Reviews
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Reviews The most slept-on gives us product that's stepped on.
By
Maxwell Cavaseno -
Reviews Future's soundtrack for Director X's "Superfly" remake is a solid compilation that's a fitting tribute in spirit more than in sound.
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Patrick Lyons -
Reviews It's nice to have Nas back in the fold, but "Nasir" ultimately falls short of lofty expectations.
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Mitch Findlay -
Reviews Wu-Tang Clan released "A Better Tomorrow," the proper follow-up to 2007's "8 Diagrams." While new Wu-Tang material is definitely a cause for celebration, the album may fall short of expectations.
By
Chris Tart -
Reviews On the dark and moody, Metro Boomin’ assisted, Monster, Future displays himself first as an artist with a tremendous ear for production, and as a “loose cannon,” fraught with troubling paranoia.
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Kahron Spearman -
Reviews Thug keeps things exciting and enjoyable on the brief "I'm Up," but it's not as satisfying as his other projects.
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Patrick Lyons -
Reviews Dave East brings a dose of nostalgia along with his new mixtape, "Karma."
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Karlton Jahmal -
Reviews Kanan takes the lead.
By
Karlton Jahmal -
Reviews On his official debut, "Fireplace: TheNotTheOtherSide," Hodgy shows remarkable maturity while being more sonically creative than ever.
By
Richard Bryan -
Reviews Royce Da 5'9's self-produced "The Allegory" finds the Detroit rapper waxing philosophical, his confidence at an all-time high.
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Mitch Findlay -
Reviews One year removed from incarceration, the Trap God is back near the top of his game.
By
Harrison Tenpas -
Reviews Curren$y's new album proves what we already know about Spitta: he can make some dope music.
By
Rose Lilah