The “Awesome Gods” colorway sits on what appears to be a running-based Saucony silhouette. The upper features an animal print base that mixes leopard and zebra patterns throughout.

On top of that, the shoe has splatter paint detailing in pink, purple, blue, and white across both shoes. Bronze or rose gold accents land on the heel and toe area, adding a metallic element to the already busy design.

This is now one of several upcoming Westside Gunn and Saucony shoes in the pipeline. The partnership between Gunn and Saucony began with the ProGrid Triumph 4 “Super Flygod,” which drew inspiration from professional wrestler The Ultimate Warrior and his painted mask. That debut collab sold out quickly and established Gunn as a serious footwear collaborator.

Gunn has described his Saucony partnership as a dream come true, dedicating it to Buffalo and several friends and collaborators he has lost over the years. The “Awesome Gods” name connects directly to his signature phrase “Flygod is an Awesome God,” which he has used throughout his music and brand for years.

Read More: OG Anunoby Makes NBA History In A Pair Of Skechers

Westside Gunn Saucony “Awesome Gods”

As we mentioned, the “Awesome Gods” name carries real weight in Westside Gunn’s world. He has used the phrase “Flygod is an Awesome God” as a sign-off and rallying call throughout his music career.

Putting that on a sneaker is a natural extension of how he builds his brand. The animal print construction on the upper is also consistent with themes he has leaned into before. His first Saucony collab pulled from wrestling culture, and this one appears to pull from a wilder, more chaotic visual direction.

The splatter paint detail adds a hand-done quality that fits the Griselda aesthetic of raw, imperfect artistry. Saucony has given Gunn space to push beyond traditional sneaker design with each drop. Additionally, the bronze metallic accents give the shoe a luxurious edge that connects back to his interest in high fashion and streetwear simultaneously.

Read More: Ranking Every Posthumous Virgil Abloh x Nike Release From Worst To Best

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“Teyana Taylor is the embodiment of what it means to be an icon in this moment,” BET executive VP, specials, music programming, and strategy Connie Orlando said in a release, according to The Hollywood Reporter. “She doesn’t ask for a seat at the table; she builds the table, designs the rooms, and sets the tone for everyone who walks in.” 

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Read More: 2026 BET Awards Reveal Album Of The Year Nominees

BET Awards Will Close Out Black Music Month

Further, the press release shared that the requirements for the Icon of the Year Award are “someone whose impact isn’t measured in years but in the undeniable weight they carry in every room, every conversation, and every corner of the culture they touch.” Clearly, Taylor’s reach has dominated music, fashion, brand deals, acting, footwear, songwriting, film, television, choreography, production, and directing.

The Grammy nominee will join her peers on June 28 for the 2026 BET Awards, hosted by comedian Druski in his first effort. It was previously announced that Lauryn Hill would receive the Living Legend Icon Award, but a list of performers has yet to be released. We’ll keep you updated on more from the event.

Read More: Cardi B, Kendrick Lamar & Mariah The Scientist Lead 2026 BET Awards Noms

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In the clip, Offset confronts the chauffeur on the street near a vehicle. He yelled, “You touchin’ women. You puttin’ your hands on women, you a b*tch.” It was alleged that the driver had grabbed women by the backs of their necks. TMZ claimed they spoke with witnesses who saw the aggression firsthand, prior to the recording.

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Read More: Offset Allegedly Told Lil Tjay To Get His Money Back In Blood

Offset Threatened The Driver

As the fight escalated, Offset made it clear he would handle the driver himself if the driver’s behavior didn’t change. “If he grab one more girl like that, I’mma beat him the f*ck up,” he’s heard saying in the video. It’s unclear if law enforcement was called, and there is no word on whether another driver was hired.

Meanwhile, Offset has been going full speed ahead since he was shot outside of a casino back in April. He has been traveling nonstop and even started performing once again just a week after his injuries. Check out the video below.

