Reviews
-
Reviews J. Cole releases his most personal and poignant album.
By
Glennisha Morgan -
Reviews On "10 Summers", DJ Mustard finds himself going down the same road, with very few detours. At least those short detours are interesting.
By
Kahron Spearman -
Reviews Rick Ross adds a dash of realism to his kingpin fantasy raps on "Black Market."
By
Patrick Lyons -
Reviews "My Dear Melancholy," bills itself as "House of Balloons Pt. 2" but is instead an investigation into whether The Weeknd has any business catching feelings.
By
Patrick Lyons -
Reviews "Does your Barack do coke to excuse his gay stuff?"
By
Molly Byrne -
Reviews KD III is the crowning glory of a new golden era for QB’s finest. It’s one that has left him feeling energized, yet ponderous about not only himself but culture & society at large.
By
Robert Blair -
Reviews There’s no “The Box” on Roddy Ricch’s sophomore effort “LIVE LIFE FAST,” and that’s okay.
By
Joshua Robinson -
Reviews Logic's sixth mixtape is lacking in several key areas, but overall he delivers a decently solid project that is well produced from start to finish.
By
Luke Hinz -
Reviews Earl no longer "puts the 'ass' in assassin," instead turning inward to create an avant-garde rap masterpiece.
By
Patrick Lyons -
Reviews Lil Uzi Vert embraces his pop-punk spirit on "Luv is Rage 2."
By
Alphonse Pierre -
Reviews The Marshall Mathers LP 2 is the sober Eminem’s strongest project to date, and though it’ll inevitably be compared to his previous works, it’s a radically different direction for the Detroit emcee. Eminem has definitely aged and matured, but the question remains: has his maturity caused him succumb to the mainstream instead of shaping it to suit his needs?
By
Dhruva Balram deleted -
Reviews Basically another Bang Pt. 2 ...
By
Matt Aceto