50 Cent Explains Why He Doesn't Drop New Music Anymore

BY Gabriel Bras Nevares
Link Copied to Clipboard!
50 Cent Explains Why He Doesnt Drop New Music Anymore
Jun 5, 2024; Washington, DC, USA; Recording artist Curtis “50 Cent” Jackson discusses increasing minority representation in the luxury spirits industry on June 5, 2024 in Washington.. Mandatory Credit: Josh Morgan-USA TODAY NETWORK via Imagn Images
Add HNHH as a preferred source on Google
Many 50 Cent fans wish he would put his beefs into new tracks rather than continuously troll his opponents online.

50 Cent recently sat down for a new interview with Rolling Stone, in which he discussed business in hip-hop, comparisons to other moguls like Jay-Z, and much more. However, one of the most important through-lines throughout this conversation was his multi-faceted explanation of why he doesn't drop new hip-hop music anymore, which shows up across a couple of questions.

First, 50 Cent revealed he almost dropped a mixtape to respond to the likes of Jim Jones, Fabolous, Maino, and Dave East. They recently criticized him on the Let's Rap About It podcast for his Diddy documentary, and that spiraled into a lot of back-and-forth. But never in the booth. 50 chose against it because it would be giving them more attention, like in other feuds. But he also answered a question about what it would take for him to drop again.

"Look, I’m going to make music," 50 Cent said. "I’m excited that this is the feeling. The general consensus is they want to hear something new from me, right? You can have the best verse, but I don’t think you should have the best verse at 50 years old. I think hip-hop is connected to youth culture and I think simplicity is the part of why it’s the best music."

50 Cent's New Music

NBA: Playoffs-New York Knicks at Indiana Pacers
May 27, 2025; Indianapolis, Indiana, USA. Curtis James Jackson III, known professionally as 50 Cent, on court prior to the second quarter of game four of the eastern conference finals between the Indiana Pacers and the New York Knicks for the 2025 NBA Playoffs at Gainbridge Fieldhouse. Mandatory Credit: Trevor Ruszkowski / USA TODAY NETWORK via Imagn Images

Fif also brought up how hip-hop audiences obsess over a breakout and always miss that first thing an artist did (countering the interviewer's Nas example of longevity), going on to dominate other fields like television, not wanting to compete with smaller artists whom he's surpassed financially and culturally, and being in a new content era that might not mesh with the music folks love from him.

"What I watch them get excited about is the mentality from ’03, ’02, the mixtape Fif. And I’m in a different place," he shared. "I couldn’t have had all the success that you’ve seen if I was still thinking the same way. Yeah. And you’ve gotta to kind of [be], I wouldn’t say immature, with these things, because it’s too easy to describe it that way, but you’ve got to grow with the your material at the same time. To grow into a different space and kind of offer something different."

Of course, it's not like the G-Unit mogul has been completely radio silent since his last studio album when it comes to new music. For example, last November, he dropped the "Fightland" track with Sheff G, Sleepy Hallow, and Jeremih.

About The Author
Gabriel Bras Nevares is a staff writer for HotNewHipHop. He joined HNHH while completing his B.A. in Journalism & Mass Communication at The George Washington University in the summer of 2022. Born and raised in San Juan, Puerto Rico, Gabriel treasures the crossover between his native reggaetón and hip-hop news coverage, such as his review for Bad Bunny’s hometown concert in 2024. But more specifically, he digs for the deeper side of hip-hop conversations, whether that’s the “death” of the genre in 2023, the lyrical and parasocial intricacies of the Kendrick Lamar and Drake battle, or the many moving parts of the Young Thug and YSL RICO case. Beyond engaging and breaking news coverage, Gabriel makes the most out of his concert obsessions, reviewing and recapping festivals like Rolling Loud Miami and Camp Flog Gnaw. He’s also developed a strong editorial voice through album reviews, think-pieces, and interviews with some of the genre’s brightest upstarts and most enduring obscured gems like Homeboy Sandman, Bktherula, Bas, and Devin Malik.

Comments 0