The first volume of the show’s final season reportedly garnered 23.6 million views in its first week on the platform. On the other hand, The Reckoning notched 21.8 million views in six days.

“I know Stranger Things is pissed they spent $500M on a season, only to be beat by Diddy doing stranger things,” 50’s repost read, with him offering his own caption. “I been working today I haven’t seen anything what’s going on?” While it seems like this isn’t the most accurate statement, it definitely speaks to the Diddy docuseries’ massive success, albeit with many controversies in its wake. Still, that is probably exactly how the G-Unit mogul would want it to go these days.

Read More: Maino Says Beefing With 50 Cent Is Good for Business

50 Cent’s Marlon Wayans Beef

50 Cent caught flack for his Diddy docuseries, whether it was from the general public or other celebrities. A lot of other people enjoyed it and praised it, but Marlon Wayans was one of a few outspoken voices who called Fif out for spreading bad karma into the world.

They had an online spat before both parties seemingly cooled off. In Wayans’ case, his family group chat partly convinced him to leave it alone.

“I don’t think brothers need to be quarreling in public like that. And then what did I get into? A public quarrel with a brother,” he remarked. “And I just think it was bad for the culture. So I kind of backed out. […] Dame was like, ‘Why you pick the biggest brother? He’s on gamma rays. Stick to beefing with Soulja Boy, Kevin Hart. People that we can beat… Leave guys that got shot nine times alone. He survived nine. I backed out, I think, because I always want to focus on positivity and fun, and I got a movie coming out, Scary Movie 6.”

Read More: The Game Says He Would Do a Verzuz With 50 Cent

The post 50 Cent Taunts “Stranger Things” While Flaunting Success Of Diddy Docuseries appeared first on HotNewHipHop.

For those unaware, the Gangsta Grillz alum previously debunked rumors about his “Pop Out” absence, whereas Wack 100 implied that he was never part of the performance plan. Now, though, Jayceon Taylor is claiming that he chose not to go, contrary to the popular and speculative belief that he just didn’t get an invite.

“I sat it out on purpose,” The Game remarked concerning Kendrick Lamar’s “Pop Out.” “It’s too much gang politics with me when I come somewhere. It was n***as at the ‘Pop Out’ that I don’t f**k with. So why go to the ‘Pop Out,’ bring homies, [and] get into a confrontation when the n***a is having a great moment?”

The hosts pushed back, arguing that the “Pop Out” was all about unity between different groups. “You say that, but all it take is one n***a from this s**t to get out of pocket with one n***a. And that’s what comes with me. What you mean, come by myself? I’m not doing that… I ain’t gon’ let nothing happen to me… If something happens to me, whoever did it is getting smoked. […] I can make that decision, I don’t understand how you get left out, I can just go. Can’t nobody tell Game I can’t go nowhere I want to go in L.A.”

Read More: The Game Crowns Himself The Best Rapper From Compton

The Game’s Kendrick Lamar Comments

Considering The Game’s other remarks related to Kendrick Lamar, some fans think this is a backtrack. However, in both instances of him explaining his “Pop Out” absence, he failed to confirm a few things. Did Kendrick and company invite Game to attend or be a part of the performance? Did he decline this offer to attend or perform? That seems to be the main point of contention. Or did Game just choose not to even make the effort to attend, and that’s what he’s referring to?

Either way, things remain quite unclear when it comes to the specifics. What we can assume from these explanations is that The Game has no issues with K.Dot, he supports the “Pop Out,” and he does not feel the need to explain his movement when it comes to Lamar’s opponents like Drake. While there’s still some pushback and less gracious interpretations of his remarks, at the end of the day, it’s all over notions and presumptions that we still don’t have any confirmation for.

Read More: The Game Shares Where He And Drake Stand Today

The post The Game Justifies His Absence From Kendrick Lamar’s “Pop Out” appeared first on HotNewHipHop.

Release Date: December 19, 2025

Genre: Underground Rap

Album: N/A

Quotable Lyrics from Walk To Me

She shakin’ ass in a sundress, I love bitches, I love sex
I’m ridin’ ’round with a damn check, xaviersobased special damn guest
I’m tossin’ that damn pack, that’s xav’ Christopher Sanchez
Young xav’ Christopher Sanchez

The post Walk To Me – Song by xaviersobased appeared first on HotNewHipHop.

