According to TMZ, Diamond Brown is now alleging that Chris Brown isn’t interested in spending time with their daughter. Her latest court filing details how she has custody of Lovely for 90% of the time, alleging that Brown has failed to see their daughter over the past six to seven months. She did, however, acknowledge that his work is demanding and forces him to be out of town often.

Her filing also acknowledges that Chris Brown has tried to make an effort to spend time with his daughter. She said that he asked to bring Lovely on tour with him on alternating weekends. Still, Diamond didn’t feel like it was an appropriate setting to have her daughter, especially since she claimed Breezy himself would be busy with work while a nanny would look after Lovely. Even so, Diamond claims that she tries to encourage the father-and-daughter relationship but accuses Chris of being “often uninterested.”

Read More: Quavo’s Days As A Pop Star Are Over 

Diamond Claims Chris Brown Hasn’t Seen His Daughter In Over Six Months

Focusing on the financial aspect, Diamond expressed issues with his spending habits relating to the other mothers of his children and even a fan. She pointed to a situation where Breezy gifted a fan and her family a new car, plus $10,000 in cash, while the other children’s mother received luxury goods.

Meanwhile, Diamond claims that she’s going into debt because the $7,000 he pays her in child support doesn’t cover all of her expenses, and she wants the court to bump that up to $30,000 a month at minimum. 

We will keep you posted on any further updates.

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Sources close to the prison alleged that Diddy actually got into a fight with Dudus, a Jamaican drug lord who is currently serving a 23-year prison sentence. According to the sources, the fight started because of the recent NBC News report about the mogul’s prison lifestyle.

It’s been alleged that two raids have transpired since the report, and numerous pieces of contraband have been confiscated from the inmates. As for Dudus, it was alleged that he had a phone taken away along with other privileges.

Dudus was allegedly upset with Diddy about all of this, and that is what led to the alleged altercation.

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TMZ Claims Diddy Fought Drug Lord Named “Dudus”

TMZ also reports that Diddy’s head injury from the fight was severe enough for the hospital visit. However, he was eventually placed in solitary confinement upon his return. TMZ also says that Diddy was already in solitary, but got into the fight during his daily break, during which he is able to mingle with other prisoners.

Dudus was also sent to solitary confinement, where both men will be spending the next two weeks. If these allegations are true, then it proves that Diddy’s privileges in prison have proven to be controversial.

Furthermore, it goes to show that the NBC News report had widespread ramifications for other inmates.

Read More: Quavo’s Days As A Pop Star Are Over

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Following the trial, Steel was a guest on T.I.’s expediTIously podcast. During Part 1, Steel spoke about his origins in law. He also touched on the injustices of the legal system and how rap lyrics should be considered protected free speech.

In Part 2, which dropped on Tuesday, Steel told the story of joining Durk’s legal team. At the time, he was busy and was going to pass due to various other obligations. However, after a phone call with Young Thug, he reconsidered, and eventually joined the team.

Read More: Quavo’s Days As A Pop Star Are Over

Brian Steel Talks Joining Lil Durk’s Legal Team

“Then Jeffery called me and said, ‘I love Durk. Durk is my brother,” Steel explained. “‘I understand they’ve been calling you. Can you just make a meeting with them and work it out.’ I was already eager to do it. It was just my schedule.”

In the end, Steel’s inclusion on Lil Durk’s legal team was a resounding success. Drew Findling got the ball rolling, and he and Steel were able to pack a punch in the courtroom.

Overall, Lil Durk’s victory in the murder-for-hire case was seen as an upset by the general public. Prior to the trial, there was sentiment that Durk would be convicted. However, a jury of his peers concluded that there was too much reasonable doubt to hit him with a guilty verdict.

Now, Durk is set to go back on trial next Summer. If he beats the case, he will be free.

Read More: The Grammys Has A Hip-Hop Problem

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Over the past few years, his sound has been simplified for the mainstream. However, he still makes bangers, and thanks to some big collaborations, he is slowly becoming a culture icon. That trend is sure to continue thanks to his latest collab with Fortnite.

On Thursday, October 15, some new Yeat skins are going to be added to the game’s shop. These skins showcase Yeat in some of his most worn outfits from the last few years. Furthermore, the collaboration is also going to come with Jam tracks.

