Release Date: April 24, 2026

Genre: Hip-Hop

Album: N/A

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Release Date: April 24, 2026

Genre: Hip-Hop

Album: N/A

Quotable Lyrics from Misconceptions

Wonder if you still’d love me if I wasn’t next to blow
Can’t look inside your eyes for a long time at all (Time at all)
‘Cause it make it harder for me to tell you no
Hate fallin’ in love, it make it harder for me to let you go

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Release Date: April 2024, 2026

Genre: Hip-Hop

Album: N/A

The post No Trick – Song by Luh Tyler featuring Trim appeared first on HotNewHipHop.

The album opened big and stayed there. The songs held their place in a way that didn’t feel normal for a release that size. “One Dance,” “Controlla,” and “Too Good” lingered. You heard them in different places, at various times, and they kept coming back. That stretch didn’t really break.

Read More: Drake Clinches Massive “Views” Milestone And Creates A New Spotify Record

Looking back, the numbers explain part of it with celebratory first-week sales and streaming records. There were also weeks at No. 1, but what stood out in real time was how constant it felt. He wasn’t dropping into the year for a moment because he was already there. Once Views landed, there wasn’t much space left for anything else to take over. It read like control across the charts and radio, shifting the way music was starting to move.

Before Views: Drake Was Already Running The Year

Late January 2016 set the tone for Drake that year. “Work” dropped on January 27, and within weeks, it was everywhere. It spent nine weeks at No. 1 and carried through February into March without giving anything else room to take over. Rihanna had the record, but Drake was tied directly to it, which meant the biggest song in the country already had his voice on it before his own album cycle even started.

Then, three days later, on January 30, he released “Summer Sixteen.” That record didn’t move the same way commercially, but it did something just as important by framing the year. His direct shots and confidence made it clear he wasn’t easing into anything. It wasn’t built for radio but to set a position. That combination mattered.

Read More: What Is Drake’s Best-Selling Album?

At the same time, Drake was already coming off a stretch where his presence didn’t really drop off. If You’re Reading This It’s Too Late and What a Time to Be Alive were still recent enough that he hadn’t left rotation. So, going into 2016, there was overlap.

Views & The Moment It Took Over

Everything came together with the arrival of Views, and the album didn’t ease in. The streaming numbers were already pushing past what albums had been doing up to that point. That first week wasn’t just big, it reset expectations for what a release could look like in the streaming era.

Still, the bigger move came after that. Twenty songs from the album landed on the Hot 100 at the same time. It meant the album wasn’t being carried by one or two singles. The whole project showed up at once, across the charts, playlists, radio, and social media.

Read More: Drake’s “VIEWS” Debuts At No. 1 With Over 1 Million US Sales

Thirteen weeks at No. 1 means nothing else fully replaced it for months. Other albums came and went, but Views kept its position, which says more about the moment than the first-week numbers do. The sound helped it travel.

Moreover, Drake wasn’t working in one lane here. You had Noah “40” Shebib holding the core of the album together, that slow, atmospheric style that had already defined his sound. Around that, there were others. There was Nineteen85 on records like “One Dance,” Murda Beatz adding a different energy, Kanye sprinkling his writing talents on “U with Me?,” and Southside bringing in a harder edge. It didn’t feel scattered, but it didn’t stay in one place either. The features added to that reach.

Rihanna shows up again on “Too Good,” keeping that connection from “Work” going into the album. Artists like Future and PARTYNEXTDOOR pulled the album into different corners of the sound at the time without tearing it apart. Further, the rollout mattered, too.

Read More: 7 No. 1 Rap Songs From 2016

Views lived on Apple Music early, which kept it slightly gated at a time when access was starting to define how music moved. That exclusivity didn’t limit the reach, but concentrated it. People went to find it, and once they did, the album spread through everything else.

The Songs That Made 2016 Feel Like Drake

It wasn’t one record carrying this year. “One Dance” arrived with Views on April 29, and within weeks, it took over. Ten weeks at No. 1, but more than that, it stayed in rotation in a way that didn’t drop off. Still, the year doesn’t make sense if you leave it there.

“Pop Style” dropped April 5, a few weeks before the album, and set a different tone. Then “Controlla” followed as a single on June 7, and that’s where the sound of Views really settled in. With Dancehall influence and a slower pace, it was something that stayed in rotation even without needing to peak at the top of the charts.

