Previously, Quando Rondo served his sentence at FCI Edgefield in South Carolina. However, in June, it was reported that Rondo was no longer in prison. Instead, he was staying at a halfway house in Atlanta. This community confinement lasted upwards of five months. On November 2, he was released and is now no longer under the custody of the Bureau of Prisons. This doesn’t mean he is in the clear. Supervised release means he will be watched closely over the next 36 months.

Immediately after being released, Quando Rondo went to go see his barber, Kwame Bryant. Bryant posted some photos of the artist on social media, saying, “I’m glad u finally off paper and out of Federal Custody fam.”

Read More: Ranking The Best Jordan Brand x Howard University Sneakers

Quando Rondo Visits Barber After Leaving Halfway House

Bryant went on to say that he and Rondo got to listen to some unreleased music together. Needless to say, it was a joyous occasion for the artist, and he is already reconnecting with those he has camaraderie with.

Quando Rondo is an artist who has always kept busy over the years. Given the fact that he is showing off unreleased music, it seems clear that he is going to be dropping something soon. “First Day Out” songs always seem to be a fan favorite, and we would not be surprised to see one.

Regardless, this is a celebratory time for Quando Rondo, and we will surely be seeing more of him soon.

Read More: 50 Cent’s Fight Against Bullying Runs Into His Own History Of Trollin

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On Tuesday, however, a Bucharest court decided to annul the sentence and the ensuing warrant, according to AllHipHop. Not only was the sentence overturned, but the ruling itself was also struck from the record. Now, DIICOT is appealing all over again, and the case is going back to where it was when the criminal fine was first handed down.

Wiz Khalifa will have a new hearing on November 12. It is here that DIICOT will look to make its appeal arguments all over again. Given this information, it should be made crystal clear that Wiz has not been acquitted. The case is still ongoing, although there is no doubt he has picked up a legal victory here.

Read More: Ranking The Best Jordan Brand x Howard University Sneakers

Wiz Khalifa Gets Some Good News

For those who may not remember, Khalifa’s legal troubles began during a performance at the “Beach, Please!” festival in Costinesti on July 13, 2024. The artist smoked on stage, and this immediately led to a deeper investigation. Wiz was subsequently accused of possessing 18.53 grams of cannabis. Subsequently, he was charged with illegal possession of a risk drug.

Wiz Khalifa has been fighting this case for over two years, and with this latest ruling, the process will continue. However, he can now rest easy knowing the nine-month sentence has been wiped out, at least for the time being.

Read More: 50 Cent’s Fight Against Bullying Runs Into His Own History Of Trolling

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The footage was captured at Shields’ Nov. 2 listening party in Atlanta, where she stepped onto the red carpet wearing a fitted black outfit featuring lace-up detailing across her exposed back. She paired the look with red thigh-high boots, turning around to give photographers a better view of the design. The clips quickly circulated on social media, drawing criticism and jokes about her wardrobe. Davis joined in, commenting, “You look a hot ass mess.”

Shields wasn’t about to let the insult slide. Sharing his remark on X, she fired back, “Keep streaming Party ,” before directing followers to her new single on Apple Music. She then took a considerably more personal shot at Davis, writing, “Ain’t nobody thinking about that woman beating M*dget Tank .” Her response referenced the domestic violence allegations that have followed Davis, who has faced multiple legal complaints involving women over the years.

Read More: Claressa Shields Claims She Doesn’t Know Remy Ma’s Songs

Claressa Shields Turns Gervonta Davis’ Insult Into Music Promotion

Davis has faced criminal charges and civil allegations involving domestic violence, including accusations from former girlfriend Courtney Rossel. She alleged that he physically attacked her during an October 2025 incident at a Miami Gardens nightclub. Davis has denied the allegations, and his attorneys previously accused Rossel of attempting to extort him. Shields’ insult alluded to that history, although her characterization shouldn’t be confused with a finding of guilt in those proceedings.

The exchange also arrived during a busy week for Shields, who has been introducing herself to audiences as a recording artist. Her Atlanta event, titled “Gloves Off, Mic On,” celebrated the release of “Party” and offered attendees a preview of her forthcoming album, What Did You Expect. The event attracted more than 500 guests, including her boyfriend, Papoose, who joined her onstage. Complex detailed the listening party, where Shields previewed nine tracks from the project.

The undefeated champion appeared pleased with the turnout, thanking Rolling Out and the guests who supported her event. She also announced that more music would arrive next week.