Sneaker Bar Detroit reports that the J Balvin x Air Jordan 4 OG “Lemonade” will be released in the Fall of 2026.

If this mockup is even close to the final product, it signals a brighter, more playful direction than Balvin’s previous Jordan efforts. The soft lemon-toned upper immediately stands out. It’s bold without being loud, landing somewhere between pastel and neon depending on the lighting.

That choice alone gives the shoe a fresh energy that feels very on-brand for J Balvin, who has built his Jordan collaborations around optimism and self-expression rather than nostalgia alone. What’s interesting here is the balance.

The color does most of the talking, but the silhouette remains clean and classic. There’s no overdesigning or forced storytelling baked into the shape itself. Instead, the mockup lets the Air Jordan 4’s structure do what it’s always done well, while the palette pushes it somewhere new.

If this pair does release in 2026, it feels positioned less as a sequel and more as an evolution. It’s not trying to top past hits. It’s trying to shift the mood. Even in mockup form, the “Lemonade” Air Jordan 4 already feels like a warm-weather staple built for attention without chasing hype.

Read More: UA Curry 13 Surfaces As Steph Curry’s Last Signature Model

J Balvin’s Air Jordan 4 “Lemonade”

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The sneaker features a soft yellow leather upper that gives the Air Jordan 4 a warm, almost pastel look. Matching mesh panels and plastic wings keep the color consistent across the shoe.

Speckled greenish accents appear along the midsole, adding subtle contrast without overpowering the base. The visible Air unit is lightly tinted, blending smoothly into the midsole design.

The outsole and heel details carry the same yellow tone for a cohesive finish. Everything feels clean and intentional. The shape stays true to the classic Jordan 4 silhouette.

Overall, the shoe looks bright, smooth, and wearable, with just enough texture and detail to keep it visually interesting. Also, the retail price of the J Balvin x Air Jordan 4 OG “Lemonade” will be $225 whent they drop.

Read More: Steph Curry’s Top 5 On-Court Sneakers

The post First Look At The J Balvin x Air Jordan 4 “Lemonade” appeared first on HotNewHipHop.

That alone makes this first look feel different. From the jump, the Curry 13 looks like a culmination rather than a reset. Under Armour didn’t chase trends here. Instead, the design leans into the sculpted, fluid language that has defined the Curry line over the past few seasons.

The silhouette feels compact, aggressive, and purpose-built for movement, with a strong emphasis on lateral control and responsiveness. Colorways shown so far lean bold. Bright blues, vibrant pinks, energetic yellows, and fiery gradients give the shoe a loud presence without feeling forced. It’s confident in a way that mirrors Curry’s late-career phase.

Still expressive, still playful, but definitely high performance. There’s also something symbolic about how this shoe arrives. Curry changed Under Armour’s trajectory, turning it into a real player in basketball footwear. The Curry 13 feels like a final signature chapter that acknowledges that impact rather than trying to reinvent it.

Whether this truly ends the Curry signature line remains to be seen. But as a first look, the Curry 13 already feels like a statement. Not about innovation alone, but about legacy, consistency, and finishing strong.

Read More: Quiet Magazine Spotlights Fragment x Union x Air Jordan 1

UA Curry 13 First Look Images

The UA Curry 13 features a sleek, low-cut silhouette with smooth, flowing overlays across the midsole and sides. The upper appears lightweight and breathable, blending mesh panels with molded support elements.

Each colorway makes a strong visual statement, from solid monochrome finishes to gradient midsoles with speckled detailing. The sculpted sole looks responsive and agile, built for quick cuts and constant motion.

Subtle branding keeps the focus on the overall shape rather than loud logos. Pull tabs on the heel add function without clutter. The design feels modern, fast, and confident, clearly made for movement first. It looks like a shoe meant to stay low, reactive, and locked in at all times.

Read More: Bam Adebayo Rocks The Air Jordan 40/20 Fusion On Court

The post UA Curry 13 Surfaces As Steph Curry’s Last Signature Model appeared first on HotNewHipHop.

