TDE's Punch Questions Elliott Wilson's Edit Of Kendrick Lamar's "Meet The Grahams"

BYGabriel Bras Nevares3.7K Views
Link Copied to Clipboard!
The One And Only, Dick Gregory, Album Release Event
BURBANK, CALIFORNIA - SEPTEMBER 16: Punch (Terrence Louis Henderson Jr.) attends The One And Only, Dick Gregory, Album Release Event on September 16, 2021 in Burbank, California. (Photo by Ella Hovsepian/Getty Images)

Elliott Wilson removed the verse on "Meet The Grahams" that claimed Drake has a secret daughter, which Punch thought was oddly selective.

Kendrick Lamar has removed copyright from almost every other person, page, account, content channel, or reactor posting his recent Drake diss tracks online... except for one. Moreover, Elliott Wilson had taken to Twitter with an edited version of his haunting song "Meet The Grahams" without the verse claiming that Drizzy has a secret daughter. Then, he expressed surprise when he realized that the copyright owner disabled the media on Twitter, for which people have many theories. TDE's president Punch had some words on the matter, and his statement on the edit is fueling other ideas as to why K.Dot would've wanted to take that down.

"Why would you request for it to be edited anyway? Did you ask for edits on anything else?" Punch asked Elliott Wilson, who invited him for a conversation in the replies on Twitter. Moreover, this lends credence to the speculative idea that Kendrick Lamar wants to keep the original version of the song intact because, even though his allegations are unverified, so are many of Drake's and ones on other of his own tracks. As such, Punch seems to be pointing at an apparent double standard in this beef that Wilson probably did not intend in the first place.

Read More: Elliott Wilson Discusses Drake’s “The Heart Part 6” With DJ Akademiks: “I’m Disappointed”

Punch Reacts To Elliott Wilson's Kendrick Lamar Edit

Regardless, the damage is there, and Kendrick Lamar and Drake seem no closer to providing proof on one another or burying the hatchet at any point in the future. Perhaps the battle isn't over yet despite what most folks are saying online, so we'll see if this changes at any point. Of course, there are people like Freddie Gibbs who rightfully concluded that the only real winners in this beef were the record labels. Maybe this scuffle over an edit also speaks to how hip-hop media was able to shift and mold this battle in their image for their own gain or benefit, but we're all complicit in that as fans.

Meanwhile, we can't help but wonder how this whole situation will age. Will we ever remember this edited version of "Meet The Grahams," and will "Not Like Us" keep its commercial staying power? No matter the case, this is going down in the history books one way or another. Kendrick Lamar and Drake went too hard, too quick, too low, and too impressively to not consider this one of the most memorable hip-hop moments of the past decade or so.

Read More: TDE’s Punch Clowns Mal For Fiercely Defending Drake Amid Kendrick Lamar Beef

About The Author
Gabriel Bras Nevares is a music and pop culture news writer for HotNewHipHop. He started in 2022 as a weekend writer and, since joining the team full-time, has developed a strong knowledge in hip-hop news and releases. Whether it’s regular coverage or occasional interviews and album reviews, he continues to search for the most relevant news for his audience and find the best new releases in the genre. What excites him the most is finding pop culture stories of interest, as well as a deeper passion for the art form of hip-hop and its contemporary output. Specifically, Gabriel enjoys the fringes of rap music: the experimental, boundary-pushing, and raw alternatives to the mainstream sound. As a proud native of San Juan, Puerto Rico, he also stays up-to-date with the archipelago’s local scene and its biggest musical exponents in reggaetón, salsa, indie, and beyond. Before working at HotNewHipHop, Gabriel produced multiple short documentaries, artist interviews, venue spotlights, and audio podcasts on a variety of genres and musical figures. Hardcore punk and Go-go music defined much of his coverage during his time at the George Washington University in D.C. His favorite hip-hop artists working today are Tyler, The Creator, Boldy James, JPEGMAFIA, and Earl Sweatshirt.