Last month, the Hawks announced a special promotional night tied to Magic City, the legendary Atlanta strip club, during their March 16 game against the Orlando Magic. The event, called “Magic City Monday,” will include a halftime show from T.I., along with themed food, merchandise, and in-arena entertainment inspired by the club’s deep ties to Atlanta culture.

The controversy began after Kornet published a lengthy post on Medium criticizing the promotional event. Kornet’s message focused on concerns about the objectification of women and whether tying the event to the club sent the wrong message. Al Horford supported his message by reposting the letter with the caption, “Well said Luke.”

Cam’ron, however, didn’t seem impressed by the essay.

On the show, he joked about the length and tone of Kornet’s post, comparing it to reading an encyclopedia. The rapper poked fun at the vocabulary used throughout the piece.

Read More: Kevin Gates Says the Man Who Sexually Assaulted Him Is Dead, Shannon Sharpe Left Stunned

Cam’ron Responds

After addressing Kornet’s letter, Cam’ron shifted his attention to Horford, who had also expressed support for the criticism surrounding the promotion. According to Cam, the Hawks’ event isn’t something Horford should be worrying about in the first place.

“And Al Horford, you too, mind your business,” he said. “It ain’t got nothing to do with you. Don’t jump on that n***a bandwagon. N***a, you Spanish. You got the most beautiful strippers. F**k is you talking about, n***a.”

He argued that the discussion was being blown out of proportion and suggested that outsiders were inserting themselves into a conversation that wasn’t directly tied to them.

Cam also pushed back on the broader argument that women working at the club were being disrespected or exploited. In his view, the criticism could actually come across as dismissive of the women who work there and their own agency.

“Degrading women? These women make a living, man,” he said. “A lot of these women make good money off of this man. There’s some women, some dancers right now that’ll tell you, ‘F**k off! You trying to f**k up my income. This what I like to do.'”

Magic City has long been intertwined with Atlanta’s music and sports culture, often referenced in rap lyrics and visited by celebrities and athletes alike. Because of that reputation, the Hawks’ “Magic City Monday” concept immediately sparked online debate.

With Cam’ron now entering the conversation, the discussion around the event and its cultural symbolism continues to gain attention across both hip-hop and sports circles.

Read More: Cam’ron Suggests Chad Ochocinco Had Plans To Betray Shannon Sharpe

The post Cam’ron Fires Back At Al Horford And Luke Kornet Over Magic City Debate appeared first on HotNewHipHop.

“Head High Freestyle” landed as a surprise release, giving listeners a fresh glimpse of the gritty, reflective style that helped define Meek’s career. The song also features Rob49, and fans are reacting positively to the news. While it’s unclear whether the freestyle is connected to a larger project, the drop has already sparked speculation that new music could be on the way.

The release also shifts the focus back to Meek’s artistry after weeks of social media discourse. For longtime listeners, it’s a reminder that despite the online chatter, the Philly rapper is still locked in on the booth.

In fact, the bars are extra timely considering just last week, Meek spoke out against what he deemed “bubblegum rap.” He doubled-down on the importance of songs having meaning. “That bubble gum rap sh*t not gone work when that organic sh*t hit them streets!” he wrote. “If your song has no meaning we not listening, f*ck that marketing budget lol.”

Read More: Meek Mill Blasts NYC Police For Detaining Him At Halloween Party

Meek Mill Shares Freestyle

The freestyle arrives after Meek recently found himself back in the headlines just last week for addressing an old viral moment involving billionaire entrepreneur Michael Rubin. A clip from several years ago showed the rapper doing “bunny hops” on a tennis court while Rubin watched, and it quickly spread across social media, sparking speculation and jokes about the situation.

Meek pushed back on those interpretations earlier this week, taking to X (formerly Twitter) to clarify what was actually happening in the clip. According to him, the moment had been taken out of context.

“They clipped me doing bunny hops and acted as if a billionaire made me do something against my moral codes from a lost bet,” Meek wrote online. He explained that the moment was simply him showing Rubin and others a game he used to play while incarcerated.

Now, fans appear far more interested in what he’s doing musically. For now, “Head High Freestyle” signals a return to form. Meek Mill is letting the music speak for itself.

Read More: Meek Mill Goes Off About Today’s Overproduced “Bubblegum Rap”

The post Meek Mill Surprises Fans With “Head High Freestyle” appeared first on HotNewHipHop.

She recently reposted a feature highlighting her work and legacy in fashion. Specifically her influence on Destiny’s Child’s signature style during the group’s early years. Alongside the repost, she wrote, “Thank you for this beautiful piece on me and my designs.”

The conversation began after Matthew Knowles abruptly ended an interview on Kandid with Kendis, the talk show hosted by Kendis Gibson. During the discussion, Gibson praised both Matthew and Tina for their contributions to the group’s rise, noting that they “put in the work” behind the scenes as Destiny’s Child became one of the most successful girl groups in music history.

Matthew appeared to take issue with that framing. “What work did she put in?” he asked Gibson during the interview. When the host pointed out Tina’s role in styling and shaping the group’s visual image, Matthew briefly acknowledged the contribution. “Ok, you’re absolutely right, and the styling. The imaging. You’re right,” he said.

Still, the moment quickly became awkward. Gibson attempted to smooth things over by calling Destiny’s Child a “joint effort” between the couple, but Matthew soon ended the interview altogether.

Read More: Mathew Knowles Strongly Demands Respect From A Radio Host In Resurfaced Interview Clip

Tina Knowles Highlights Her Work

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After the clip circulated online, Matthew told Page Six that the situation had been blown out of proportion. According to him, the interview had already gotten off to a rocky start, claiming Gibson arrived about 15 minutes late and focused too heavily on questions about Tina rather than the group itself.

For longtime fans, Tina’s impact on Destiny’s Child has never really been up for debate. Long before stylists became standard in pop, she famously designed many of the group’s matching stage outfits herself, helping craft the visual identity that defined an era of R&B and pop.

With the latest online chatter swirling, Tina seems content to let the work. More importantly, she’s letting the legacy speak for itself.

Read More: Tina Knowles Reveals She Hid A Reunion With Mathew Knowles From Beyonce & Solange

The post Tina Knowles Responds After Matthew Knowles Questions Her Role In Destiny’s Child’s Success appeared first on HotNewHipHop.

Per INSIDER HUB on X, the account, who’s followed by other noteworthy rap social media pages like Kurrco, swear up and down that ICEMAN is being delayed. “Drake delayed 1000% confident in our source,” the account said hours ago.

“You guys were supposed to get something a couple days ago. That has since been delayed,” they add. The exact thing that we were slated to get our hands is unclear.

However, what it wasn’t for sure (allegedly) per this account was release date related.

Replying to a fan asking about that detail they wrote, “Has nothing to do with any release date/album not being ready or anything. Sure that hasn’t changed but the first piece of it was 1000% delayed/changed.”

INSIDER HUB concludes by holding the “first ‘L’ with pride” and that if there are any updates, they will share when they know.

If you are a little more skeptical than we are about this “official” delay, we don’t blame you. However, this account has a decent track record of predicting these sorts of things.

Read More: Lil Baby Buys Several Atlanta Homes With Personal Connection

Drake ICEMAN Leakers

In fact, in a tweet on February 8, they called that Baby Keem’s album announcement was coming that same week. “BABY KEEM Album is getting officially announced this week InsiderHub leaked it first.” Sure enough, we got it within the next 48 hours.

But still take this all with a grain of salt as there’s still a (very slim) chance ICEMAN drops unexpectedly.

Overall, though, this “1000%” true update does come after DJ Akademiks revealed a conversation he had with Drake.

After leaking a snippet right around the release of J. Cole’s The Fall-Off, Ak said his favorite artist wasn’t happy he did that. “Drake is tight at me… Drake isn’t that happy about it,” he says. “[He] definitely didn’t send it to me.”

However, what we didn’t know then was that the Toronto MC was allegedly being extorted by hackers wanting to leak his material. Ak claims that once he did that last month, these alleged hackers felt they were given the green light to unleash the music.

But of course, Drake didn’t okay Ak’s teasing and that could be factoring into the alleged confirmed delay.

Read More: Domani Harris Reveals The Truth About His Role In 50 Cent Beef

The post “Insiders” Claim Drake’s “ICEMAN” Has Officially Been Delayed appeared first on HotNewHipHop.

“Everything you saw, all that was cap,” he confirmed. “It was all cap because [Jim Jones] has a five-year lease. Okay. He’s completely still building in there every day.”

Maino went on to address security footage of Jones trying to kick down the studio door, which 50 Cent posted on Instagram last month. According to him, the locks weren’t actually supposed to be changed. Apparently, the landlord responsible was even escorted out of the building for it. He added that if they really hadn’t been paying rent, they would have likely faced legal repercussions by now.

Read More: Jim Jones, Fabolous, Maino & Dave East Downplay 50 Cent & New York Beef

Why Is 50 Cent Beefing With Jim Jones?

“If there was a real issue about the rent, it would be in court,” he explained. “I think that might have went over people head. If there was a real issue about rent, they would be in court. Nobody’s in court.”

As for why 50 Cent is beefing with the Let’s Rap About It co-hosts in the first place, it stems from Jones’ criticism of his Diddy docuseries, Sean Combs: The Reckoning. He referred to it as a “mockumentary,” earning a heated response from the mogul.

In addition to posting the security footage, 50 Cent posted a recording of a conversation he allegedly had with Jones’s landlord over the phone. The landlord seemingly accused Jones of owing him anywhere from $80K to $180K in unpaid rent. Jones has maintained his stance throughout the feud, brushing off 50 Cent’s allegations and thanking him for the free promo more than once.

Read More: Maino Trolls DJ Akademiks For Getting Slapped By Lil Baby’s Team

The post Maino Addresses Eviction Accusations Amid 50 Cent Beef appeared first on HotNewHipHop.

They are being removed over severe health concerns that affect women and unborn children. Certain batches for these two scents contain hydroxyisohexyl 3-cyclohexene carboxaldehyde and butylphenyl methylpropional. In more layman’s terms they are known as Lyral and Lilial, respectively.

The former was banned over high population of allergic reactions. The latter was also prohibited for the safety of women’s reproductive systems, and in turn, unborn babies. According to Evening Standard, both chemicals were banned from the UK and EU in 2022 in cosmetic products.

In case you got hands on these dangerous products, the batch codes you need to return are 0608940572252 for Kiss by Rihanna and 0608940560389 for Riri. Both are 15ml bottles.

Savers locations are offering full refunds for the mishap.

“Savers have today (3rd March 2026) issued a recall of the above fragrance lines as some have been found to contain ingredients – hydroxyisohexyl 3-cyclohexene carboxaldehyde and butylphenyl methylpropional which are prohibited from sale in the UK.”

The statement adds, “Customers should return any of the above products purchased at a Savers store to the place of purchase, where they will be issued a full refund.”

Read More: Lil Baby Buys Several Atlanta Homes With Personal Connection

Is Rihanna Dropping Music Soon?

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It concludes, “If you are unsure if you have one of the above products, please speak to our store teams who will be happy to help. Savers would like to apologize for any inconvenience caused.”

On a more positive note, though, the Navy may be receiving some new music (finally!).

A day-in-the-life vlog published by Rihanna quickly went viral late last month wherein she stopped by a recording studio. While there, she can be seen jotting things down on paper and dancing. Fans immediately hoped that this was a sign of her next musical era.

Of course, it’s been over a decade since ANTI, her last studio album, so there’s naturally some skepticism. But it’s something that her supporters will chew on for some time.

Read More: “The Life Of Pablo” Marked The Old Kanye In His Final Form

The post Rihanna Perfumes Pulled From Shelves Over Alarming Fertility Risks appeared first on HotNewHipHop.

In a livestream clip caught by No Jumper, Blue and his son with Jaidyn, Javaughn, were chilling together. As the rapper was cutting his hair while his child played video games, they got to talking about school and girls.

Javaughn was asked if he was “getting” any of them which he bluntly said “no” to. The youngster clarified the reason as to why is because he doesn’t want to. For kids this young, it’s not all that surprising. But Blueface asked a few other questions related to the topic such as, “Do they like you?”

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Once again, Javaughn said “no.” However, as Jaidyn walked into the room, he asked their child if he was gay which the boy also said “no” to with some disgust.

Jaidyn didn’t waste any time pouncing on Blueface, questioning why he would ask him such a personal question on camera.

Read More: Jay-Z’s Phone Call With Michael Eric Dyson Is Causing Quite The Stir

Is Blueface Having Another Child?

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“Why are you asking dumb a*s sh*t like that right now?” she asked angrily. Blueface didn’t think it was all that serious labeling it as “barbershop talk.” He didn’t help matters by laughing it off in front of her, which escalated tensions a bit more.

“Leave us alone,” Blue demanded. He then tried to turn the conversation back on Jaidyn, asking her about her sexual orientation to see where the boundary was crossed. She answered the question, but Jaidyn didn’t think it was appropriate to have that talk in front of their child while also on stream.

Overall, it’s a personal matter that they will need to handle, and hopefully, it can be sorted out in a civil way.

Speaking of being a parent, Blueface is getting ready to become a dad for the fourth time. Him and current girlfriend Nevaeh Akira are expecting a boy. They revealed the gender during a stream earlier this week.

Unfortunately, their celebration was dampened a little as Blue’s mom, Karlissa Saffold made a relatively innocent joke that didn’t sit well with Nevaeh. She was blocked by her, although on what is uncertain. Saffold tried to clear the air and offer an olive branch.

“Well I’m blocked in the first trimester. This why people [shouldn’t] have babies with strangers. because if she knew me she would have laughed to because her reaction was hilarious. I’m here girl whenever if ever you need me. And congratulations on my bloodline it’s the cream of the crop.”

Read More: Queen Latifah Breaks Her Silence Amid Viral Death Rumors

The post Jaidyn Alexis Gets Into Tense Argument With Blueface For Asking Son Inappropriate Questions appeared first on HotNewHipHop.

Kanye’s existence has been smeared by his own actions — controversial politics that included a presidential run, Nazi praise, and the contradiction of publicly trying to win Kim back while simultaneously downplaying her role in his life. We could go on. But for a career rooted in artistic excellence that later veered into public spectacle, an imbalance emerged in the 2010s when his ambitions became larger than life–far more expansive than anything before. Ye was committed to bringing the YEEZY brand to the world, first through shoes and clothing, then architecture, art,  sports, education, religion, and design. And in many ways, he pursued all of it while doubt lingered around him. When no one believed he could be a rapper, he became one of the biggest pop stars in the world. When critics dismissed his fashion aspirations, he set trends the industry followed. He repeatedly resurrected himself from scrutiny, reminding the world of his brilliance, only to burn everything down and attempt to rebuild it again.

Read More: Akademiks Was Right About J. Cole–He Can’t Claim King Anymore

The Pattern Of Self-Destruction

In the vein of David Bowie, Prince, and Michael Jackson, every album Kanye released from the start of his career through The Life Of Pablo, which marked its 10-year anniversary on February 14th, 2026, was marked by reinvention: aesthetic resets, wardrobe shifts, sonic architecture, and new philosophies entering the pop culture canon. Many of these transformations arrived alongside controversy, some marking his most radical moments. The Taylor Swift interruption. The George Bush comment. These incidents became catalysts for backlash and eventual forgiveness, while also sharpening his critiques of political and cultural systems. After storming the stage at the 2009 VMAs, he returned as the maximalist architect behind My Beautiful Dark Twisted Fantasy, an album still heralded as one of the greatest of the modern era. Controversy became part of the brand. With every outrage cycle came a body of work undeniable enough to restore his footing.

These episodes made him more polarizing, yet it often felt like he was saying what others were thinking, regardless of consequence. The apologies that followed rarely seemed rooted in remorse as much as strategic recalibration. In many ways, they reflected Ye’s desire to enter the bourgeois elite — to implement change through influence and proximity to power. His hunger for wealth and recognition was always intact, but it wasn’t yet hardened by the cynicism that followed billionaire status. By the time he compared himself to Putin or Walt Disney, he realized he could survive controversy. That realization made him dangerously desensitized to backlash.

Read More: Gamma Co-Founder Larry Jackson Hypes Up Kanye West’s “BULLY” Rollout

The Right-Wing Turn & Redemption Attempt

Even as he continued selling out arenas and touring globally, his recent anti-Semitic era appeared to reach a breaking point — or at least that’s what he’s signaling. Ye issued a public apology to Black and Jewish communities for the offensive statements he’s made in recent years. Whether it’s sincere remains unclear. It’s difficult not to see it as damage control after self-inflicted isolation. No one asked him to platform extremists or create music that echoed far-right rhetoric. And while he has attributed much of this to mental health struggles, it doesn’t feel like the first time he has leaned on that explanation for harm caused. For years, the chaos was paired with music strong enough to justify the turbulence. The art often outpaced the controversy until it couldn’t. At one point, he was indispensable. No matter how inflammatory his words, his musical contributions felt invaluable to the landscape.

You could argue that Ye or the Wyoming sessions were the last time he captured lightning in a bottle, but even those moments felt like attempts to recreate the chaos and glory that made The Life Of Pablo such a whirlwind rollout and standout entry in his catalog. That album marked the first time he seemed comfortable inhabiting contradiction. It’s likely why it feels like the clearest point to acknowledge that the version of Ye many grew attached to, volatile yet self-aware, effectively ended there.

The Old Kanye In His Final Form–Watch The HotNewHipHop Video Essay Below

The Life Of Pablo was the final, complete form of the “Old Kanye” — not simply because of what followed, from far-right alignment to the tour breakdown after Kim Kardashian’s robbery. Sonically, it didn’t retreat to the soul samples of The College Dropout or the maximalism of My Beautiful Dark Twisted Fantasy. Instead, it represented the last time Kanye balanced ego, innovation, vulnerability, spectacle, and cultural leadership. After Pablo, the ambition that once fueled his artistry began consuming it. Kardashian-level fame elevated the brand but inflated the ego. The creative precision that once made him the MVP behind The Blueprint expanded into an infrastructure he oversaw — much like everything under the YEEZY umbrella in the decade that followed.

That infrastructure became central to his identity and emblematic of the power he attained. Marrying into the Kardashians symbolized proximity to white celebrity culture and institutional validation. By the time he hosted Yeezy Season 3 at Madison Square Garden, with the Kardashian family arriving in coordinated fur, he had silenced those who doubted his fashion credibility. He became a one-man conglomerate at the peak of a pyramid he built over the years.

Read More: Jeffrey Epstein Praises Kanye West’s “Power” In Resurfaced Email

The Life Of Pablo 10 Years Later…

In that sense, The Life Of Pablo represents more than an album. It was the culmination of a broader vision — the Old Kanye in final form. Compared to earlier projects, it wasn’t revolutionary in sound as much as in attitude. It marked victory after a streak of creative triumphs. During an era when artists like Chance The Rapper maintained spirituality without dogma, Ye embraced religion while calling Pablo a gospel album with a lot of cussing, a framing even Kirk Franklin approached cautiously. Reinvention became secondary. For the first time, Kanye drew primarily from himself, and many collaborators reflected his influence. Each track reconciled a prior era: the conviction of “Jesus Walks” echoed in “Ultralight Beam”; the industrial edge of Yeezus resurfaced in “Feedback”; early lyrical hunger appeared in “No More Parties in L.A.” alongside Kendrick Lamar; and the pop ambition of Graduation felt present on “  Fade.”

At the same time, ego and self-awareness coexisted. “Real Friends” delivered self-critique. “Saint Pablo” captured paranoia and financial anxiety. “Famous” weaponized provocation as performance art. Even “I Love Kanye” played with public grievances. It was one of the last moments when spectacle enhanced the music rather than overshadowed it.

His industry pull remained strong. He wasn’t radioactive yet; appearing on a Kanye album was still an honor, not a liability. Vic Mensa and Chance emerged as part of his Chicago lineage beyond drill’s rise. Sia and Frank Ocean contributed without hesitation. Even Max B called in with his blessing after Ye’s spat with Wiz Khalifa. Rihanna and Chris Brown appeared on the same tracklist — rare given their history — while Drake earned writing credits on “Father Stretch My Hands” and “30 Hours.” Even Ty Dolla $ign’s presence foreshadowed future collaborations.

Read More: Havoc Claims Kanye West & Travis Scott Might Be Working On A Collab Album

What Does The Bully Era Entail?

But the cracks appeared soon after. Pablo documented a fairy tale realized — access to rooms he once rapped about being barred from. The ego that was once criticized became validated. Fame didn’t dilute his vision, but the scale of it validated delusion. That validation pushed him into dangerous territory: embracing Donald Trump, minimizing George Floyd’s murder, praising Hitler, calling slavery a choice, and then weaponizing his influence in politics. The ambition that once propelled innovation began fueling self-destruction. Everything started resembling an attempt to recreate the Pablo moment. The Donda rollout mirrored its predecessor—stadium lock-ins, last-minute revisions, public previews—framed as redemption. Yet controversy reentered the picture through polarizing guest appearances and choices that seemed engineered to provoke rather than inspire.

So what does repair look like? It begins with the recent apology published in The Wall Street Journal ahead of Pablo’s 10-year anniversary. The emerging Bully era feels positioned as another attempt at recalibration. His new deal with Gamma followed public contrition and reported meetings aimed at making amends. Skepticism is warranted. Still, if there’s evidence of commitment, it may lie in distancing himself from some of the extremist circles he previously entertained.

The suspicion surrounding this era is understandable. The Old Kanye many hoped would return effectively concluded with The Life Of Pablo. Expecting repentance as proof of artistic revival may not be the right metric.