In 2011, he declared, “One day Travis Scott will be somebody.” It’s a very cool production that sees him digitally de-aged to look like how he did when he went by Travi$ Scott. His mother, Wanda Webster, also makes an appearance, snapping him back to reality after daydreaming about selling out arenas.

It’s actual footage from his Circus Maximus tour, which was essentially a two-year long world trek.

The commercial also shows him working on music in what is supposed to be his childhood bedroom, before being sent off to school by his mom. They even show Scott typing that prophetic tweet we mentioned before getting ready to leave.

Scott then pulls out the flashy Powerbeats Fit model, puts them in, and listens to what sounds to be a future single. It sounds very reminiscent of his debut mixtape days but more refined.

Read More: Can Kanye West Make A Comeback?

Is Travis Scott Dropping A New Album?

Overall, fans are losing their minds over it and are hoping this signals a new solo album coming next year. “We are READY for the new Travis era,” one fan in the comments of Kurrco‘s repost says. Another adds, “owl pharaoh trav is back.”

While some may criticize him for rehashing old material and calling it brand-new, it would be cool for a modern interpretation on the tape that jumpstarted his career. Owl Pharaoh was released as a free project back in 2013. That year, he landed a handful of production credits on Kanye West’s Yeezus.

The project was led by songs like “Upper Echelon,” “Bad Mood / Sh*t On You,” “Quintana,” “MIA,” and more. It was extremely rough around the edges but did give early listeners a sneak peek at the dark and psychedelic sound he would go on to master.

Hopefully, we receive an update from Travis on what’s to come in 2026.

Read More: Tory Lanez Breaks Silence In First On-Camera Interview With NBC: “I Believe I Was Wrongfully Convicted”

The post Travis Scott Teases Nostalgic-Sounding Snippet In New Beats Commercial appeared first on HotNewHipHop.

However, according to Kurrco, things are looking up for 21 commercially. Reportedly, updated projections now indicate 93K in first week sales units and a No. 2 debut on the Billboard charts. It might not match the 133K mark of the previous record, but it represents almost double the units sold from previous projections.

It’s unclear exactly what metrics have gone up to increase these projections, if there was data the initial projections didn’t account for, or what this rise actually looked like as far as fan engagement and sales. Nevertheless, it’s good news for this beef-squashing 21 Savage era. Beyond the music on WHAT HAPPENED TO THE STREETS?, his remarks on Atlanta hip-hop conflicts and the state of the game as a whole have been quite divisive.

Read More: 21 Savage Is The Most Honest Rapper In Drake’s Corner

21 Savage’s Young Thug Comments

That’s because of skeptics who don’t believe in 21 Savage calling for unity in Atlanta hip-hop. He spoke candidly about Young Thug and urged him to forgive Gunna, he also took to social media to squash issues with Future, and he talked about squashing to attempting to squash other rap tensions.

21 Savage’s messages against “the streets” have also been a big conversation topic. This probably contributes to WHTTS?‘ continued performance, but he’s also getting a lot of pushback from folks rejecting Thugger’s narrative, criticizing the new music from these artists, and alleging a hypocritical lack of accountability when things got rough.

Does all of this mean WHAT HAPPENED TO THE STREETS? will fall off once these debates die down? We’ll have to wait and see. Also, these are just projections, so we’ll see how the album actually does in its first week right before we enter the big 2026.

Read More: Trippie Redd Post Raises Eyebrows After Coi Leray’s Bahamas Date Goes Viral

The post 21 Savage Gets Big Boost In Updated “What Happened To The Streets?” Sales Projections appeared first on HotNewHipHop.

Lucci and Herb took to Twitter with their messages, whereas Pooh posted his on his Instagram Story. They all said “f**k the streets” as well, as caught by Kurrco on Twitter, with Shiesty adding the word “traumatized” to his post and tagging 21. The YFN boss also tagged the Slaughter Gang CEO.

After Young Thug’s response to 21 Savage, we will see what other rappers end up forming part of this campaign of sorts. There’s way too much context for this for one article. Nevertheless, it seems like Atlanta hip-hop is breaking away from the traditions of “the streets,” or at least, its biggest artists are. But what do “the streets” even mean?

Read More: 21 Savage Is The Most Honest Rapper In Drake’s Corner

What’s Going On In Atlanta Hip-Hop?

