Reviews
-
Reviews Earl no longer "puts the 'ass' in assassin," instead turning inward to create an avant-garde rap masterpiece.
By
Patrick Lyons -
Reviews In the midst of ongoing label troubles with 1501 Certified Entertainment, Megan Thee Stallion bosses up, elevates, and triumphs in the face of adversity in her professional and personal lives on her new EP “SUGA.”
By
Aron A. -
Reviews On what's being touted as his final album, The Game proves why he truly was "Born 2 Rap" on a star-studded swan song.
By
Robert Blair -
Reviews Post Malone's new album "AUSTIN" abandons hip-hop for sugary sweet ballads that lack imagination.
By
Alexander Cole -
Reviews Lil Nas X's "MONTERO" was his baby, and he birthed a gem.
By
Alex Zidel -
Reviews Latto proves that luck has little to do with her success on her most versatile project to date, "777."
By
Aron A. -
Reviews In the past two years, Tee Grizzley’s shown us flashes of his potential. On "Scriptures," he showcases it at its fullest.
By
Aron A. -
Reviews Moral ambiguity for dummies.
By
Mitch Findlay -
Reviews A$AP Rocky's "Testing" has all the makings of a grower, set to reward those who value patience.
By
Mitch Findlay -
Reviews Father's surprise album "Who's Gonna Get Fucked First?," is worth a good listen or three, if you're tired of the same old, same old.
By
Wil Dee -
Reviews King Los definitely holds his own on "Zero Gravity II," offering up some dope rhymes that shows he's matured as an artist, but still has room to grow into an even better rapper.
By
Vanessa Oswald -
Reviews Slaughterhouse returns to the basics on "House Rules" mixtape.
By
Lloyd Jaffe