Read More: 50 Cent Continues To Take Aim At Claressa Shields

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“Somebody needs to call Loe Shimmy and Drake!” Usher declared during the livestream, which has since circulated across social media. The remix brings a smoother R&B approach to the original, which appeared on Drake’s HABIBTI album in May. He also worked a little bragging into his verse, singing, “Got so many hits I damn near almost forget.” Per Billboard, the record appears to be going by “U Spent,” although Usher hasn’t announced an official release date.

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Usher And Drake Have Teased A Collaboration Before

An official release would be particularly interesting considering that Usher and Drake have never put out a formal collaboration, despite knowing each other for more than a decade. Drake brought the singer out during OVO Fest in 2014 and suggested they had music in the works. A rumored collaboration called “Slow Motion” eventually leaked in 2020, but neither artist included it on an official project. Usher also appeared during Drake and Future’s Summer Sixteen Tour in Atlanta in 2016.

The original “I’m Spent” has already marked a major career milestone for Loe Shimmy. The Florida rapper’s collaboration with Drake reached No. 34 on the Billboard Hot 100, becoming his first Top 40 entry. The pair also filmed an elaborate music video for the song, appearing in Iron Man-inspired costumes during Drake’s FOMO short film.

Usher, meanwhile, has been busy performing alongside Chris Brown on their joint R&B Tour. The next stretch begins November 5 in Atlanta, with additional shows scheduled throughout the month. His last studio album, Coming Home, arrived in 2024, and he hasn’t confirmed whether he’s preparing another project. Still, the studio preview suggests he’s been making time for new music between performances.

Read More: Gabrielle Cheyenne Says She Wanted Chris Brown Following Usher Debacle

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The subject resurfaced during Rock’s new GQ Men of the Year interview with Zach Baron, who asked about his previous declaration that he wouldn’t return to the Oscars unless he received a nomination. “I mean, it’s not like a threat or anything,” Rock explained. The 61-year-old acknowledged that everyone witnessed what happened in 2022, but he doesn’t particularly enjoy discussing it. His reluctance isn’t limited to the Academy Awards, either. He suggested the same attitude applies to “any awards show.”

Rock originally made the nomination-only remark during a September conversation with Variety, where he also questioned whether his days hosting the Oscars were behind him. “The only way I’ll go back is if I’m nominated, and I’m not getting nominated,” he said at the time. He praised Conan O’Brien’s work as an awards-show host and made clear that he wasn’t lobbying for another opportunity himself.

Read More: Chris Rock Says Will Smith’s Oscars Slap No Longer Feels That Important

Chris Rock Wants To Move Beyond The Will Smith Oscars Slap

The hesitation is understandable given what happened during the 2022 ceremony. Rock was presenting an award when Will Smith walked onstage and slapped him after a joke about Jada Pinkett Smith’s shaved head. Smith subsequently apologized and received a 10-year ban from Academy events. Rock eventually addressed the confrontation extensively in his 2023 Netflix special, Selective Outrage, but he’s grown increasingly reluctant to let the incident define conversations about his work.

“Something happened. It wasn’t cool,” he told GQ, explaining that he would rather move forward. Rock acknowledged that the incident would probably follow him throughout his life, despite everything he’d accomplished beforehand. He also pointed to the creative projects demanding his attention, including television and film scripts, along with a book he’s writing. He wants audiences to focus on what he’s producing rather than continually revisiting that night. After spending much of his career being recognized for what he says onstage, Rock seems considerably more interested in what he can create behind the camera.

Read More: Martin Lawrence Says Chris Rock Didn’t Deserve To Be Slapped By Will Smith

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The October 23 release earned 30,000 equivalent album units in its first week, with 19,000 coming from album sales and another 11,000 from streaming activity. The figures, published by Billboard, cover the tracking period of Oct. 23 through Oct. 29. While both artists have enjoyed chart success individually, neither had previously reached the summit of Top Rap Albums. Cordae came closest with 2022’s From a Birds Eye View, which peaked at No. 4, while .Paak’s highest placement was No. 3 with NxWorries’ Yes Lawd! in 2016.

On X, Cordae celebrated his ltest victory. “[Eight] years in of doing music professionally, 14 years since my first mixtape. Good things take time ! Grateful for the journey. Thank you Jesus ! Thank Yall ! Still more work to do !”

