A$AP Rocky is on a constant quest for evolution with "At.Long.Last.A$AP (A.L.L.A.)."
After a near-decade of hustling, Curren$y has finally landed his prominent role in the rap scene. It wasn’t easy work, but anyone who has watched the New Orleans-native go from Lil Wayne’s sidekick to stoner rap’s most consistent contributor will tell you that much.
After Yelawolf’s first major-label album Radioactive proved to be, well, just that; and failed to meet the standards set by his 2010 mixtape Trunk Muzik, it felt as though - with his second effort Love Story - an explanation or apology was due. He seemingly traded in his trademark mud-coated country roots for pop-pandering.
After 2013’s wildly successful good kid, m.A.A.d city, Kendrick Lamar had an opportunity that very few artists ever receive. For his third album, he could have continued to make tracks like the wavy “Bitch Don’t Kill My Vibe”, the hook-laden “Fuckin’ Problem", or the festival-banging “m.A.A.d city”, and still had a top-selling album.
When Drake released his newest mixtape, If You're Reading This It's Too Late, a few days ago, it took the internet by storm. Falling in line with Jay Z, Kanye and Beyoncé before him, he dropped it almost completely out of the blue, with no real warning.
In many ways, the early 2000s belonged to Ludacris. Within that time, the rapper was able to cross multiple platforms, making palatable music for varying tastes tinged with his trademark Dirty South sound. He would drop cheeky hit after cheeky hit, with a self serious flow delivered through a cheshire grin - and we all loved him for it.
It’s tough to get 100 percent behind the Wu-Tang Clan these days. No one can deny their influence and run of classic records in the 90s, but drama, stylistic confusion, and album delays have plagued the crew for the past half-decade.
Game doesn't quite get the respect he deserves. Sometimes things like his habitual name dropping and controversy divert attention from the fact that he has been one of the most consistent rappers over the last decade.
2014 may be remembered as one of the weakest years for rap in recent memory, but there were, however, some definite highlights, especially when it came to newcomers. Bobby Shmurda had one of last year’s biggest rap records, DeJ Loaf had one of last year’s most remixed rap records and Young Thug was one of last year’s most talked about rap artists (even if for all of the wrong reasons).
Every rapper that can be considered in the G.O.A.T. debate eventually hits a wall. This drop-off point comes for everyone and leads their stans to add qualifiers to their respective "best all time" arguments, "Of course, I'm talking about Jay-Z from Reasonable Doubt to Black Album, Eminem pre-Encore, etc."
Ludacris is a veteran in the game. Lyrics, beats, hit songs, a unique style; over his 10-plus year career he has obviously shown why he has been one of the most respected and successful stars in hip hop.
In line with the recent (and awesome) trend of surprise albums, Tyler, the Creator announced Cherry Bomb just a few days prior to its April 13th digital release. The album’s single, “Fucking Young,” along with its attached snippet of the record's opening track, “Deathcamp,” showed a Tyler who is wearing his N.E.R.D.
Releasing two full length albums in one year is a rare feat most rappers will never accomplish, but in a sense, it's really nothing new for Rick Ross, who yesterday released Hood Billionaire, his second solo album of the year. The rapper has been dropping albums, along with mixtapes that have been considered to be as good as albums, within months of each other for years now.
Fabolous has always done a solid job at blending in with his environment. Whether he’s cutting with DJ Clue and The Neptunes in 2001 or jiving with Rich Homie Quan in 2015, he’s done a phenomenal job at adapting to change and staying relevant, something that is easier said than done.
Sir Robert Bryson Hall II even sounds like future royalty. Professionally known as Logic, the massively talented Maryland MC has that potential. He’s also an interesting meta case study of multiple perspectives. Surface level, his racial background paints a ready-made perception, fair or not.
"Playing with your parts hopping in and out the friendzone..." Father really ain’t shit, y'all. He went on tour, dropped this chill ass 12-track album appropriately titled Who's Gonna Get Fucked First? on the interwebs last week, and did not run any of this by me...'cause we were totes besties back in two years from now.
Lupe Fiasco has been in a battle with Atlantic records for what seems to be forever. We all know about his discontent with Lasers and on his mixtape Friend of the People he made it clear that he wanted off the label. He did not get his wish before this album dropped, and that almost prevented us from hearing this album entirely.
The first Luca Brasi Story, released last February, put Kevin Gates on the map. Soon after, he quietly inked a partnership with Atlantic and a management deal with Young Money. He put out another excellent mixtape, Stranger Than Fiction, months later, and he’s had a similar 2014 in terms of output: two mixtapes, both excellent.
Fifteen years of Shady Records represents an unusual time for rap music, transitioning out of the shiny suit era and into a bubble featuring new names. Aside from D12 and Obie Trice releases, the label’s existence was mostly tied to Eminem signing a certain Queens MC.
Last year in March, Kid Ink reached a big milestone for a new artist: his single “Show Me” featuring Chris Brown went double Platinum.
Critics are always fighting conflicting urges. On the one hand, there's the need to be objective and evaluate each work on its own merits. On the other, there's the desire to fit each new release from an artist into an over-arcing career narrative. The trick is to find a balance between the two.
Joey Bada$$ is a young Brooklyn emcee who was influenced by those who came before him from his region, the same way most young rappers from any region show clear influence from those who came before them in their region.
Review: Earl Sweatshirt's "I Don't Like Shit, I Don't Go Outside" Mar 29, 2015 at 03:42pm 20,110 Views
Earl Sweatshirt’s I Don’t Like Shit, I Don’t Get Outside is a short and moody album. It also happens to be a very focused, quality listen, and possibly the best output we’ve received from the California native. Through bummed-out stoned raps and shoegazing beats, Earl proves to be one of the most talented, albeit depressed, rappers in the game.
Review: Kid Cudi's "Satellite Flight: The Journey To Mother Moon" Feb 27, 2014 at 05:55pm 49,695 Views
Although none of his albums have really been critical hits, Kid Cudi’s main appeal is using outside, atypical influences and sounds to articulate some sort of emotional journey into the tortured soul.
Ladies and gentlemen, Joe Budden is back in Mood Muzik form. Early last year Joe released No Love Lost, which packaged club and radio songs along with some more personal tracks. That album left many of his longtime fans wanting more of the intimate feel they get from his darker projects. Almost two years later and Joey is back to documenting his turmoil in a way that only he can.
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