Read More: 11 Albums That Sold Over 1 Million Copies In The First Week

“Too Good” with Rihanna came later, released as a single in July. It didn’t hit as hard as “Work,” but it didn’t need to. It extended that same connection, keeping both of them tied to the same sound that was already shaping the year. Even outside of Views, “Hotline Bling,” which dropped July 31, 2015, was still active in 2016. It carried into the year through awards and radio. It didn’t feel like a leftover but a current hit. That’s what made the year feel the way it did.

You weren’t hearing the same Drake record over and over. You were hearing different versions of him, released at different points across the year, all overlapping and staying in rotation at the same time.

Awards, Records, & Being Everywhere At Once

Moreover, that fall, Drake pulled 13 American Music Award nominations, which broke Michael Jackson’s previous record of 11. It was the kind of stat that made the year look even bigger in hindsight because it confirmed how the music already felt. He was taking up an unusual amount of space across formats.

The Grammys carried that same idea into the next awards cycle. Drake picked up eight nominations for the 2017 ceremony tied to his 2016 work, including nods connected to Views, and walked away with Best Rap Song and Best Rap/Sung Performance for “Hotline Bling.” That matters because “Hotline Bling” started in 2015, but its reach was still extending into 2016, active enough to pay off at the highest level. Then there’s the year-end sweep.

Read More: Drake Shifted The Sound Of Pop Music On “One Dance”

Billboard’s own year-end framing around Drake’s 2016 makes it clear that he wasn’t dominating one lane. He finished the year all over the rankings, not just as an album artist or a singles artist, but as a constant presence across radio, streaming, rap, and R&B. IFPI naming him the Global Recording Artist of 2016 only widened the picture.

Plenty of artists have had No. 1 records and huge albums. Yet, 2016 felt different because Drake had the hits, the album, the features, the streaming records, and then the awards bodies and global industry rankings came in behind it. His dominance has never been abstract. It kept getting confirmed, and ten years later, people are expecting the same with his Iceman rollout.

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The shoe features a bold pink gradient upper, contrasted by black detailing through the lining and laces, with a dual-layer Swoosh setup combining dark navy and white on the side. Furthermore, Bronny’s personal logo takes up most of the heel real estate. The toe features “bronny” embroidery in a gothic-style font.

Additionally, the shoe carries personal significance beyond just the colorway. The Nike LeBron Witness 9 PE symbolizes Bronny James as a survivor who has overcome several obstacles to reach his NBA dream. After suffering cardiac arrest during an early-morning USC practice in July 2023, Bronny made a remarkable recovery and was eventually selected 55th overall by the Lakers in the 2024 NBA Draft.

Meanwhile, Nike has continued to build out Bronny’s presence on court. A second Witness 9 PE colorway has since been unveiled. It features a tonal upper with layered textures and sharp red accents.

Nevertheless, seeing the first PE hit outlets less than two months after release raises questions about consumer demand. For a shoe with such a meaningful story behind it, the outlet appearance arrived faster than most expected.

Read More: Ja Morant Just Revealed The First Official Look At The New Nike Ja 4

Bronny James Witness 9 PE

The Bronny James Nike LeBron Witness 9 PE is a performance-first basketball shoe dressed in a head-turning pink colorway. The pink gradient upper fades from vivid hot pink at the toe to a softer pastel shade toward the heel, with a sculpted midsole in a translucent pink finish and React cushioning underfoot.

Bronny’s signature logo features a sharp, lowercase “b” integrated with his jersey number 9, using a jagged, contemporary font that differentiates his brand from his dad LeBron’s legacy.

The toe embroidery and double-stacked Swoosh complete the design. It’s a bold, personal shoe that tells a real story.

Read More: Ranking Every Sneaker Collab Jay-Z Has Ever Been A Part Of

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The Nike Ja 4 is set to release in Fall 2026, with a low-top version launching first and a high-top debuting during the holiday season. Furthermore, this marks the first time Morant’s signature line will include a high-top option, retailing at $180, while the low-top ranges from $130 to $140.

Additionally, the Ja 4 keeps the armored upper theme from previous models but switches up the silhouette drastically in look and feel. The “JA” side panel logo returns, formed by combining a large reverse Swoosh at the heel and a triangle-shaped forefoot stability panel that forms an “A.”