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Cordae And Anderson .Paak Find Success With Heavy Is The Crown

The achievement comes after several collaborations that gradually turned their musical friendship into a full-length project. Their first record together, “RNP,” appeared on Cordae’s Grammy-nominated debut The Lost Boy. They reunited for “Two Tens” in 2023 and “Summer Drop” the following year, eventually deciding to share an entire album. The 11-track release features production from J. Cole and 9th Wonder, with additional contributions from Swizz Beatz and Conductor Williams. Its artwork even borrows inspiration from the comedy Step Brothers, which seems appropriate for two artists who clearly enjoy working together.

Their success wasn’t limited to the Rap albums’ rankings. Heavy Is the Crown also debuted at No. 2 on Top R&B/Hip-Hop Albums and No. 11 on the Billboard 200. Interestingly, .Paak has previously topped the broader R&B/Hip-Hop chart as part of Silk Sonic with Bruno Mars, but the new release represents a separate milestone for his work in Rap.

“Airbender” has emerged as the project’s biggest streaming track, collecting 2.4 million official U.S. on-demand streams during its opening week. The song also entered Billboard‘s Hot Rap Songs chart at No. 21, making this .Paak’s first appearance on that ranking. Cordae, meanwhile, secured his fourth entry. After several years of making records together, the pair can now add a shared No. 1 album to their résumé.

Read More: Cordae Reflects On Naomi Osaka Split, Hints At Second Child

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Overall, the design is a rich black and green mix. Black pebbled leather covers most of the upper, while a jade snakeskin print sweeps across the lateral side.

The same jade shade appears on the midsole, heel runner, and sockliner, which gives the shoe a strong sense of balance.

Silver adds the finishing touch on the top lace loops and the midfoot plate, and a white Jumpman sits on the tongue.

The box carries a jade Jumpman, and a custom atmos bag features elephant print as a nod to atmos history.

The style code is JA4480-010. The pair was priced at 31,900 yen in Japan, and it is not expected to receive a wider release. A later Japan release is reportedly listed for November 23rd, so more fans in Japan may get a chance. Overall, the “Clear Jade” is one of the most eye-catching Jordan releases of the fall.

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atmos x Air Jordan 12 “Clear Jade”

The jade color has a special place in atmos history. It first appeared in 2006 on the atmos x Nike Air Max 1 “Elephant,” and it came back in 2017 for the pair’s anniversary.

atmos has also used the color on other Nike projects, including the LeBron 16 Low “Clear Jade” in 2019.

The Air Jordan 12 is a fitting choice, since the model turns 30 this year. Its design was inspired by the Japanese rising sun flag, which gives the collaboration an extra connection to Tokyo.

This is also the second Japan-exclusive Air Jordan 12 of the year. The “Sumo” arrived in August, and it was also sold through atmos.

Overall, atmos and Jordan Brand keep making Tokyo a special place for Air Jordan releases. Fans outside Japan will have to hunt for pairs on the resale market.

Read More: Diddy’s Ex-Lawyers Demand $581K In Unpaid Legal Fees

The post The atmos x Air Jordan 12 “Clear Jade” Will Be A Japan-Exclusive Only appeared first on HotNewHipHop.

The Wall Street Journal asked Push about Jay-Z’s recent suggestion that Rap battles may no longer be necessary to the culture. He didn’t entirely agree with Hov’s assessment, arguing that conflict between artists is inevitable. “This is a very competitive sport,” he explained. Although he wasn’t sure which incidents Jay was referring to, he acknowledged that certain disputes have crossed the line. “As long as it’s music, it’s fine. Anything outside of that realm, it’s overboard.”

His remarks follow Jay-Z’s controversial March interview with GQ, in which the Roc Nation founder questioned whether Hip Hop had outgrown battling. The discussion centered largely on Kendrick Lamar and Drake’s highly publicized feud, specifically the hostility between their fan bases and how personal the attacks became. Jay expressed concerns about the fallout, including the involvement of artists’ children. Although he acknowledged enjoying the competitive aspect of Rap, he wondered whether collaborations might offer a healthier alternative.

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Read More: Pusha T On Drake’s Subliminal Disses: “I Love It”

Pusha T Has His Own Complicated History With Rap Beef

Of course, Pusha T is hardly an outsider to these conversations. His longstanding rivalry with Drake produced 2018’s “The Story of Adidon,” one of the most consequential diss tracks in recent memory. The song publicly revealed that Drake had a son, Adonis, and included pointed remarks about the rapper’s family. Their disagreement never led to the kind of reconciliation some fans have hoped to see.

