Jay-Z Wants The Next Generation Of Rap To Take More Creative Risks

BY Erika Marie
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Jun 1, 2017; Oakland, CA, USA; Recording artist Jay-Z during the first quarter in game one of the 2017 NBA Finals between the
Jun 1, 2017; Oakland, CA, USA; Recording artist Jay-Z during the first quarter in game one of the 2017 NBA Finals between the Golden State Warriors and the Cleveland Cavaliers at Oracle Arena. Mandatory Credit: Kyle Terada-Imagn Images USA TODAY Network via Reuters Connect
Hip Hop has always evolved through experimentation, and Jay-Z wants the next generation to keep pushing beyond familiar sounds.

Complaints that Rap has started sounding too much alike have followed the genre for years. Whether the blame lands on algorithms, labels chasing the same hit, or artists borrowing whatever sound is working at the moment, finding something genuinely unexpected can feel harder than it should. Jay-Z wants the next generation to resist that instinct entirely.

While walking the red carpet for the premiere of his HBO series JAŸ-Z in 8, he was asked what he hopes to hear from Hip Hop moving forward. His answer was experimentation. Jay pointed back to the culture’s beginnings, when different voices and regions developed sounds that belonged to them. Hip Hop did not grow because everyone agreed on one way to make it. New York sounded different from Los Angeles. Southern cities eventually built movements of their own, often after fighting for respect from an industry that did not immediately understand what they were doing.

For Mr. Carter, that willingness to sound different is something artists should protect. He encouraged people to develop their own voices rather than follow what is already popular and to keep testing what Rap can become.

The comments came during a particularly reflective period for him. JAŸ-Z in 8, directed by Rick Rubin, looks back on his music and creative process across three decades. The HBO series premieres Sept. 18 after a summer that also included anniversary concerts celebrating Reasonable Doubt and The Blueprint.

Read More: JAŸ-Z Brings Out All The Stars At Premiere For "JAŸ-Z In 8"

Hip Hop Has Always Made Room For Ideas People Hated At First

There is some irony in asking Rap to experiment at a moment when experimentation can bring its own backlash. Fans say they want something new until “new” stretches too far outside what they believe belongs in Hip Hop. Artificial intelligence has made that argument especially messy.

Fenix Flexin spent much of the summer at the center of it after “Rubberz” sounded almost nothing like the music listeners knew him for. The synth-heavy record became a hit while questions mounted about whether AI played a role in creating it. Fenix eventually acknowledged that AI technology had been used, while maintaining that it was not responsible for the recording of his vocals. His response was essentially that new technology is another tool artists can choose to use.

Jay did not mention AI in his red-carpet remarks, and his comments should not be read as an endorsement. However, the debate surrounding records like “Rubberz” shows the uncomfortable side of what he is asking for. Actual experimentation does not always arrive in a form audiences immediately approve of. Moreover, Hip Hop has a long history of sounds being mocked before they became movements. Regional accents that were once dismissed eventually changed the center of Rap. Production styles that sounded strange to one generation became the foundation for another. Sometimes the experiment works. Sometimes it absolutely does not.

Read More: Tyga Accused Of Using AI On New Album "$TARFACE"

The alternative is safer, but it is also part of the frustration listeners have been voicing for years. If everyone studies the same streaming trends and reaches for the same production choices, originality becomes something fans have to dig for rather than expect.

Jay’s argument is less about prescribing what the next sound should be than making sure there is room for somebody to find it. At 30 years into his own career, he seems more interested in hearing artists risk sounding wrong than hearing another version of something the culture has already accepted.

About The Author
Since 2019, Erika Marie has worked as a journalist for HotNewHipHop, covering music, film, television, art, fashion, politics, and all things regarding entertainment. With 20 years in the industry under her belt, Erika Marie moved from a writer on the graveyard shift at HNHH to becoming the Co-Head of Original Content. She has had the pleasure of sitting down with artists and personalities like DJ Jazzy Jeff, Salt ’N Pepa, Nick Cannon, Rah Digga, Rakim, Rapsody, Ari Lennox, Jacquees, Roxanne Shante, Yo-Yo, Sean Paul, Raven Symoné, Queen Naija, Ryan Destiny, DreamDoll, DaniLeigh, Sean Kingston, Reginae Carter, Jason Lee, Kamaiyah, Rome Flynn, Zonnique, Fantasia, and Just Blaze—just to name a few. In addition to one-on-one chats with influential public figures, Erika Marie also covers content connected to the culture. She’s attended and covered the BET Awards as well as private listening parties, the Rolling Loud festival, and other events that emphasize established and rising talents. Detroit-born and Long Beach (CA)-raised, Erika Marie has eclectic music taste that often helps direct the interests she focuses on here at HNHH. She finds it necessary to report on cultural conversations with respect and honor those on the mic and the hardworking teams that help get them there. Moreover, as an advocate for women, Erika Marie pays particular attention to the impact of femcees. She sits down with rising rappers for HNHH—like Big Jade, Kali, Rubi Rose, Armani Caesar, and Amy Luciani—to gain their perspectives on a fast-paced industry.

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