Read More: Quavo’s Days As A Pop Star Are Over

When is Yeat’s Fortnite Collab Dropping

Those songs are “Get Busy,” “If We Being Real,” and “Money So Big.” These are some of Yeat’s biggest hits, so it should come as no surprise that these are the songs Fortnite wants to highlight.

Fortnite has done a plethora of collaborations with hip-hop artists. For instance, we have seen Travis Scott collabs, Lil Uzi Vert skins, and even some activations with the likes of Ice Spice. It just goes to show that Epic Games is tapped in.

Fortnite has been around for a decade, and they still find ways to keep the game fresh. These collaborations keep people coming back, even when it feels like the game might finally be getting old and stale.

The Family Guy and Simpsons collaborations were massive success stories for Fortnite. Only time will tell whether or not Yeat works out in the same way.

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The post Yeat’s “Fortnite” Skins & Jam Tracks Have Been Unveiled appeared first on HotNewHipHop.

With the release of the FOMO visual project, Habibti recently got a bit of renewed interest that helped it return to its peak position at #2 on the Billboard 200. What’s more impressive is that it also helped him claim the record for the most #1 albums on Billboard’s Top R&B/Hip-Hop Albums chart, per Kurrco. Habibti (FOMO) marks his 18th #1 on the Top R&B/Hip-Hop Albums chart. 

Read More: Quavo’s Days As A Pop Star Are Over

Drake’s Latest Chart-Topper

The new deluxe version of Habibti includes four new songs: “Quebec,” “Classic Pt. 2,” “Cold Shoulder” ft. Don Toliver and Yebba, and “Solar Eclipse” ft. Don Toliver. “Solar Eclipse,” specifically, has been a fan favorite, thanks to its interpolation of Ella Langley’s “Choosin’ Texas.” The song also debuted at #5 on the Hot 100, giving Don Toliver his highest entry on the chart to date. Clearly, the Drake stimulus package continues to hold weight, even for an artist like Don Toliver, who has had a stronghold on 2026 with OCTANE. 

Despite this, don’t expect to see Drake anywhere near the Grammys next year. The rapper reportedly won’t submit any of his 2026 recordings for Grammy consideration, which shouldn’t come as much of a surprise. However, in Canada, he’s still receiving major honors. This week, he received SOCAN’s Songwriter Of The Year award in the performer category. This marked his fifth consecutive year being recognized in this category.

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The post Drake Breaks A New Billboard Record With “Habibti (FOMO)” appeared first on HotNewHipHop.

According to TMZ, Kash had allegedly gotten into a fight with another woman. Kash’s sister, Verkina Dunbar, came to her defense and tried to hit the other woman with her gun. However, the gun went off and struck Kash. Despite medical intervention, Kash was eventually pronounced dead. She was just 29 years old.

As a result of Kash’s passing, Dunbar has been hit with an involuntary manslaughter charge, which was filed by the Alameda County District Attorney. This is an update that adds to the tragic nature of the story.

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Kash’s Sister Arrested And Charged

For those who may not be aware, Kash was a reality TV star who had appeared on programs like Real West Coast Baddies, Room H8z, and Young & Reckless. In the aftermath of her passing, fans have taken to social media to offer tributes.

Just hours prior to her passing, Kash had been posting to her Instagram story and appeared to be enjoying her night out. It’s yet another reminder of how fragile life can be sometimes.

This is a developing story, and we will be sure to provide updates as they become available.

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The post Reality TV Star Kash’s Sister Charged With Involuntary Manslaughter In Shooting Death appeared first on HotNewHipHop.

After being released from jail, Ross went viral with his comments about being innocent and wanting a plate of rigatoni with heavy marinara. Some felt as though he was trivializing the situation, especially given the severity of the allegations. However, Ross doesn’t seem to care.

In fact, over the weekend, Ross found himself at a Miami club with a new mystery woman. According to outlets like The Jasmine Brand and AllHipHop, Ross was seen holding hands with the woman and kissing her as well.

Read More: What Do Trippie Redd & Melle Mel Have In Common? When Revolutionaries Become Gatekeepers

Rick Ross Goes To The Club

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On The Jasmine Brand’s Instagram page, fans remarked how the woman bears a resemblance to both Kendrick and Tia Kemp. “He definitely has a type and it all started with Tia,” one commenter wrote. “Is it me or does everyone kinda remind you of Tia in some way,” said another.

