewHipHop.