Pusha T Explains Why Clipse's New Album Tops Their Classic

BY Erika Marie
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Jun 19, 2022; Washington, DC, USA; Pusha T performs at the Sun Stage during the Something in the Water music festival in
Jun 19, 2022; Washington, DC, USA; Pusha T performs at the Sun Stage during the Something in the Water music festival in Washington, DC on June 19, 2022. Mandatory Credit: Jarrad Henderson-USA TODAY USA TODAY Network via Reuters Connect
Looking back on Clipse's earlier music, Pusha T admits the bitterness that fueled their 2006 classic isn't something he wants to revisit.

Nearly two decades separate Clipse's Hell Hath No Fury and Let God Sort Em Out, and Pusha T hears more than time in the distance between them. When asked to choose between the two albums, the Virginia rapper sided with the group's 2025 comeback over its celebrated 2006 release. His reasoning had less to do with production or lyricism than how much he and his brother Malice have changed.

During a Vogue conversation with longtime collaborator Pharrell Williams, Pusha described Let God Sort Em Out as "a tutorial on the maturation of a Rap group." He believes the record demonstrates how artists can grow older without abandoning the qualities that established their reputations. Pharrell agreed, joking that Pusha might have been involved in questionable activities during the Hell Hath No Fury era. The rapper readily acknowledged that he was operating from a much different place when they recorded the album.

"I can never make Hell Hath No Fury again," he admitted, explaining that the music came from bitterness and an intense desire to prove himself. Although that competitive energy helped produce one of Clipse's most acclaimed projects, Pusha said he hopes never to encounter circumstances that would bring him back to that mindset.

Read More: Clipse Are Already Working On New Music With Pharrell

Pusha T Reflects On Clipse's Growth Since Hell Hath No Fury

Released in July 2025, Let God Sort Em Out reunited the Thornton brothers for their first Clipse album in nearly 16 years. The Pharrell-produced project retained their signature street narratives while introducing more personal reflections on faith, family, and loss. Songs like "The Birds Don't Sing," which addresses the deaths of their parents, illustrate the difference. The brothers have never been strangers to vivid storytelling, but their latest album makes room for experiences that weren't central to their earlier work.

During a previous GQ interview, Malice discussed how his spiritual growth and time away from the group influenced their reunion. Pusha also acknowledged that making music alongside his brother offered something different from the competitive environment surrounding his solo career.

Still, maturity hasn't softened every edge of their music. During the Vogue conversation, Pusha and Pharrell maintained that Clipse continues to make what they consider "fight or flight music," with urgency remaining an essential part of their sound. That approach helps explain why Pusha favors Let God Sort Em Out. He isn't interested in recreating the circumstances that produced Hell Hath No Fury, even if the music remains celebrated. The challenge was bringing that same intensity to a record made by two men whose lives were considerably different from theirs in 2006.

About The Author
Since 2019, Erika Marie has worked as a journalist for HotNewHipHop, covering music, film, television, art, fashion, politics, and all things regarding entertainment. With 20 years in the industry under her belt, Erika Marie moved from a writer on the graveyard shift at HNHH to becoming the Co-Head of Original Content. She has had the pleasure of sitting down with artists and personalities like DJ Jazzy Jeff, Salt ’N Pepa, Nick Cannon, Rah Digga, Rakim, Rapsody, Ari Lennox, Jacquees, Roxanne Shante, Yo-Yo, Sean Paul, Raven Symoné, Queen Naija, Ryan Destiny, DreamDoll, DaniLeigh, Sean Kingston, Reginae Carter, Jason Lee, Kamaiyah, Rome Flynn, Zonnique, Fantasia, and Just Blaze—just to name a few. In addition to one-on-one chats with influential public figures, Erika Marie also covers content connected to the culture. She’s attended and covered the BET Awards as well as private listening parties, the Rolling Loud festival, and other events that emphasize established and rising talents. Detroit-born and Long Beach (CA)-raised, Erika Marie has eclectic music taste that often helps direct the interests she focuses on here at HNHH. She finds it necessary to report on cultural conversations with respect and honor those on the mic and the hardworking teams that help get them there. Moreover, as an advocate for women, Erika Marie pays particular attention to the impact of femcees. She sits down with rising rappers for HNHH—like Big Jade, Kali, Rubi Rose, Armani Caesar, and Amy Luciani—to gain their perspectives on a fast-paced industry.

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