Early information indicates the shoe will feature Cushlon 3.0 foam combined with a ZoomX drop-in insole. Moreover, confirmed colorways already include JAWS and Slam Magazine collaborations, along with Halloween and Christmas holiday editions.

Morant also used the moment to respond to critics online. On his Instagram story, he wrote: “Can’t be what they say if da Swoosh still here.” The statement was brief and to the point. The Ja 4 did the rest of the talking.

Read More: Ranking Every Sneaker Collab Jay-Z Has Ever Been A Part Of

Nike Ja 4

The Nike Ja 4 is a significant visual departure from its previous models. The upper features an all-over 3D diamond texture for protection, moving away from the repeating monogram pattern seen on the Nike Ja 3.

The green colorway in the first in-hand images features a gradient from mint to darker grey, with a chrome-finish reverse Swoosh and a reflective triangular “A” panel at the front of the shoe. Black lacing, a black collar, and a low-profile midsole complete the overall look.

The overall silhouette feels closer to a soccer boot or performance cleat than a traditional basketball shoe. It’s a bold evolution that sets Ja’s line apart from anything else in Nike Basketball right now.

Read More: Stephen Curry Spotted Wearing Drake’s Nike NOCTA Glide At Coachella

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He’s earned the respect of so many people and a result; book publisher Simon & Schuster is commemorating this major milestone. Per Shore Fire Media, S&S will be releasing a special centennial edition of Miles Davis’ autobiography, Miles: The Autobiography.

The book was originally published in 1989 and for this new issue, there will be some exclusive features of those looking to add it to their collections.

One, or two things we should say that will make this printing are two new forewords. One was written by renowned essayist Hanif Abdurraqib and the other by hip-hop luminary, Nas.

The latter’s dad, Olu Dara, was a jazz cornetist during Miles Davis’ run, so he’s learned a lot about the Kind of Blue innovator.

However, it goes beyond that as Nas recognizes how much influence Davis’ genre has on his.

Read More: The Top 50 Best Drake Songs Of All-Time

When Is Miles Davis’ Autobiography Available?

As a result, he was a natural fit, especially since he’s one of the greatest to ever do it in rap. Even though the book isn’t out just yet, Rolling Stone was able to get a hold on Nas’ foreword.

He writes in part, for example, “Miles and hip-hop share the same blood, sweat, and tears. The same struggles and triumphs. Hip-hop is heavily influenced by jazz music. It’s our roots. So many of our biggest songs have jazz samples in them.”

“Hip-hop and Miles are both innovative and extremely bold. Learning about his personal life was a whole different experience. His journey reflected the times and different eras he lived through. He faced discrimination head-on. He got bloody and received scars, but he kicked his elegant shoes through racism like it was trash on the streets.”

This edition of Miles: The Autobiography, will release on May 21, 2026.

Read More: Beyoncé’s “Lemonade” Is 10 Years Old & Still Feels Like A Cultural Reset

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Jay has put his name on a more varied catalog than most people remember. Here is every Jay-Z sneaker collaboration, ranked from worst to best.

Read More: Roman Reigns Wore V.A.A. Air Jordan 1 “Alaska” On Monday Night Raw

11. Reebok S. Carter Bball Low “White”

The S. Carter Bball Low “White” is the most straightforward entry in the entire S. Carter catalog. It applies the basketball silhouette to a clean all-white colorway with minimal detailing throughout.

There are no team references, no special branding moments, and no cultural hooks beyond the S. Carter name on the tongue. It is a functional entry in the line that fills out the colorway range. However, it lacks the specificity that makes the stronger entries on this list memorable.

10. Reebok S. Carter Bball Low “White/Honey Mustard”

The “White/Honey Mustard” is one of the quieter colorways in the S. Carter Bball Low lineup. The white leather upper is broken up by honey mustard accents on the heel, tongue, and outsole, which is an unusual color combination for a basketball silhouette.

It is not a well-remembered release, and the colorway never generated significant demand at retail or on the resale market. That said, it adds variety to the S. Carter Bball Low range and is a reasonable representation of how Reebok expanded the line beyond its initial launch colorways.

