Reviews
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Reviews Nas’s enduring lyrical skill shines over DJ Premier’s production in a way that serves as a fitting conclusion to the Legend Has It series.
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Aron A. -
Reviews Lil Wayne is trying to keep up when both the industry and the genre are moving on without him—and the result is a confusing album caught between eras, audiences, and expectations.
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Aron A. -
Reviews Young Thug’s “UY Scuti” is messy and uneven yet vulnerable, offering flashes of his pre-incarceration brilliance without reclaiming the superstar stature that once placed him at rap’s upper echelon.
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Aron A. -
Reviews Ideally, a final statement should leave fans eager for a return, a body of work that commands reflection and conversation. Here, Cole offers a snapshot of craftsmanship at a high point, a reckoning with his own mythos, and a testament to the fact that even the most dependable voices in rap can surprise, falter, and reflect at once.
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Aron A. -
Reviews "Let God Sort Em Out" is a powerful Clipse comeback blending coke rap, spiritual growth, and grief, showcasing matured lyricism and Pharrell’s visionary production.
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Aron A. -
Reviews JID loses a bit of his straightforward sharpness on here, but "God Does Like Ugly" balances his ambitions more brashly than ever before.
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Gabriel Bras Nevares -
Reviews In "Star Line," Chance The Rapper charts the difficult terrain of love, justice, and selfhood, crafting an album as restless and resolute as he is.
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Aron A. -
Reviews "Infinite" is a proper send-off for Mobb Deep. Eight years after Prodigy’s death, Havoc recreates their familiar universe, honoring posthumous verses while showcasing his own evolution alongside The Alchemist.
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Aron A. -
Reviews Even though Tyler, The Creator is running it back rather than pushing it forward, "DON'T TAP THE GLASS" is nonetheless immediate and joyous.
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Gabriel Bras Nevares -
Reviews With first-hand testimony, archival footage, and juror insight, "Sean Combs: The Reckoning" explores the consistent architecture of power that has shaped the narrative of Diddy's public and private life.
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Aron A. -
Reviews Ultimately, for an artist who has found himself in an odd place of his career these past few years that have seen him flirting with the idea of leaving hip-hop entirely, "Alfredo 2" is proof that Gibbs is far from reaching a glass ceiling in his career.
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Aron A. -
Reviews Gunna’s "The Last Wun" captures his shift from survival to self-preservation as he prepares for a new chapter in his career.
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Aron A. -
Reviews "WHAT HAPPENED TO THE STREETS?" is a fitting installment in 21 Savage’s catalog, both a reckoning with the world he came from and the one he is carving out for himself.
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Aron A. -
Reviews "Stans," the new MTV-produced Eminem documentary, is a disappointing rehashing of one of entertainment’s most well-worn success stories.
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Devin Morton -
Reviews Don’t Be Dumb doesn’t redefine A$AP Rocky, which is what many artists attempt after a decade-long hiatus. Instead, it finds him comfortable within his wheelhouse, reaffirming his ear for production, his eye for talent, and a sense of taste that resists easy categorization.
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Aron A. -
Reviews With appearances from Kendrick Lamar, Future, and Travis Scott, "MUSIC" reaffirms Playboi Carti as both a pioneer and provocateur in hip-hop.
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Aron A. -
Reviews With his four-track "Birthday Blizzard ’26," J. Cole brings back a format rap has been missing, and losing the top spot has only fueled his fire.
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Aron A. -
Reviews A glossy label showcase that feels more like a Travis Scott mixtape, where branding outpaces cohesion and vibes eclipse vision.
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Aron A. -
Reviews "Kiari" finds Offset asserting his personal and artistic identity through standout street bangers and poignant introspection, even as familiar tropes and uneven moments hold the project back.
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Aron A. -
Reviews Baby Keem’s sophomore album peels back layers of personal trauma and family history, while finding cohesion and pop potential across a stylistically varied but emotionally focused project.
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Aron A.