At this time, the woman’s identity is unknown. Although we suspect both parties are looking to keep things low-key for the time being. It is unclear whether or not the two are in a new relationship, or if this is simply a blossoming friendship.

As for his domestic violence case, Ross has opted to not attend pre-trial hearings. Moreover, he continues to proclaim his innocence. He stands accused of slapping, choking, and slamming his ex into a wall. We will continue to provide updates on this developing story.

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“I think it’s a part of hip-hop culture to compete,” Fif said, explaining how the narratives surrounding both Drake and Kendrick Lamar are largely kept alive by their respective fanbases. 

“The mistake is when you opt out of the competition. I think J. Cole paid the most. He’s one of the coolest people to grace hip-hop culture, and he’s been able to do things that show you his confidence is not connected to the little things.”

He added, “There’s no jewelry. J. Cole would ride a bike to the studio. So there’s nothing to rob from him.”

Read More: Quavo’s Days As A Pop Star Are Over

50 Cent Discusses J. Cole’s Diss Track

Cole certainly faced a lot of backlash for his decision to withdraw from the beef. As things began heating up between Drake and Kendrick Lamar, J. Cole released “7 Minute Drill” on Might Delete Later, and then rescinded the diss track when he apologized to Kendrick at Dreamville Festival just days later. Although it’s unclear where he stands with Kendrick Lamar these days, Drake has suggested that they aren’t on good terms anymore. 

In an interview with Apple Music, he said he told his wife about his decision to apologize before his set.

“I told my wife. She’s the only one I told; I ain’t tell nobody else. I’m like, ‘Yo, this what I’m about to go do.’ She starts crying because she knows [how] I feel about him,” Cole said. “And she saw how it was weighing on me the two, three days before that.”

Check out the clip above with 50 Cent discussing the feud around the one-hour-fifteen-minute mark.

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Over the last few weeks, Fif has been going at Rick Ross, especially in light of his domestic violence arrest. However, while speaking to The Crew Has It, 50 Cent downplayed his beef with Ross. Instead, he claimed that he can’t take it seriously because the man is “law enforcement.”

“I tell you the most difficult beef to have… It’s when the person you’re beefing with is law enforcement,” Fif said with a gleaming smile on his face. “You can’t do much. They are sworn in under oath. […] When it [gets] hot, they’re just going to tell, bro. Trust me on that one, man.”

Read More: What Do Trippie Redd & Melle Mel Have In Common? When Revolutionaries Become Gatekeepers

50 Cent Clowns On Rick Ross

Of course, this is a long-standing criticism of Ross. Over a decade ago, it was revealed that Ross was a Correctional Officer in the mid-90s. Ross has admitted to it, saying he took the job for financial stability. However, people like 50 Cent continue to use his past against him.

“No, he’s funny [laughter] because it’s like, that’s all entertainment to me,” Fif revealed. “That part, because it’s a cop to me. Once the person is sworn in, when you serious get into it, then it’s not going to turn into, you know.”

Based on these comments, it is clear that Fif has no plans of slowing down the feud. As for Ross, he has other things to worry about right now as he faces assault charges in his domestic violence case.

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In a space of mourning, Quavo put his grief, pain, and grit into a body of work like Rocket Power that captured exactly what made him an anchor of the Migos from its onset. Quavo brought the melodies, Takeoff brought the flows and lyricism, and Offset brought the charisma and wordplay. But those melodies in particular became critical to their appeal from their mixtape runs to the Billboard charts. Eventually, his solo career increasingly depended on these harmonies without the counterbalance that his groupmates provided.

On his latest solo effort, Quavo attempts to harness that creativity under Pharrell’s tutelage. Working alongside one of hip-hop’s most imaginative minds is typically a safe bet for innovation and progression, yet that’s not the case. The main criticism of QRÖMELIFE surrounds the production. Quavo’s performance is often compelling, but the production and creative direction don’t consistently support it.

Huncho sounds seasoned in several moments. There’s a smoky husk to his tone and funky ad-libs on “Hit-A-Lik” and “Backwards” ft. T.I. He rips through the beat on “Baby Breath” alongside Tyler, The Creator, Pharrell, and A$AP Rocky. Offset and Quavo’s reunion on “Away” allows an organic level of collaboration to build off of church organs and decades-long chemistry. It’s no “Bad & Boujee,” but it’s evidence of a chemistry that’s been sorely missing. 

