Kanye West & Ty Dolla Sign's "GOOD (DON'T DIE)" Back On Spotify After Sample Issues

BYGabriel Bras Nevares4.8K Views
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Surface Magazine's DesignDialogues No. 6 With Hans Ulrich Obrist, Kanye West And Jacques Herzog
MIAMI, FL - DECEMBER 05: Kanye West speaks at Surface Magazine's DesignDialogues No. 6 With Hans Ulrich Obrist, Kanye West And Jacques Herzog at Moore Building on December 5, 2013 in Miami, Florida. (Photo by Frazer Harrison/Getty Images for Surface Magazine)

The Donna Summer-sampling cut was removed due to clearance issues, and the odd cover art on it now suggests it's still struggling.

Kanye West and Ty Dolla $ign's collaborative album Vultures has gone through a lot of hoops and obstacles to finally land on streaming services. Moreover, one of the biggest issues that the Yeezy-donning duo faced was that of sample clearances, and one of these cases relates to a legendary track. For those unaware, they used Donna Summer's classic "I Feel Love" on their song "GOOD (DON'T DIE)," which the legendary artist's estate claimed they didn't clear properly. As such, the track disappeared off Spotify, but on Saturday (February 24), fans noticed that it's back on the tracklist, although they still have a lot of questions.

For one, when you actually click on "GOOD (DON'T DIE)" on Vultures 1's tracklist, the cover art that appears in your Spotify player will appear with an odd, amateurish, digitally illustrated cover -– at least, as of writing this article. It's unclear if this is just a glitch, an intentional choice, or a mistake to be rectified soon, but either way, it points to this song's return as incomplete, or at least contested. Kanye West and Ty Dolla Sign are currently in Europe for some listening events, so we don't know how on top of all this they are. Considering how fickle these changes and developments may be... enjoy "GOOD (DON'T DIE)" while you can, Spotify users. It might disappear as soon as you read this.

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Kanye West & Ty Dolla Sign Bring Donna Summer Track Back To Spotify's Vultures 1

Furthermore, another big issue with Vultures' release was its distribution. Kanye West and Ty Dolla Sign were able to release it independently via Yeezy and with the help of a generous online distributor. They ended up making massive profits as a result, and fans lauded this as a massive success. Still, when looking at the antisemitic and far-right-tied reasons for this difficulty in securing a distributor, it did make fans lament this conflictive situation.

Regardless, fans are still bumping Vultures heavily, especially since we don't really know what could happen with the album next. Yeat's 2093 is expected to overtake its top spot on the Billboard charts this week, but all fans want is a consistent way to listen to the album. Let's see what the future holds for this evolving and always scrutinized LP. For more news and the latest updates on Kanye West and Ty Dolla Sign, stay logged into HNHH.

Read More: Kanye West Ran Up On By Fan During “Vultures” Listening Party, Ty Dolla Sign Springs Into Action

About The Author
Gabriel Bras Nevares is a music and pop culture news writer for HotNewHipHop. He started in 2022 as a weekend writer and, since joining the team full-time, has developed a strong knowledge in hip-hop news and releases. Whether it’s regular coverage or occasional interviews and album reviews, he continues to search for the most relevant news for his audience and find the best new releases in the genre. What excites him the most is finding pop culture stories of interest, as well as a deeper passion for the art form of hip-hop and its contemporary output. Specifically, Gabriel enjoys the fringes of rap music: the experimental, boundary-pushing, and raw alternatives to the mainstream sound. As a proud native of San Juan, Puerto Rico, he also stays up-to-date with the archipelago’s local scene and its biggest musical exponents in reggaetón, salsa, indie, and beyond. Before working at HotNewHipHop, Gabriel produced multiple short documentaries, artist interviews, venue spotlights, and audio podcasts on a variety of genres and musical figures. Hardcore punk and Go-go music defined much of his coverage during his time at the George Washington University in D.C. His favorite hip-hop artists working today are Tyler, The Creator, Boldy James, JPEGMAFIA, and Earl Sweatshirt.