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Pines accused Khorram of helping to create an environment in which misconduct allegedly occurred while working under Combs. According to USA Today, in court filings, he described her as an “enforcer” who allegedly pressured employees to remain silent about troubling incidents and helped maintain what he characterized as a toxic workplace. Pines’ allegations stem from a broader lawsuit in which he claimed he was required to prepare hotel rooms for Combs, witnessed acts of violence, and faced pressure to participate in conduct he found objectionable. Khorram was later added to the lawsuit as Pines sought to hold additional members of Combs’ inner circle accountable.

Khorram Is Off The Hook

Last week, a Los Angeles judge dismissed four claims against Khorram, including two emotional-distress causes of action barred by the statute of limitations and a constructive-termination claim because Khorram was not Pines’ employer. The ruling also found deficiencies in several remaining allegations, though those claims were dismissed with leave to amend rather than thrown out permanently.

Among the causes of action still at issue are claims involving sex trafficking, sexual battery, gender violence, sexual harassment, and labor-related violations. Pines’ attorney has already indicated that an amended complaint will be filed, meaning Khorram’s legal fight is far from over. Still, the decision marks an important early win for the executive as litigation connected to Combs and his former associates continues to unfold.

The post Diddy’s Right-Hand Woman, Kristina Khorram, Beats Sex Trafficking Allegations appeared first on HotNewHipHop.

Also in attendance was Cardi B, who actually performed during the Halftime Show. Cardi came through clutch, delivering two heaters, one off of her new album, Am I The Drama?, and another from her debut project, Invasion Of Privacy. 

After dishing out performances of “Bodega Baddie” and “Bodak Yellow,” two certified New York bangers, people clearly had their own reactions. Charles Barkley’s reaction, however, has since gone viral. Barkley shared his commentary during the game with Draymond Green, Shaquille O’Neal, Kenny “The Jet” Smith and Ernie Johnson by his side when he poked fun at the size of Cardi’s breasts. “I don’t know if those B’s. Those might be Cardi D’s,” he said. 

Read More: Drake Turned Into JAŸ-Z—And Became The Version He Once Mocked

Cardi B Blames Trump For Knicks Loss

As predicted by Ma$e, fans of the Knicks blamed their loss on the president’s attendance, including Cardi B. “They said [Trump] is bad luck. It probably was, but it is what it is,” Cardi said. “You can’t stop the president from … going to a game. But it did feel a little dark in there.” Fortunately, reports claim that he won’t be attending Game 4 on Wednesday, so maybe we’ll see the Knicks inch closer to winning the playoffs.

We’ll keep you posted on any further updates surrounding the NBA Finals. Check out Charles Barkley’s comments and sound off with your thoughts in the comments below.

Read More: JAŸ-Z Proves We Need To Retire The Idea Of OG Rappers Being “Washed Up”

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A new picture of Stefon Diggs went viral where he’s rocking a pink bag over his shoulders. Although it looks like more of a tote bag, many fans quickly labeled it a purse, and as you could imagine, that label also came with people calling him gay. 

The post appeared on what seems to be his burner account, @ineedtherapyfrr, with the caption appropriately reading, “Im the type to know something bothers you… and intentionally try to make it worse.”

Evidently, he knew what he was doing. When one fan said he was “bringing his pride out for the month,” he fired back, writing, “Mr let me flex in my profile pic so the world can see how strong I am.” Another person wished him a Happy Pride, to which he stated, “You got hightop dreads… and stop wearing sports bra’s to hide them. You know’s we can still see em.”

Read More: Drake Turned Into JAŸ-Z—And Became The Version He Once Mocked

What’s Happening With Cardi B And Stefon Diggs?

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Outside of responding to random Instagram users from his burner account, Stefon Diggs and Cardi B have been rumored to be back together, but it doesn’t seem like either of them is willing to confirm that to be true. After they were spotted together on Mother’s Day, Stefon Diggs was later approached by paparazzi who asked him about their relationship. Ultimately, he said that he has love for her as the mother of his child but refused to confirm whether they are working things out. 

Read More: JAŸ-Z Proves We Need To Retire The Idea Of OG Rappers Being “Washed Up”

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There have been plenty of highlights from the game, including Trump being booed by basketball fans in the crowd and clips of the MAGA leader allegedly falling asleep. According to Cardi, Trump’s presence ruined the energy and seemingly jinxed the Knicks, saying in a video that he was “bad luck” for the team.