The production, however, gets stale on this project, and that doesn’t happen in isolation of Quavo’s performance. For an album executive produced by Pharrell Williams, it doesn’t have that same freshness that’s historically been connected with P. That’s partially due to the fact that the beats have predictable rhythmic patterns and an overly standardized pop structure. Within that, Pharrell is trying to force a pop framework that doesn’t necessarily suit Quavo.

That leverage is apparent on the tracklist’s guest stars outside of Quavo’s more expected wheelhouse of collaborators (i.e., Lil Baby and Yung Miami). Quavo and Justin Timberlake connect on “House Music,” a record that calls back to Jimmy Iovine’s career-changing advice to Pharrell. It’s one of those songs that’s truly worth the meme-inducing criticisms online, especially when Quavo’s dishing out recycled flexes over pop-washed house production and a cameo from the former N*SYNC frontman. It captures one of Quavo’s biggest flaws: delivering lacklustre, uninspired, and formulaic performances when pulled way outside of his comfort zone. 

Unfortunately, Pharrell’s history with Migos probably could’ve predicted this outcome. “Stir Fry” proved that the Migos working formula paired well with Pharrell’s eccentric production style. Still, it was also a record that felt too sanitized for what we knew Migos for. Pharrell brought whistles and bongos together to build a proper crossover that was commercially accessible and recognizably Migos all at once. But the polish still felt like a compromise. Culture II already had problems with cohesion, and that wasn’t the result of Pharrell’s production. Part of it related to the fact that Quavo sounded phoned-in, despite having such a large presence on the project, and that issue ultimately extended to the execution of Quavo Huncho. 

That pop spree began well before “Stir Fry” or Culture II. He was bound to be a household name by the time he worked with Post Malone on “Congratulations,” cementing the appeal of his trap to pop audiences. Along with the numerous Migos records that had already gone viral, Quavo’s magic touch on “Congratulations” gave Post Malone a triumphant diamond-certified record. However, it also created this template that Quavo tried to replicate when people like DJ Khaled needed him. Did it prove successful? Yes. But did it create any curiosity outside of his radio-friendly outings? Not necessarily. That type of approach hinders a body of work like QRÖMELIFE. It’s reflected in the album’s poor first-week sales and abysmal debut on the Billboard 200 at #103. 

According to Quavo, QRÖMELIFE is just the beginning. He’s already confirmed that another solo album is on the way, along with a new Migos album, another Unc & Phew tape, and the release of Takeoff’s posthumous album. He responded to the criticism he faced on QRÖMELIFE with defiance, stating that these next projects will have a more apparent impact. Naturally, there’s an undercurrent of anxiety that lingers across what we’re supposed to expect, especially when considering the emotional weight involved due to Takeoff’s passing. “Away” revisits Quavo and Offset’s emotional history for the first time in four years on Kanye’s “We Did It Kid” and five years after Culture III marked a natural endpoint for Migos. The final installment in the Culture trilogy, though not their best, sounded like they were in a revitalized form, even though there were moments across the project that lacked their synergy as a group.

Maybe that’s because there were already plays in motion. Only Built 4 Infinity Links saw Quavo and Takeoff hone in on a compelling partnership that was already evident during the Migos early days. The legacy between the Uncle and Nephew duo has been a consistent presence on the timeline lately. The AI-generated recreations of their “HOTEL LOBBY” performance on COLORS demonstrate the enduring cultural resonance of Quavo and Takeoff’s chemistry. The staying power of “HOTEL LOBBY” embodies exactly why Quavo’s pop-centric efforts have felt far more contrived, especially when he and Takeoff’s back-and-forth had a hit record without stripping away the muddiness that allowed their rawness to co-exist with their infectious tendencies.

But when left to his own devices, Quavo can create something that feels meaningful, compelling, and inspired, as seen on Rocket Power. The circumstances surrounding the project turned it into a much bigger win than any Billboard placement could afford him, especially when it served as a therapeutic outlet, a legacy to uphold, and a definitive return to form at one of the most trying times in his personal and professional life. The stakes were just as personal, if not more, because none of it depended on recreating commercial appeal or trying to reconcile past successes. Frankly, honoring Takeoff became a far more significant mission statement. Quavo’s strongest work emerges when commercial calculation and predictability don’t dictate his creative process.

The post Quavo’s Days As A Pop Star Are Over appeared first on HotNewHipHop.