album review
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Reviews "ICEMAN" finds Drake refocused and sharper under pressure, yet trapped between renewed lyrical intent and familiar victimhood, ego clashes, and uneven execution.
By
Aron A. -
Reviews What makes "HABIBTI" and "MAID OF HONOUR" work is that, for once, Drake stops trying to force those identities into one coherent persona. He lets the contradictions exist in plain sight.
By
Aron A. -
Original Content In light of Drake's newly exposed DMs to Anthony Fantano, we revisit the YouTube music critic's past reviews of Drizzy's catalog.
By
Joshua Robinson -
Reviews "Bully" doesn’t feel like a comeback. It feels like Kanye West is reminding the world he still knows the tricks while avoiding the vulnerability and ambition that once made his music impossible to ignore.
By
Aron A. -
Reviews Baby Keem’s sophomore album peels back layers of personal trauma and family history, while finding cohesion and pop potential across a stylistically varied but emotionally focused project.
By
Aron A. -
Reviews Gunna’s "The Last Wun" captures his shift from survival to self-preservation as he prepares for a new chapter in his career.
By
Aron A. -
Music Anthony Fantano of The Needle Drop previously trolled Drake fans by claiming "ICEMAN" would drop much sooner than expected.
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Gabriel Bras Nevares -
Reviews It says it right there on the box, and this uncompromising Future release doesn't need to change who "MIXTAPE PLUTO" is.
By
Gabriel Bras Nevares -
Music Drake's "ICEMAN" is a polarizing release for many reasons, but OVO fans felt like Pitchfork didn't give its qualities a fair shot.
By
Gabriel Bras Nevares -
Reviews Ideally, a final statement should leave fans eager for a return, a body of work that commands reflection and conversation. Here, Cole offers a snapshot of craftsmanship at a high point, a reckoning with his own mythos, and a testament to the fact that even the most dependable voices in rap can surprise, falter, and reflect at once.
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Aron A. -
Reviews Young Thug’s “UY Scuti” is messy and uneven yet vulnerable, offering flashes of his pre-incarceration brilliance without reclaiming the superstar stature that once placed him at rap’s upper echelon.
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Aron A. -
Reviews "Infinite" is a proper send-off for Mobb Deep. Eight years after Prodigy’s death, Havoc recreates their familiar universe, honoring posthumous verses while showcasing his own evolution alongside The Alchemist.
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Aron A. -
Reviews Donald Glover's last album as Childish Gambino is a bold but worthy farewell to the moniker.
By
Devin Morton -
Reviews Nas’s enduring lyrical skill shines over DJ Premier’s production in a way that serves as a fitting conclusion to the Legend Has It series.
By
Aron A. -
Reviews This microcosm of the original album's greatest strengths is a testament to SZA's consistency and her artistic north stars.
By
Gabriel Bras Nevares -
Reviews "Kiari" finds Offset asserting his personal and artistic identity through standout street bangers and poignant introspection, even as familiar tropes and uneven moments hold the project back.
By
Aron A. -
Reviews With appearances from Kendrick Lamar, Future, and Travis Scott, "MUSIC" reaffirms Playboi Carti as both a pioneer and provocateur in hip-hop.
By
Aron A. -
Reviews Cardi B’s "Am I The Drama?" falters musically with bloat, but her bold persona and public drama keep it compelling.
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Aron A. -
Reviews "WHAT HAPPENED TO THE STREETS?" is a fitting installment in 21 Savage’s catalog, both a reckoning with the world he came from and the one he is carving out for himself.
By
Aron A. -
Reviews Earl Sweatshirt's personal growth over the past few years may have just made "Live Laugh Love" his most definitive album experience.
By
Gabriel Bras Nevares
