The design swaps the usual rounded toe for a flat front with sharp corners. It stretches the toe box out a little, and the result looks closer to a dress shoe or cowboy boot.

From the back, the shoes look almost normal. The all-white and all-black finishes carry over, so the square toe is the main thing that stands out.

The white pair uses a clean white upper from heel to toe. The black pair keeps the same black leather look, with the same flat front.

Both pairs are listed at $130 and use the style codes JF7766-100 for white and JF7766-001 for black. Look for them on Nike.com and at select retailers.

The square toe first appeared at Nike’s men’s presentation at Paris Fashion Week in June, and reactions were mixed. These first two colors are the simplest versions of that idea.

Read More: The 7-Eleven Vs. Nike Lawsuit Is Finally Over

Nike Air Force 1 Low Square Toe

Paris also showed a much louder side of the Square Toe. Nike previewed plaid pairs, suede versions, and Western-inspired designs with silver and turquoise hardware.

Those pairs are expected later, around spring 2027. That makes the black and white shoes the easiest way for Nike to test the new shape.

Nike also previewed a square-toe Air Max 90 in volt green, so this may be more than a one-off. It looks like a bigger direction for the brand.

The timing makes sense. The Air Force 1 has been around since 1982, and it has cooled down a bit from its peak popularity. A new shape gives fans something to talk about again.

The square toe will not be for everyone. Overall, Nike is taking a big swing with a shoe people know by heart. If these sell well, expect more square-toe pairs. If not, they will still be remembered as one of the strangest Air Force 1 experiments.

Read More: Lil Durk Issues Warning About Unauthorized Business Deals

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The lawsuit started on July 1st in a federal court in Dallas. 7-Eleven said Nike was using its famous orange, green, and red colors in the same order as its logo.

The timing was also part of the problem. Nike planned to release the shoe on July 11th, the same day 7-Eleven celebrates its birthday with free Slurpees.

The company asked the court to stop Nike from marketing and selling the shoe. It also wanted the remaining pairs destroyed.

Nike pulled the release from its calendar after the suit was filed. A few pairs still reached the resale market before then. The dismissal was made with prejudice, which means 7-Eleven cannot bring the same claims again. A court accepted it on October 20th.

There is no ruling on whether the shoe infringed on 7-Eleven’s trademark, and neither company explained the decision. We also do not know if the two sides reached a deal. Nike has not announced a new release date for the shoe. The post below says December 4th, but that’s just a rumor for now.

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7-Eleven Nike Lawsuit

The Air Max 95 Big Bubble “7-Eleven” has a unique history. It was part of a convenience store pack inspired by 7-Eleven and Japan’s Lawson.

The pair has an off-white base with brown, orange, and green suede details, which is meant to mimic the store’s signage.

7-Eleven and Nike also have a history. They worked together on an unreleased Nike SB Dunk Low, which makes the lawsuit even more surprising.

On the resale side, the price has already cooled. The lowest ask on StockX was around $190 as of October 22nd, below the $210 retail price.

That is a big change from July, when daily averages climbed to roughly $439 while fans thought the shoe was gone.

The style code is IR1944-102. If Nike does decide to release it, buyers could soon get a pair at retail. Overall, the lawsuit made this pair famous, and it cost the sneaker much of its mystery. A quiet ending is a very different story from the one fans expected.

Read More: Stevie Wonder Sues To Evict Ex-Fiancée After 38 Rent-Free Years

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“If it’s not my legal team or my wife please do not do any business or money transactions with anybody without verification or your loss,” Durk wrote on social media.

The message didn’t identify anyone allegedly misrepresenting his interests, nor did Durk explain whether a particular incident prompted his warning. However, his wording suggests he’s concerned that people might use their association with him to solicit money or arrange deals without proper authorization. His reference to his wife points to India Royale, who has remained a vocal supporter throughout his federal legal proceedings.

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Read More: How Hip-Hop Media Is Dividing Over The Lil Durk Trial

Lil Durk’s Warning Comes As His Federal Case Continues

The message arrives at a consequential time for the rapper, who remains in federal custody despite securing a major courtroom victory last month. On September 11, a Los Angeles jury acquitted Durk of all five charges in his murder-for-hire trial, which involved allegations that he orchestrated a 2022 attack targeting Quando Rondo. His attorneys celebrated the verdict and called for his release, but a separate federal prosecution has kept him behind bars.

Royale publicly celebrated the acquittal, sharing a photograph of Durk with their daughter Willow and thanking God. Durk also acknowledged the people supporting his defense, posting a photograph of his attorneys while expressing gratitude to his family and supporters.

His remaining legal battle involves charges of murder in aid of racketeering and a related firearms offense, which he has denied. A federal judge postponed that trial until August 30, 2027, after defense attorneys requested more time to prepare. Durk is scheduled to return to court on November 4 for a bond review hearing, where the court will decide whether he can await his next trial outside federal custody.