Read More: Timothee Chalamet Celebrates Knicks Win In An Alex Moss Diamond Chain

Cardi & Knicks Fans Don’t Want Trump At Future Games

Not one to miss a moment to talk to fans on social media, Cardi shared a video in which she expanded on her thoughts. “It probably was [bad luck]. But it is what it is,” said the rapper. “You can’t stop the president from … going to a game. But it did feel a little dark in there.”

Cardi added, “It felt like the principal was there, and everybody had to be on their best behavior. But, nevertheless.” Regardless of their Game 3 loss, the Bronx native is still sure that the Knicks will reign victorious. “I’m still so proud of them.” Make sure to tune in tomorrow (June 10) for Game 4, where the Spurs will see the Knicks once again at Madison Square Garden.

Which team are you rooting for in the Finals?

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According to TMZ, the latest lawsuit against Diddy involves allegations that he sexually assaulted a minor. The man who filed the lawsuit, listed as John Doe, said that he met the mogul when he was a child actor in 2007 at a networking event in the Hollywood Hills when the mogul invited him to discuss further opportunities. 

The accuser claims Diddy touched his body before allegedly performing fellatio and pleasuring himself simultaneously. John Doe said that he told Diddy he was uncomfortable prior. The accuser said that Diddy told him that he would contact him if any opportunities came about before leaving the room, and Doe said he left shortly after. 

Doe claims the agents involved in his career had a duty to protect him from predators like this. He’s now suing Diddy and the agents for unspecified damages.

Read More: Drake Turned Into JAŸ-Z—And Became The Version He Once Mocked

What Did Diddy’s Rep Say?

A rep for Diddy, Juda Engelmeyer, told the outlet that the allegations are “false and ridiculous.”

“The allegations from this so-called nameless child actor are false and ridiculous. He’s just another hater in a long list of people trying to get in on the money gravy train encouraged by personal injury lawyers,” the statement reads. “Mr. Combs has never sexually assaulted anyone — and that includes any child! These allegations will be disproved like all the rest.”

We will keep you posted on any further updates surrounding the lawsuits involving Diddy. 

Read More: JAŸ-Z Proves We Need To Retire The Idea Of OG Rappers Being “Washed Up”

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Most recently, the folks over at the Joe Budden Podcast shared their thoughts and opinions on the matter. Frankly, it turned into a roast fest where Budden provided a recap of what he saw and shared his thoughts on what he witnessed. He specifically detailed the moment where the video paused, and he apparently caught a glimpse of Diddy’s private parts.

“Y’all saw this, right?… Okay, you got to free him,” Joe Udden said. “You got to let him out. It explains any crime,” he said, as one of his co-hosts said that Diddy suffered from Napoleon Complex. “That kind of d*ck–you spent all that money on attorneys, and that was your d*ck. Your d*ck was the defense,” he continued. “‘Yo, I’m representing myself. Butt ass. Are you saying that I was a deviant with this sh*t? Are you saying that I was somehow aggressive like this?’ He balled his sh*t up in his fist,” Joe added. “I couldn’t call him Puff after his performance. All you had to do was defend yourself and show your d*ck, everybody would’ve understood what was going on.”

Read More: Drake Turned Into JAŸ-Z—And Became The Version He Once Mocked

Joe Budden Reacts To Daphne Joy Response To Leak

In the immediate aftermath of the leak, Daphne Joy issued a statement and then went on to promote her OnlyFans page. The podcast discussed how she leaned into the scandal afterward rather than maintaining her initial position as the victim of the leak. 

Read More: JAŸ-Z Proves We Need To Retire The Idea Of OG Rappers Being “Washed Up”

The post Joe Budden Roasts Diddy’s Penis Size After Daphne Joy Leak: “It Explains Any Crime” appeared first on HotNewHipHop.

“It’s like Hov can’t drop bars these days without at least four art references! I would love to collect at some point, but I think the whole rap/art world thing is getting kind of corny,” he told Rolling Stone. The problem is less about the art bars and more about translating wealth to those who aren’t in the same tax bracket. 

