Reviews
-
Reviews On BANCO, Sir Michael Rocks is still finding his way to separate himself, both from the Cool Kids' sound, and to some degree, former versions of himself.
By
Kahron Spearman -
Reviews 2 Chainz is rap's ageless wonder on "Pretty Girls Like Trap Music."
By
Patrick Lyons -
Reviews After some of the most tumultuous years of his life, Freddie Gibbs reclaims his namesake.
By
Narsimha Chintaluri -
Reviews On "RECKLESS," Nav continues to retreat further into himself and his woes.
By
Narsimha Chintaluri -
Reviews Local talent illuminated Rolling Loud Bay Area.
By
Karlton Jahmal -
Reviews After the surprise success of his debut mixtape, Playboi Carti returns with another project. But this time, has Cash Carti bitten off more than he can chew?
By
Maxwell Cavaseno -
Reviews While the tracklist is bloated, Nicki Minaj effortlessly defends her throne on "Pink Friday 2."
By
Aron A. -
Reviews Raury shows great ambition, but he hasn't perfected the execution just yet.
By
Chris Tart -
Reviews Cozz's debut album "Cozz & Effect" proves the sky is the limit for the young-LA artist.
By
Mike Philson -
Reviews On "STN MTN," Glover enlists DJ Drama to create an ode to a long-gone version of Atlanta, using some of the forgotten nuances and motifs. "Kauai EP" represents a present, based on discovery and 'blunt' reflection. Using visions of a pleasant past and colorful present, Donald Glover and Childish Gambino have finally fused together.
By
Kahron Spearman -
Reviews Big Sean and Jhené Aiko both underperform on "TWENTY88."
By
Patrick Lyons -
Reviews A subtle brand of sorcery.
By
Mitch Findlay