9. Reebok S. Carter Bball Low “Black”

The “Black” Bball Low is the darker counterpart to the “White” and represents one of the more wearable entries in the S. Carter basketball lineup. The all-black leather upper keeps things clean and versatile.

Additionally, it carries the S. Carter branding consistently across the tongue and heel. It did not generate significant cultural attention at the time of release. Nevertheless, it remains a solid, understated entry in the catalog that has held up reasonably well in terms of aesthetic.

8. Reebok S Carter II

The S. Carter II is a distinct silhouette from the original, featuring a white leather upper with navy blue side panel detailing, red laces, and a navy heel tab with a small red Reebok logo. The “S. Carter” signature runs along the white midsole.

It is a more athletic-looking shoe than the original S. Carter, with a runner-influenced profile rather than the tennis-inspired low-top of the first model. The red and navy accents give it an Americana feel that works well. It is an underrated entry in the broader S. Carter catalog.

7. Reebok S. Carter Bball Low LA Dodgers

The “LA Dodgers” S. Carter Bball Low is the West Coast counterpart to the “NYC Yankees” and applies the Dodgers’ royal blue and white colorway to the basketball silhouette cleanly. The team-specific branding gives it the same culturally grounded energy as the Yankees pair.

However, it sits slightly lower on this list because Jay-Z’s connection to New York makes the Yankees collab feel more intimate and authentic to his identity. The Dodgers pair is still a strong entry and one of the more visually distinct releases in the S. Carter Bball lineup.

6. JAY-Z x Reebok S. Carter “NYC Yankees”

The “NYC Yankees” S. Carter is one of the more straightforward entries in the S. Carter catalog, but the cultural specificity is what earns it its place on this list. The navy leather upper features “NYC” printed in white on the lateral heel panel, with a silver heel tab and white midsole carrying the “J. Carter” signature.

It ties Jay-Z’s Brooklyn roots directly to New York’s most iconic sports franchise in a way that feels genuinely personal rather than a simple team licensing play.

Additionally, with Jay-Z set to return to Yankee Stadium for his upcoming tour dates, collector interest in this pair is likely to grow. It is the kind of shoe that benefits from real-world moments, and this one has one coming.

5. JAY-Z x Puma City Clyde ‘4:44’

Released to coincide with Jay-Z’s 2017 album 4:44, the City Clyde features a premium natural veg-tan leather upper in a warm nude/tan colorway with an off-white cupsole.

The “Clyde” script is printed on the lateral side panel in black, with minimal Puma branding throughout. It is a deliberately understated shoe that reflects the stripped-back, introspective tone of the album it accompanied.

The vegan tan leather gives it a raw, unfinished quality that ages well. It is one of the more conceptually coherent sneaker and album pairings in recent memory.

4. Reebok S Carter Tennis II

The S. Carter Tennis II Collection represents the most refined point of Jay-Z’s Reebok tenure. The white leather upper with navy heel counter and clean “S. Carter” midsole branding gives it a premium feel that the earlier S. Carter silhouettes did not quite achieve.

Further, the collection format suggests a deliberate attempt to elevate the S. Carter line beyond its original mass-market positioning. It is a more mature product than anything that came before it in the collaboration and reflects how Jay-Z’s personal aesthetic had evolved by that point in his career.

3. Jay-Z x Nike Air Force 1 Low LE Premium “The Blueprint 2”

Released in 2002 to accompany The Blueprint 2: The Gift & The Curse, this Air Force 1 Low features a clean white leather upper with an olive green translucent outsole and a small Roc-A-Fella Records logo embossed on the lateral toe box.

The branding is intentionally subtle yet also easy to miss if you do not know what you are looking at. That restraint is precisely what makes it work. It ties a landmark moment in Jay-Z’s discography directly to one of Nike’s most iconic silhouettes.

It is one of the earliest and most successful rap album and sneaker pairings ever executed.

2. Nike Jay-Z x Air Force 1 Supreme “All Black Everything” Sample

The “All Black Everything” AF1 Supreme sample is one of the most visually striking entries in Jay-Z’s entire sneaker history. The shoe features a full patent leather upper, Swoosh, laces, and outsole in a uniform all-black finish.

Furthermore, there’s no contrast, no color breaks. It is a sample that was never released to the public, which adds a layer of exclusivity that most entries on this list cannot match.