Drake’s now at a point where his bag is as big, if not bigger, than Hov’s was in 2014, and he’s found himself becoming just as guilty of making these uber-opulent name-drops. Similarly, nobody knows what the f*ck he’s talking about half the time when he starts rattling off billionaire-tier references.

In the decade since Drake rapped that he “turned into Jay” on “Summer Sixteen,” he’s overtaken JAŸ-Z as the rapper with the most #1 albums on the Billboard 200. It’s an impressive feat, no doubt, but that alone doesn’t mean he’s surpassed Hov in any meaningful way, and JAY made that clear himself. Sure, Drake feels there’s more value in $500,000 than dinner with Jay—and we have to assume that opinion comes from experience rather than theory. Still, The Blueprint became the blueprint for Drake. The key difference is that Jay knew not to overstay his welcome. 

Retirement, however, doesn’t seem to be in anyone’s plans right now. The reality is that the tension brewing between Drake and JAŸ-Z is much different than his beef with people like Kendrick Lamar or even someone like Pusha T–another rapper that he once looked up to. Even if you clump in Meek Mill here, every major beef Drake’s been involved in circles back to integrity. Pusha T pressed Drake’s authenticity. Kendrick and Drake battled over who reigns as the generational leader. But with JAŸ-Z, it won’t be a battle of who has better bars or even greater status. It’ll come down to who built the cleaner empire. No one touches a billion with clean hands, but who will be the first to unearth the dirty deeds swept underneath the piles of money?

That type of mud-slinging is far more detrimental to their respective bottom lines, but it does underscore a subtle reality: Drake’s turned into the exact type of artist he once criticized. And when those criticisms were hurled at JAY, he simply responded by stating that he’s rapping about sh*t he actually bought, each being a notch in his ascent up the wealth ladder. A feud between Drake and JAY likely won’t be the “I’m-a-better-rapper-than-you” type of back-and-forth but one that puts their respective wealth and their accumulation of it into perspective. Drake’s Embassy in Toronto will be countered by JAŸ-Z and Beyoncé’s mansion, one of the most expensive homes ever sold in California. If Drake brings up his mega-sized deal with UMG, JAY simply measures it against the empire he’s built with Roc Nation. And while we might ultimately have a debate between the cultural grip of Roc-A-Wear vs OVO, the bars that will likely carry the most weight will be those carrying the type of cryptic references that only make sense if you’re operating in a completely different tax bracket than your audience. In other words, it’ll be the first rap beef to bring impassioned barbershop talks to Michael Rubin’s White Party.

Across ICEMAN, Drake’s peers became secondary targets to the institutions he challenges, including JAŸ-Z and Roc Nation. In Drake’s eyes, the story of the past two years extends beyond Kendrick Lamar and into the power structures surrounding him. That’s what makes the subtle references to JAY, and even the allusion to the Epstein Files, significant. Drake no longer seems interested in battling rivals. He’s taking aim at the institutions he believes shape the game itself.

Before ICEMAN dropped, JAY denounced the need for rap beefs in the current climate. Not just because of how low things can get, but because of how depraved fan bases can become online and the real-world consequences that follow. If we witnessed the Taylor Swift of rap watch his reputation get dragged through the mud during a rap beef, it’s easy to imagine the same thing happening to an artist whose career predates social media. For JAY, that fall from grace would be even more stark given that he’s spent twice as long as Drake building the empire he currently sits atop.

For the better part of the last decade, Drake’s efforts contributed towards trying to become the type of artist JAŸ-Z represents. The irony is that he may have succeeded. What once sounded like a dismissal of Hov’s art references now reads more like a misunderstanding of the world that produced them. After all, it was only a few years ago that Drake declared, “I’m getting so rich, my music is not even relatable.”

Nowadays, Drake occupies many of the same rooms, moves within similar financial circles, and speaks a language that can feel just as foreign to the average listener. It still feels egregious to compare Drake’s path to JAY’s. One is rooted in the mythology of the American Dream, while the other began with far fewer obstacles. Yet Drake has followed the blueprint so closely that the comparison has become impossible to ignore. At a certain point, succession turns into competition. And when one man built the throne while the other spent a decade positioning himself to inherit it, it was only a matter of time until this conflict surfaced.

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