More recently, Push targeted Travis Scott on “So Be It,” from Clipse’s 2025 comeback album, Let God Sort Em Out. He accused Scott of disloyalty involving Pharrell Williams and Drake, and made personal remarks about Scott’s former relationship with Kylie Jenner. Scott subsequently pushed back against Pusha’s account of their disagreement, disputing his claims about an encounter at Pharrell’s studio.

Interestingly, Push suggested last December that he no longer wanted to pursue traditional diss tracks. His latest comments don’t necessarily contradict that position. He isn’t arguing that every disagreement needs a response record, but he also doesn’t believe competition can be eliminated from Hip Hop. Coming from someone whose own battles have often been intensely personal, his distinction between lyrical warfare and taking things too far is especially worth noting.

Read More: Drake Vs. His Rivals—And The Women Who Get Caught In The Middle

The post Pusha T Says Rap Beefs Have A Line That Shouldn’t Be Crossed appeared first on HotNewHipHop.

Overall, the design is a red and blue mix with thick white stitching. Deep royal blue covers the toe, heel, vamp, Swoosh, and midsole, while red appears on the toe cap, side panels, and laces.

The upper is made from patent leather, and the shoe has metal eyelets and the signature ankle strap that gives the Mid its look. Concrete Boys logos sit on the tongue and heel, and the white stitching adds a retro, early-2000s feel.

The style code is IW9834-600. Pairs are expected through SNKRS, Concrete Boys, and select Nike Sportswear retailers.

It first appeared at NBA All-Star Weekend earlier this year. It is one of two Us Force 1 Mids expected this holiday season, so there will be more than one chance to get Yachty’s design. Overall, this one looks like a perfect holiday release.

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Lil Yachty Concrete Boys x Nike Us Force 1 Mid “Red/Blue”

Yachty has been busy with Nike this year. His yellow croc Us Force 1 Mid was one of the biggest pairs at ComplexCon, and only 1,000 pairs were made. A pink version also exists, but it was made for friends and family.

The Us Force 1 name is also interesting. It gives the Air Force 1 a special identity for Yachty’s Concrete Boys world, and the ankle strap brings back a detail from the model’s early-2000s era.

Yachty has shown off a custom stars-and-stripes Air Force 1 Mid and a Levi’s Air Jordan 3 sample, and he recently said he would love to work on the Air Jordan 21.

Red and blue is also a classic mix. It works well in the fall, and the thick stitching makes it stand out.

Overall, the Us Force 1 Mid has become one of the best parts of Yachty’s Nike run. This pair looks like a strong way to end the year.

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In an October 30 filing reviewed by AllHipHop, attorney Michael Tremonte outlined the firm’s request to U.S. District Judge John P. Cronan. “Exhibit A reflects that Mr. Combs owes Sher Tremonte $581,893.75 in connection with the work performed in this matter,” he wrote in a sworn declaration. The firm is seeking a charging lien that would allow it to pursue payment from a potential settlement or judgment in Combs’ favor. Its supporting billing spreadsheet was submitted under seal, meaning the detailed accounting isn’t publicly available.

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Diddy Previously Accused His Lawyers Of Overcharging Him

The disagreement became public in September when Sher Tremonte asked to withdraw from Combs’ defamation lawsuit, citing months of unpaid invoices and a breakdown in communication. The firm claimed he hadn’t paid for legal services in more than six months and had become difficult to reach while incarcerated. Combs disputed that account through spokesperson Juda Engelmayer, arguing that the attorneys had charged him for work he never authorized.

“I made the decision to switch lawyers because I won’t let anyone take advantage of me by overcharging me,” Combs said in a statement provided to Rolling Stone. Tremonte rejected the accusation, maintaining that the firm had represented Combs efficiently and was withdrawing because of unpaid bills and deteriorating communication.

The lawsuit at the center of the financial dispute was filed against Courtney Burgess, attorney Ariel Mitchell, and Nexstar Media, the parent company of NewsNation. Combs accused the defendants of spreading false allegations about him, including claims involving purported sexual recordings. In September, Judge Cronan allowed portions of the defamation lawsuit to proceed, dismissing some claims against Nexstar while rejecting Mitchell’s attempt to dismiss the case entirely.

Judge Cronan approved the firm’s withdrawal on Oct. 21 and granted a retaining lien concerning its case files. The latest filing asks him to set the monetary value of that lien and approve an additional claim against any potential recovery. As of the firm’s Oct. 19 update, Combs hadn’t identified replacement counsel, and discovery had been paused. The judge has yet to determine whether the former attorneys are entitled to the full amount they’re demanding.

Read More: Diddy Rushed Out Of Prison Following Head Injury

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