J. Cole Reveals Surprising Details About Lil Durk In Bail Letter

BY Erika Marie
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July 28, 2016; Chicago, IL, USA;  Recording artist J. Cole (Jermaine Lamarr Cole) performs live during Lollapalooza Music
July 28, 2016; Chicago, IL, USA; Recording artist J. Cole (Jermaine Lamarr Cole) performs live during Lollapalooza Music Festival at Grant Park. Mandatory Credit: Daniel DeSlover/ZUMA Wire via USA TODAY NETWORK USA TODAY Network via Reuters Connect
In a letter supporting Lil Durk's bail request, J. Cole recalls why he initially turned down their Grammy-winning collaboration.

Getting J. Cole on "All My Life" took a little more convincing than fans might expect. He liked the record Lil Durk sent him, but thought its uplifting message was too predictable for the kind of music people already associated with him. Durk refused to change course, and Cole now believes that decision says something important about his collaborator's character. He's sharing the story in a personal letter to the federal judge considering Durk's release from custody.

The letter, submitted as part of Durk's latest bail request on Tuesday (Oct. 27), offers a rare look at how Cole viewed their working relationship. He describes himself as Hip Hop's "middle child," someone who grew up admiring the genre's legends before earning the respect of younger artists. Durk belonged to that next generation, and although the two had connected over the years, Cole said their friendship grew considerably as they made music together.

Cole recalled being impressed by Durk's respectful demeanor and how he would randomly check on his well-being. However, their biggest collaboration nearly went a different way. When Durk approached him about "All My Life," Cole initially asked for another record, explaining that artists frequently sent him socially conscious material because of his reputation. "Bro, please send me another option! This song is great! But it's too positive, it's too obvious for me!" Cole remembered telling him.

Read More: Lil Durk's Bail Request Gets Support From Jay-Z, J. Cole, & Michael Rubin

He wanted something more street-oriented that would challenge him creatively. Instead, Durk explained that he was deliberately promoting a different message, especially to children who might identify with his experiences. "He wanted to push a message of change and of peace and of growth and maturity," Cole stated.

That conversation persuaded Cole to reconsider. After taking a couple of months to complete his verse, he joined Durk on the record. It eventually earned them the 2024 Grammy for Best Melodic Rap Performance.

J. Cole Recalls Meeting Young Lil Durk Fans Behind Bars

Cole's also recalled touring earlier this year and visiting a juvenile detention center in Cleveland, where he spoke with teenagers facing serious criminal charges. He was struck by how frequently Durk's name came up during those conversations. "It is no exaggeration when I tell you that the most asked about person from nearly every one of those kids that day was Lil Durk," he wrote.

Several of the teenagers also identified "All My Life" as their favorite song. For Cole, the encounter showed the audience Durk had hoped to reach when he insisted on recording something positive, even against the advice of an artist he respected. Cole submitted this account while touring Europe, hoping to provide Judge Michael Fitzgerald with insight into someone he had come to know personally.

The appeal follows Durk's Sept. 11 acquittal on all five charges in his federal murder-for-hire trial. The rapper remains incarcerated on separate racketeering-related charges, with his second trial scheduled for Aug. 30, 2027. His next bond hearing is set for Nov. 4, when Fitzgerald will consider his latest request for pretrial release.

Read More: Lil Durk & J. Cole's "All My Life" Debuts At No. 2 On The Billboard Hot 100

About The Author
Since 2019, Erika Marie has worked as a journalist for HotNewHipHop, covering music, film, television, art, fashion, politics, and all things regarding entertainment. With 20 years in the industry under her belt, Erika Marie moved from a writer on the graveyard shift at HNHH to becoming the Co-Head of Original Content. She has had the pleasure of sitting down with artists and personalities like DJ Jazzy Jeff, Salt ’N Pepa, Nick Cannon, Rah Digga, Rakim, Rapsody, Ari Lennox, Jacquees, Roxanne Shante, Yo-Yo, Sean Paul, Raven Symoné, Queen Naija, Ryan Destiny, DreamDoll, DaniLeigh, Sean Kingston, Reginae Carter, Jason Lee, Kamaiyah, Rome Flynn, Zonnique, Fantasia, and Just Blaze—just to name a few. In addition to one-on-one chats with influential public figures, Erika Marie also covers content connected to the culture. She’s attended and covered the BET Awards as well as private listening parties, the Rolling Loud festival, and other events that emphasize established and rising talents. Detroit-born and Long Beach (CA)-raised, Erika Marie has eclectic music taste that often helps direct the interests she focuses on here at HNHH. She finds it necessary to report on cultural conversations with respect and honor those on the mic and the hardworking teams that help get them there. Moreover, as an advocate for women, Erika Marie pays particular attention to the impact of femcees. She sits down with rising rappers for HNHH—like Big Jade, Kali, Rubi Rose, Armani Caesar, and Amy Luciani—to gain their perspectives on a fast-paced industry.

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