Read More: OTF Jam Takes Another Shot At Lil Durk From Behind Bars

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While promoting his new album, Muse, Legend told Complex where things stand with his former G.O.O.D. Music collaborator. “He’s not reached out to me,” Legend said. “So I don’t want to act like I’ve refused to meet up with him or talk with him. But if we did talk, it wouldn’t be a public reunion. It would be man-to-man, like a private conversation.”

“I don’t have a hard time forgiving anybody personally for any slight — and, you know, he’s said a few stray comments about me. But he hasn’t done much to harm me, or with the intent to harm me at all.”

Read More: John Legend Says Kanye West “Doesn’t Really Make Beats Anymore”

John Legend Isn’t Interested In Making Music With Kanye West Again

The two musicians have a history stretching back to the early 2000s, when West helped launch Legend’s career through G.O.O.D. Music and executive produced his debut album, Get Lifted. Their relationship deteriorated years later, particularly after Legend declined to support West’s 2020 presidential campaign. In a 2022 interview, Legend acknowledged that their political disagreements had damaged their friendship.

West has since faced widespread condemnation for repeatedly making antisemitic statements and praising Adolf Hitler. In January 2026, he purchased a full-page advertisement in The Wall Street Journal apologizing for his behavior and discussing his mental health struggles. He acknowledged the harm his conduct caused while expressing a desire to make amends.

Legend, however, doesn’t believe the public apology sufficiently addresses the damage. He told Complex that West needs to make a greater effort to repair his relationship with the communities he offended rather than focus on reconciling with individual celebrities. “Any forgiveness that he needs to seek isn’t about anything he’s done to me,” Legend stated. “I feel like what he’s done to society has been really harmful. What he said about entire communities has been really harmful. The Black community, the Jewish community, those things have been really harmful.”

Read More: John Legend Reveals What He Thinks Caused Kanye West’s Sad “Devolution”

“I don’t think I’m interested in making art with him,” Legend also shared, although he acknowledged that his feelings could change years down the line. He also emphasized that the rapper’s earlier personal insults weren’t significant enough to prevent a future conversation.

The subject arose as Legend celebrated Friday’s (Oct. 23) release of Muse, his first full-length collaboration with Pharrell Williams. Interestingly, Legend recently told the Associated Press that West’s involvement in executive producing his earlier albums was one reason a complete Pharrell-produced project hadn’t happened sooner. Now working with Republic Records, he says he has greater independence to pursue whichever creative partnerships interest him. That freedom has finally brought his decades-long friendship with Pharrell into the studio for an entire album, with Clipse appearing on the song “Bodies on the Floor.”

The post John Legend Has Reservations About Reuniting With Kanye West appeared first on HotNewHipHop.

According to a complaint filed Thursday (October 22) in Los Angeles County Superior Court, Wonder and Efferson reached a verbal agreement allowing her to occupy his Studio City property without paying monthly rent. The arrangement continued for 38 years before their relationship as property owner and occupant deteriorated this summer.

Their history apparently extends beyond the housing arrangement. Efferson reportedly became engaged to Wonder in the late 1980s, around the time she moved into the home. Archival records also credit her as a producer on the music video for “Get It,” Wonder’s 1988 collaboration with Michael Jackson, according to Billboard. Efferson reportedly confirmed their former engagement to the publication, although the two never married.

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Stevie Wonder’s Eviction Lawsuit Details Heated Email Exchange

The dispute escalated in July when Wonder’s representatives attempted to schedule an inspection required to maintain property insurance. Per documents reviewed by the Los Angeles Times, Efferson rejected the request and accused one of the singer’s attorneys of displaying a racist attitude. “I’m feeling harassed,” she wrote in a July 25 email included in the complaint. “Regarding your ORDERS of entering into the place where I am living, I do not consent.”

She also accused the attorney of having a “racist coldblooded ‘white male privilege’ tone.” Wonder’s legal team responded by explaining that the attorney who originally contacted her was neither white nor male. Efferson subsequently threatened to contact law enforcement if anyone attempted to enter the property without her permission. The correspondence ultimately resulted in a July 28 notice terminating her occupancy agreement and requiring her to leave by August 27. When she allegedly refused, Wonder’s attorneys issued another notice in October, claiming her actions had caused the property’s insurance policy to be canceled.

The filing reportedly states that the 76-year-old musician is seeking possession of the home, termination of their verbal agreement, and reimbursement of legal fees. He’s also requesting up to $600 in statutory damages. Neither Efferson nor Wonder’s representatives responded to the Los Angeles Times‘ requests for comment on the lawsuit. His attorneys maintain that the canceled insurance policy has left him exposed to potential financial losses, an argument they are now asking the court to consider as they seek to end an arrangement that began when Ronald Reagan was still president.

