Reviews
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Reviews With first-hand testimony, archival footage, and juror insight, "Sean Combs: The Reckoning" explores the consistent architecture of power that has shaped the narrative of Diddy's public and private life.
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Aron A. -
Reviews "Highly Intoxicated" is a testament to Juicy J's consistent ability to adapt and stay relevant.
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Karlton Jahmal -
Reviews Though there are a few more cringeworthy lyrics and a bit less cohesion than usual for Drake, "VIEWS" is still an album that only he could make.
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Patrick Lyons -
Reviews Nas’s enduring lyrical skill shines over DJ Premier’s production in a way that serves as a fitting conclusion to the Legend Has It series.
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Aron A. -
Reviews Don’t Be Dumb doesn’t redefine A$AP Rocky, which is what many artists attempt after a decade-long hiatus. Instead, it finds him comfortable within his wheelhouse, reaffirming his ear for production, his eye for talent, and a sense of taste that resists easy categorization.
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Aron A. -
Reviews On "Gemini," Macklemore avoids political commentary and embraces the pop idiom like never before, with mixed results.
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Danny Schwartz -
Reviews "Stoney" is the world-weary, long-awaited debut album from the guy who brought us "White Iverson." Is he still balling hard, or does he stumble on his rush to score big?
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Maxwell Cavaseno -
Reviews DJ Drama's fourth album expands upon his Gangsta Grillz groundwork to create what is most certainly Quality Street Music.
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Jon Godfrey -
Reviews "Stans," the new MTV-produced Eminem documentary, is a disappointing rehashing of one of entertainment’s most well-worn success stories.
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Devin Morton -
Reviews "I'm back motherf*cker!"
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Caroline Fisher -
Reviews Nearly a quarter of a century into his career, Pusha T drops off his best solo effort to date.
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Narsimha Chintaluri -
Reviews "PARTYNEXTDOOR TWO" proves to be a continuation of the first installment for PARTYNEXTDOOR, as he displays more quality production and an endless amount of all-consuming lust.
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Kahron Spearman
