Interviews
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Interviews Logic tells the story of how "Alright", his new track with Big Sean came about.
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Trevor Smith -
Original Content A new season of HNHH's "On the Come Up" is here! Jackboy helps us kick it off, with an exclusive interview where he speaks on moving from Kodak Black's Sniper Gang to start his own imprint, 1804 Records, the Florida rap scene, building generational wealth for his family, and much more.
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Joshua Robinson -
Interviews Kanye West says he was taught to never bring home a white woman when he was younger.
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Angus Walker -
Original Content As the Rap Album Of The Year campaign continues, Pusha T shares his thoughts on Kendrick Lamar's "Mr. Morale & The Big Steppers," the Clipse reunion, and what classic album he'd compare "It's Almost Dry" to.
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Aron A. -
Interviews Logic talks about sharing personal stories in his music.
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Rose Lilah -
Interviews Juice WRLD's "Lucid Dream" producer Nick Mira breaks down the song's instrumental.
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Aron A. -
Original Content Money Man gives an in-depth interview where he talks about Atlanta, his healthy lifestyle, podcast preferences (including his Joe Rogan lyrical reference), new music, his take on his Cash Money deal, and much more.
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Rose Lilah -
Original Content Yella Beezy breaks down his Texas origins, his family life, new music with Gunna, Mulatto, and more, for our new episode of "On the Come Up."
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Aron A. -
Original Content Yelawolf opens up about why "Mile Zero" is among his most important projects, the next chapter of his career, and how TikTok has come to impact the way music is consumed.
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Mitch Findlay -
Music Lil Tecca joined HNHH for a discussion about his latest album, working with BNYX, learning to love going on tour, and so much more.
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Alexander Cole -
Original Content Nate Fox doesn't want to make you a beat, he wants to help you make "the best fucking song."
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Trevor Smith -
Original Content Havoc, one half-of Mobb Deep and a pioneer of dark production, opens up about his creativity, why he loves his time with G-Unit, and some of his favorite moments in the studio.
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Mitch Findlay