Reviews
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Reviews More than a decade after the release of R.A.P. Music, Atlanta firebrand rapper Killer Mike returns with his most personal album to date.
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Mike Fugere -
Reviews MGK brought the heat while Young Thug just kept us warm.
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Chantilly Post -
Reviews Yeat's oddball cloud rap isn't engaging enough to justify the 1-hour runtime, but is undeniably exhilarating in small doses on 'Afterlyfe."
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Caleb Hardy -
Reviews Ghostface Killah's latest album offers a few standout moments, but mostly fails to deliver a cohesive body of work.
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TeeJay Small -
Reviews "PARTYNEXTDOOR TWO" proves to be a continuation of the first installment for PARTYNEXTDOOR, as he displays more quality production and an endless amount of all-consuming lust.
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Kahron Spearman -
Reviews Dolph's new EP is the words "I don't give a fuck" manifested as music.
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Patrick Lyons -
TV Navigating the pitfalls of success and fame is a treacherous path for Paper Boi on the second episode of Atlanta.
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Dhruva Balram -
Reviews Brockhampton, now with more beat change-ups and multi-genre excursions! Not much else has changed though.
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Patrick Lyons -
Reviews King Los definitely holds his own on "Zero Gravity II," offering up some dope rhymes that shows he's matured as an artist, but still has room to grow into an even better rapper.
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Vanessa Oswald -
Reviews "Battered Bruised & Bloody" is a three-act display of Carnage's willingness and ability to work within multiple styles of hip hop and electronic music.
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Patrick Lyons -
Reviews J. Cole's "K.O.D." is a trip well worth taking.
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Mitch Findlay -
Reviews In a 2+ year run that found Drake exploring new sonic turf, he returns to his roots on "Scary Hours 3."
By
Aron A.