That’s not for us to answer, but there are a lot of developments in Atlanta hip-hop that inform this debate between fans, artists, and corporate backers alike. The big one is the YSL RICO trial, over which Young Thug and Gunna continue to feud for the latter’s plea deal. Thugger’s own snitching allegations, leaked jail calls, and conflicting hip-hop loyalties in ATL also added to that firestorm.

Elsewhere, Future, Lil Baby, and other artists have found themselves somewhat in the middle, with other Atlanta conflicts like Quavo and Offset’s tension in the background. 21 Savage cleared issues up with Future, and it seems like he also called Quavo and Offset to build rapport. All the while, fans wonder whether this condemnation of “the streets” will also rope Wunna back into the fold one day.

Regardless of what’s really going on, there are a lot of conflicting narratives and presumptions for fans to digest. As long as they like the music, though, we’re sure they will hop onboard with what’s next.

Read More: Ice Spice Under Fire For Sporting See-Through Dress At “SpongeBob Movie” Screening

The post 21 Savage Inspires Various Hip-Hop Artists To Condemn “The Streets” appeared first on HotNewHipHop.

Release Date: December 19, 2025

Genre: Hip-Hop/Rap

Album: N/A

Quotable Lyrics from “4 Raws (Remix)”

Head to the ceiling, head to the— uh
Since 2017, I’m livin’ the dream
Gettin’ the cream, I’m livin’ on theme
Doin’ ’em things, It’s Marty Supreme
It’s Marty Supreme, It’s Marty Su— uh

The post 4 Raws (Remix) – Song By EsDeeKid Featuring Timothee Chalamet appeared first on HotNewHipHop.

According to Billboard, a federal judge in Brooklyn overturned Jordan Jr.’s murder conviction today (Friday, December 19) due to the “impermissibly speculative” nature of the government’s case against him, which they delayed by decades. Judge LaShann DeArcy Hall granted his motion for acquittal over his two federal murder counts, arguing that there was “simply no evidence” regarding Jordan Jr.’s alleged motive for the fatal 2002 shooting. For those unaware, prosecutors claimed that he murdered Jay as payback for a cocaine transaction that went south.

“After a review of the trial record, the court finds that the government’s theories of Jordan’s drug-related motive to kill [Jay] or drug offense-related motive to use a firearm are impermissibly speculative and just conjecture,” the judge stated. “Jordan has met the heavy burden [under federal rules] to be granted a judgment of acquittal.”

Read More: Jam Master Jay’s Sons Shoot Down Drug Trafficking Narrative Around Father’s Murder

Jam Master Jay’s Killers

Elsewhere, Jam Master Jay’s other alleged killer was not as lucky. Judge DeArcy Hall reportedly wrote that “a reasonable jury could conclude Washington sought to murder [Jay] in reprisal for [Jay]’s failure to ensure Washington’s promised involvement in the Baltimore deal, as well as to send a message to other co-conspirators.” As such, Ronald Washington’s conviction stands.

Karl Jordan Jr.’s lawyer Michael Hueston gave a statement to Billboard reacting to this overturned conviction. “On behalf of Mr. Jordan and his family, today’s decision brings a measure of solace as they approach the holiday season.”

However, federal prosecutors can appeal this acquittal, and Jordan Jr. has other murder charges to deal with in court. On the other hand, Ronald Washington’s lawyer told Billboard that she was “looking forward to the appeal” and said she will challenge this ruling.

Regarding Karl Jordan Jr., Judge DeArcy Hall ruled that the government did not prove a link between him and Jam Master Jay’s murder. “The record in this case is bereft of such an ‘obvious link,’ or any link, between the failed Baltimore deal and Jordan’s decision to participate in Mizell’s murder two months later,” the judge wrote. “There is simply no evidence of a personal dispute between Jordan and Mizell, or any suggestion that Jordan felt slighted by his role in the conspiracy.”

Meanwhile, Jay Bryant will face trial for the murder as well. We will see if that trial ends up shedding more light on this complex and harrowing situation.

Read More: Tory Lanez Breaks Silence In First On-Camera Interview With NBC: “I Believe I Was Wrongfully Convicted”

The post Jam Master Jay’s Alleged Killer Gets Conviction Overturned appeared first on HotNewHipHop.