Read More: Drake Speaks On “Take Care” & Working With Stevie Wonder

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During an appearance on The Real Report With Tony Yayo and Uncle Murda, Swizz recalled learning about Jackson’s interest in Keys through an unexpected source. According to the producer, Janet Jackson had apparently mentioned her brother’s feelings to the singer, whom Swizz would marry in 2010. “I found out that Michael had a crush on my wife. In a cool way, but Michael’s a Virgo, so I don’t know. I’m a Virgo,” he joked. Swizz explained that he believed Janet had told Keys, “You know, my brother always had a crush on you.”

Rather than make things uncomfortable, he saw an opportunity to bring two artists together. “So I thought it was cool to set up for her to meet him. Just for both of them to just have that moment as fans of each other,” he explained.

Read More: Swizz Beatz & Music Publishers Sue Bar For Playing Unlicensed Songs

Swizz Beatz Recalls Visiting Michael Jackson’s Home

The meeting eventually took place at Jackson’s home, where Swizz and Keys were welcomed into a surprisingly relaxed environment. According to Billboard, the producer remembered bringing gifts for Jackson’s children and watching the singer enthusiastically discuss his upcoming concerts. The visit came as Jackson prepared for his This Is It residency in London, scheduled to begin in July 2009.

“Michael was so cool, bro. Just seeing him in his real element,” Swizz recalled. He said Jackson was particularly excited about returning to the stage and even demonstrated some of the dance moves he planned to perform, showing Keys what audiences could expect from the shows. Sadly, Jackson never made it to those performances. He died on June 25, 2009, at 50, just weeks before the residency was scheduled to begin.

Swizz also shared a rather amusing detail about Jackson’s attitude toward his own accomplishments. While visiting the house, he noticed framed Thriller plaques sitting on the floor against a wall. Jackson offered to let him take some home, but Swizz declined because he didn’t want to appear too eager. Even after Jackson dismissed the awards as “just things,” the producer resisted the temptation. Considering Thriller remains one of the best-selling albums in music history, turning down a piece of memorabilia directly from Michael Jackson was quite the exercise in restraint.

Read More: JAŸ-Z & Swizz Beatz Lead DMX Tribute At Yankee Stadium

The post Swizz Beatz Recalls Michael Jackson’s Crush On Alicia Keys appeared first on HotNewHipHop.

“I wish people would stop asking me about my dead friend,” he said, explaining that the constant reminders have become exhausting. “That sh*t gets old.” The rapper expressed disbelief that people continued approaching him about Miller as though discussing his death was an enjoyable experience. The fan apologized, and Q accepted it, responding, “I appreciate it, bro.”

Miller died in September 2018 at 26 from an accidental overdose. The Pittsburgh rapper shared a close friendship with Q, and the two collaborated on records including “Gees” and “Friends.” Their relationship extended well beyond music, making Miller’s death particularly difficult for the Los Angeles artist.

Read More: Mac Miller Discusses ScHoolboy Q And Ab-Soul Collabos

ScHoolboy Q Has Previously Discussed His Grief Over Mac Miller

His frustration with questions about Miller isn’t new. Shortly after his friend’s death, Q postponed the release of what would become his 2019 album CrasH Talk, explaining that he wasn’t emotionally prepared to promote music while grieving. During a September 2018 concert, he told the audience that he couldn’t imagine walking into radio interviews only to be questioned about Miller’s passing. The prospect of repeatedly discussing the loss contributed to his decision to delay the project.

Q eventually spoke about their friendship during a deeply personal 2019 conversation with Charlamagne Tha God. He admitted that he was still struggling to comprehend Miller’s absence and recalled their final conversation, which took place over FaceTime while Miller was working on a music video. He also revealed that Miller visited the studio and heard CrasH Talk before his death, giving him a chance to share the music with his friend before its eventual release.

At the moment, Q is celebrating the tenth anniversary of Blank Face LP with a tour that concluded October 17 in Las Vegas. He’s also preparing his next album, THank Que, for release in 2027. During an October 9 performance in Los Angeles, he told fans he had no plans to retire, saying he intended to be around for the album’s twentieth anniversary, too.

Read More: Vince Staples Reflects On Learning From Mac Miller & ScHoolboy Q’s Feedback

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According to footage circulating on The Shade Room, Shimmy presented Drake with the luxury sports car for his birthday. The specific model and price haven’t been confirmed, but the gift certainly wasn’t an ordinary birthday offering. The surprise follows Drake’s lavish celebration at Casa Cipriani in New York City on Friday (Oct. 23). More than 400 guests reportedly attended the event, where the rapper offered attendees a chance to win up to $1 million. The Backstreet Boys also delivered a surprise performance, with Drake joining the group for “I Want It That Way.”

