Pusha T Says Clipse’s Grammy Win Came With Plenty Of Politics

BY Erika Marie
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Jun 19, 2022; Washington, DC, USA; Pusha T performs at the Sun Stage during the Something in the Water music festival in
Jun 19, 2022; Washington, DC, USA; Pusha T performs at the Sun Stage during the Something in the Water music festival in Washington, DC on June 19, 2022. Mandatory Credit: Jarrad Henderson-USA TODAY USA TODAY Network via Reuters Connect
Pusha T reflects on Clipse’s Grammy campaign after losing major categories to Kendrick Lamar and taking home one win.

Winning Clipse’s first Grammy apparently required more than making one of the most acclaimed Rap albums of their career. Pusha T says he and Malice spent awards season doing the kind of campaigning that rarely makes it into an acceptance speech, including showing up wherever the Recording Academy wanted them and, in his words, kissing “so much ass” along the way.

“You go everywhere, wherever the [Recording] Academy wants you to be at,” Pusha said during a Sept. 3 appearance on The Breakfast Club, according to Complex. “You have to campaign for the award.” He laughed about the process, but admitted that he wanted Clipse to sweep all five of their nominations. “We came home with one, man. Ain’t no biggie.”

That one trophy carried considerable weight. “Chains & Whips,” featuring Kendrick Lamar and Pharrell Williams, won Best Rap Performance at the 2026 Grammys, giving Clipse their first win more than two decades after their earliest Grammy recognition. Let God Sort Em Out was also nominated for Album of the Year and Best Rap Album, while “The Birds Don’t Sing” competed for Best Rap Song. “So Be It” earned a Best Music Video nomination. The Recording Academy had Clipse among the ceremony’s most anticipated Rap artists, including a performance with Pharrell during the telecast.

Read More: Kendrick Lamar Defeats Clipse For Best Rap Song At The Grammys

Politics Are A Part Of Grammy Culture

Pusha’s comments also pull back the curtain on how seriously the brothers approached an awards run that might have looked effortless from the outside. Their return with Let God Sort Em Out came nearly 16 years after Til the Casket Drops, and the project immediately put them back in major awards conversations rather than treating the reunion as nostalgia. Before nominations were even announced, Pusha had already said the album was strong enough that Clipse “need to take something home,” while Malice argued that they had already proven themselves artistically and were ready to take that work into the Grammy system.

The night ultimately belonged heavily to Kendrick, who won Best Rap Album for GNX and used his acceptance speech to salute Clipse as his “brothers.” Pusha, meanwhile, seems less interested in pretending the road to their own trophy was purely about voters hearing the record and making a decision.

About The Author
Since 2019, Erika Marie has worked as a journalist for HotNewHipHop, covering music, film, television, art, fashion, politics, and all things regarding entertainment. With 20 years in the industry under her belt, Erika Marie moved from a writer on the graveyard shift at HNHH to becoming the Co-Head of Original Content. She has had the pleasure of sitting down with artists and personalities like DJ Jazzy Jeff, Salt ’N Pepa, Nick Cannon, Rah Digga, Rakim, Rapsody, Ari Lennox, Jacquees, Roxanne Shante, Yo-Yo, Sean Paul, Raven Symoné, Queen Naija, Ryan Destiny, DreamDoll, DaniLeigh, Sean Kingston, Reginae Carter, Jason Lee, Kamaiyah, Rome Flynn, Zonnique, Fantasia, and Just Blaze—just to name a few. In addition to one-on-one chats with influential public figures, Erika Marie also covers content connected to the culture. She’s attended and covered the BET Awards as well as private listening parties, the Rolling Loud festival, and other events that emphasize established and rising talents. Detroit-born and Long Beach (CA)-raised, Erika Marie has eclectic music taste that often helps direct the interests she focuses on here at HNHH. She finds it necessary to report on cultural conversations with respect and honor those on the mic and the hardworking teams that help get them there. Moreover, as an advocate for women, Erika Marie pays particular attention to the impact of femcees. She sits down with rising rappers for HNHH—like Big Jade, Kali, Rubi Rose, Armani Caesar, and Amy Luciani—to gain their perspectives on a fast-paced industry.

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