The patent leather construction gives it a formal, almost luxurious quality. It is the kind of shoe that only exists at the intersection of serious money and serious taste.

1. Reebok S. Carter “White/Green/Red” (OG)

There is no other choice for number one. On April 18th, 2003, Reebok launched the first run of the S. Carter, and less than a week later, it was announced that they had sold more than 10,000 pairs, making it the fastest-selling shoe in company history at that point.

The white leather upper with green and red accents was directly inspired by the Gucci Tennis ’84. Further, a deliberate nod to the luxury aesthetic that defined Jay-Z’s image at the peak of his commercial dominance.

It changed the sneaker industry permanently by proving that a non-athlete could sell shoes at scale. Every rapper with a sneaker deal since 2003 owes something to this shoe.

Read More: Air Jordan 3 “World’s Best Dad” Just Got Its Most Detailed Look Yet

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“Ahead of the April 24 release of the Michael Jackson film, I want to share that certain legal considerations affected a few scenes. Including the ones I filmed with an incredible cast,” the actress shared on Twitter. “Unfortunately, those moments are no longer part of the final cut. Though the team worked hard to preserve as much of the story as possible.”

Michael met Ross back during his Jackson 5 days, forming a close bond and friendship with the Supremes icon. His brother Jermaine Jackson previously claimed he wrote “Remember The Time” with her in mind back in the early 1990s.

Read More: Beyoncé’s “Lemonade” Is 10 Years Old & Still Feels Like A Cultural Reset

Michael Jackson’s Biopic

But these aren’t the only reported changes to Michael‘s final theatrical release. According to The Hollywood Reporter, Michael initially had scenes of the King of Pop reckoning with child sex abuse allegations in its initial cut. However, the film had to correct course. Per reports, its third act originally portrayed an accuser whose settlement with M.J.’s estate barred a dramatization of him. Lionsgate is reportedly developing a second movie about the latter portion of Jackson’s life.

Elsewhere, Michael‘s director Antoine Fuqua recently spoke about being skeptical about the allegations against his film’s main focus, especially with Black plight in the media in mind. “When I hear things about us, Black people in particular, especially in a certain position, there’s always pause,” he told The New Yorker. “Sometimes people do some nasty things for some money.”

Sadly, fans did not get to see Kat Graham honor the great Diana Ross with her portrayal. But as for the other leftover tales on Michael, there might be more on the way.

Read More: The Top 50 Best Drake Songs Of All-Time

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But the Baton Rouge lyricist isn’t here for fans who don’t support his moves to make his own interviews, or for those assuming he betrayed the interviewer. As caught by DJ Akademiks on Instagram, he uploaded a video to social media speaking further on the situation.

“Part one of my interview dropping on Patreon tomorrow,” Boosie expressed. “I need all my fans to support it. But for the fake fans, let me check y’all for feeling like I’ve done Vlad something wrong. First of all, I’m the one [that] made y’all like Vlad. All the Black community was against Vlad… I’m the one that made y’all accept him… I stood up every time… I steady went on his podcast and made you guys accept him… All I know is he’s not what y’all shaping him up to be… These the same motherf***ers now that would go on a VladTV interview. I made you accept him… So realize that when y’all say this and that, like I’ve done – No, man. I stood up for this dude a million times, bro… Remember that.”

Read More: Beyoncé’s “Lemonade” Is 10 Years Old & Still Feels Like A Cultural Reset

DJ Vlad Responds To Boosie Badazz

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On the other hand, here’s how DJ Vlad explained the Boosie Badazz fallout. For those unaware, Boosie initially claimed Vlad refused to give him $5K more for an interview.

Vlad claimed Boosie was making $25K per interview and asked for a $10K increase. “At the end of the day, I’m taking 100 percent of the risk,” he expressed. “So I’m like, ‘Listen, I cannot pay you $35K when I’m going to make nothing. Or maybe I’m going to take a loss.’ Boosie was like, ‘Yo, you’re being cheap.’ I said, ‘I’m not being cheap, I’m being put in a situation where you make all the money, and I make none of the money.’ It simply doesn’t make any business sense.”

“I haven’t said one negative thing about this man,” the interviewer shared, expressing hope to bury the hatchet one day. “Not one. Boosie’s dope, man. I love Boosie.”

Read More: The Top 50 Best Drake Songs Of All-Time

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