The Old Kanye was never defined by morality; ego was always part of the equation. What defined him was disruption, transforming unlikely influences into something distinctly his. Early previews of Bully suggest a renewed focus. The songwriting feels tighter. The sonic risks feel intentional rather than reactionary. It doesn’t sound like he’s chasing trends but resetting his creativity. More than anything, listeners have needed a project where the music speaks louder than the spectacle. Bully may not resurrect the Old Kanye, but it could introduce something more compelling: a Ye less obsessed with redemption and more invested in quality. The Old Kanye didn’t disappear. He completed himself. And The Life Of Pablo was that completion.

The post “The Life Of Pablo” Marked The Old Kanye In His Final Form appeared first on HotNewHipHop.

According to XXL, they are specifically located in Oakland City. As Lil Baby shows in the five-minute video, the area is going under some renovations. Specifically, quite a few homes are being built. While that’s great, Lil Baby wants to preserve at least a few of them for sentimental and financial reasons.

Firstly, he reveals that he’s nabbing the older properties for his kids, Jason and Loyal Armani. “I made history in this same exact spot, now I’m making history again. I’m buying it for my son. They trying to take our neighborhood, I gotta put my foot down. I gotta have me some. Save the streets,” he says.

But what is that point about history? Well, Lil Baby follows that up by adding, “It’s like a strategy to me buying the houses. I’m buying all the houses, all the properties I used to hustle in front of. It was times when this was abandoned and I still was standing here while it was abandoned. No lights… water. No nothing. Just me and the smokers.”

Read More: 50 Cent Threatens T.I. With A Diddy-Esque Documentary

Lil Baby & DJ Akademiks’ Beef

Overall, he always wants to remember where he’s come from and what better way to do then by owning them. There’s a chance that some of these places he has will be turned into affordable living for other families. It’s also a way for him to expand on his wealth outside of music, which can be very volatile.

But not only is it smart for his future, it’s also forward-thinking for his kids’ futures as well. In the video, Baby says he wants to have some of them set aside for them when they are ready to move out on their own.

Additionally, while the “We Paid” hitmaker is preserving his personal history, he does plan on fixing up these abandoned homes. He’s going to try and fix them all up within the next 3-4 months.

Overall, it’s a feel-good story and one that does overshadow his industry feuds. One in particular is his long-running beef with DJ Akademiks. After a boxing match fell through, the latter has been on his head on social media, taunting him every chance he gets.

Recently, Lil Baby and Young Thug were spotted in a video together recently, which immediately sparked collaboration rumors. Ak caught wind of the clip and tore them to shreds without hesitation, predicting their potential music will flop.

“Am I expecting some heat from these two? I’mma be honest with y’all, no. I know some of y’all think I’m just gonna be hating. No, I’m gonna call a spade a spade. This is two ice cubes linking up together, man. They might as well be in the freezer together. That’s a fact,” he said while also adding that miss Gunna and need him to succeed.

Read More: Every Air Jordan Dropping In March 2026

The post Lil Baby Buys Several Atlanta Homes With A Special Purpose In Mind appeared first on HotNewHipHop.

Both of them went after the G-Unit boss on brutal diss tracks. Domani discussed this during a recent appearance on The Breakfast Club. According to him, they pulled the trigger on the tracks without consulting their dad first.

“We didn’t really have a conversation,” he explained. “He probably would have had some input, and I would’ve had to choose to ignore him and go my own route. I just put it out. […] This was how I felt, this is what was on my mind.”

Domani went on to say that he understands why his father is very selective with the insults he dishes out, but that he handles things his own way.

Read More: 50 Cent Threatens T.I. With A Diddy-Esque Documentary

King Harris 50 Cent Diss Track

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Domani’s remarks about the beef come shortly after T.I. discussed the beef on The Ebro Laura Rosenberg Show. At one point in the interview, he admitted to having some regrets about his children’s involvement. “I said that’s enough when I seen that damn T-shirt,” he shared. “I said, ‘Man, chill out.’ I’m big on treating people the way I want to be treated.”

He was referring to a t-shirt with 50 Cent’s late mother on it, which King wore in the video for one of his diss tracks.

“N****s speaking on my mama, I tell Chaz ring the alarm / N****s p**sy, probably cross his legs and f*cking fold his arms,” he raps on the track. “He just want beef up on that net, I know that boy won’t pop a grape / He trying to trick me out the streets / Gon’ trick his a*s right in a lake.”

Read More: T.I. Reveals What He Really Thinks Of King Dissing 50 Cent’s Mom

The post Domani Harris Reveals The Truth About His & King’s Role In 50 Cent Beef appeared first on HotNewHipHop.