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Read More: DJ Akademiks & Drake Share A Toast In New York City During 40th Birthday Bash

Loe Shimmy Previously Credited Drake With Encouraging His Career

The birthday gift comes after a particularly significant year for Shimmy, who appeared on Drake’s song “I’m Spent” from his May 2026 album Habibti. However, the Pompano Beach native has credited the Canadian rapper with supporting his career well before they recorded together.

During a May interview with The FADER, Shimmy recalled Drake sharing his song “Tina” on social media approximately four years earlier. At the time, the rising artist wasn’t certain his music career would work out, and receiving recognition from someone of Drake’s stature gave him a reason to keep going. “That one single repost, it gotdamn put a battery in my back,” he explained, adding that the support meant more than Drake probably realized.

The two eventually developed a friendship, with Shimmy describing their relationship as genuine rather than strictly professional. He also revealed that “I’m Spent” originated from a recording he’d sent Drake more than a year before its eventual release. Shimmy was particularly appreciative of Drake keeping his word about their collaboration. During that same interview, he recalled reaching out to express his gratitude, telling the rapper, “I love you, I appreciate you for everything.”

Apparently, a Ferrari makes for a pretty memorable birthday ‘thank you,’ too.

Read More: Drake’s 40th Birthday Bash Gives Guests A Shot At $1 Million

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According to court documents obtained by TMZ, the two signed a 13-page agreement addressing custody and financial support. The legal dispute began in 2024 when DaniLeigh filed a paternity case, identifying herself as Velour’s primary caregiver and requesting monthly support payments.

DaBaby challenged her account of their parenting responsibilities, maintaining that he’d been actively involved in their daughter’s life since birth. He also asked the court to legally establish his paternity and award joint custody. Although the former couple has now reached an agreement, they haven’t made the specific custody arrangements public.

Read More: DaBaby Settles With DaniLeigh’s Brother In Bowling Alley Fight Lawsuit

DaBaby And DaniLeigh’s Custody Settlement Follows Contentious Split

The agreement comes nearly five years after their relationship ended in a confrontation that played out publicly on Instagram Live. In November 2021, an argument between the two escalated when DaBaby called police to his Charlotte home while DaniLeigh was caring for their infant daughter. Police subsequently charged the singer with two counts of simple assault after DaBaby accused her of attacking him.

Their relationship continued generating headlines after the breakup, particularly when DaniLeigh’s brother, Brandon Bills, became involved in a physical altercation with DaBaby at a Los Angeles bowling alley in 2022. Bills later sued the rapper, and that separate civil case was settled in June 2026.

Despite their history, both artists have continued showing up for important moments in their daughter’s life. In September, they attended the Rookie Kids Runway on Broadway event at Macy’s Herald Square in New York, where Velour participated in the fashion showcase. As previously documented, the two parents posed separately with their daughter rather than taking photographs together.

Read More: DaBaby’s Baby Mama & DaniLeigh Go At It On Social Media

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Footage shared by TMZ captured the longtime friends enjoying the music during the Oct. 23 show. The outing follows their surprise appearance together during Beyoncé’s final Cowboy Carter Tour performance in Las Vegas last year, where they performed a medley of Destiny’s Child hits.

Rihanna also attended the concert, watching from the stadium floor while dancing along to the music. The singer was photographed posing with fans throughout the evening. Kendrick Lamar was another familiar face spotted in the audience. The impressive turnout was fitting for Jay-Z’s celebration of 30 years since Reasonable Doubt, which has included performances in New York and overseas before arriving in Los Angeles for two final shows.

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Read More: Kendrick Lamar Spotted At Jay-Z’s L.A. Show, And Fans Can’t Help But Speculate

Blue Ivy Shows Off Piano Skills During Jay-Z’s Concert

While Beyoncé enjoyed the performance with her former groupmates, her daughter Blue Ivy Carter joined Jay-Z onstage for a special appearance. The 14-year-old played piano during “The Story of O.J.” and “Dead Presidents,” receiving a warm reception from the audience. The teenager previously accompanied her father on piano at Yankee Stadium in July, performing “Feelin’ It.” She’s also become a familiar presence at her mother’s concerts, having danced during both the Renaissance World Tour and Cowboy Carter Tour.

In a March interview with GQ, Jay-Z praised his daughter’s musical abilities, saying she has perfect pitch and can teach herself songs by ear. Interestingly, he said Blue Ivy has little interest in taking formal lessons. “Blue is a crazy pianist, but she won’t let us get her a teacher,” he explained. “She doesn’t want it to be a job.”

Jay-Z returns to SoFi Stadium on Saturday (Oct. 24) for the final performance of his anniversary concert series. Friday’s show featured surprise appearances from Scarface, while John Legend joined DJ Khaled for “God Did.” With another night remaining, the guest list isn’t necessarily finished growing.

Read More: Jay-Z SoFi Stadium Night One: Full Setlist And Guests

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