The Game Loses Another Appeal In Priscilla Rainey’s $7.13M Collection Fight

BY Erika Marie
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2016 Coachella Valley Music And Arts Festival - Weekend 2 - Day 2
INDIO, CA - APRIL 23: Recording artist The Game performs onstage with Ice Cube during day 2 of the 2016 Coachella Valley Music & Arts Festival Weekend 2 at the Empire Polo Club on April 23, 2016 in Indio, California. (Photo by Kevin Winter/Getty Images for Coachella)
The Game’s latest court challenge failed as Priscilla Rainey continues pursuing the money she is owed.

Another attempt to disrupt Priscilla Rainey’s years-long collection effort has failed in California court. An appellate panel rejected The Game’s challenge to a judgment entered against him in a separate enforcement lawsuit, leaving intact orders Rainey has used to pursue assets connected to the $7.13 million sexual battery verdict she won nearly a decade ago.

The August 26 decision grew out of a 2021 lawsuit Rainey filed while trying to collect what she was still owed. According to AllHipHop, The Game, whose legal name is Jayceon Taylor, argued that a default judgment in that case should be thrown out because of problems with the way notice was mailed and published after attempts to serve him personally failed. California’s Second District Court of Appeal disagreed, finding the summons substantially complied with state requirements. He was also ordered to cover Rainey’s costs from the appeal.

Read More: The Game Says Earlier Versions Of “No Brakes” Weren't “Too Kind”

That leaves Rainey’s collection campaign moving forward at a moment when Taylor has returned with new music. The Documentary III arrived August 21, more than six years after a federal court gave Rainey control over L.A. Prolific Records and directed certain payments connected to Taylor and Born 2 Rap toward satisfying the judgment. AllHipHop reports that existing collection orders could potentially reach Taylor’s share of income generated by the new album, although the latest appellate decision does not specifically award The Documentary III or its royalties to Rainey.

The debt traces back to Rainey’s 2015 lawsuit over an incident that occurred while she was appearing on VH1’s She’s Got Game. A federal jury found Taylor liable for sexually battering her during filming that year and, in November 2016, awarded her $1.13 million in compensatory damages and $6 million in punitive damages. Taylor denied the allegations and later challenged the verdict, but the Seventh Circuit upheld it in 2019. That court was sharply critical of how he handled the litigation, noting that he skipped the trial after having previously evaded service and missed a settlement conference.

Winning the verdict proved considerably easier than collecting it. Rainey has spent years pursuing Taylor’s music income and other property while alleging that assets were moved beyond her reach. Her efforts eventually extended to L.A. Prolific and Born 2 Rap royalties, with court orders instructing third parties to send qualifying money directly to her until the judgment is satisfied. By early 2025, AllHipHop reported that more than $500,000 had been redirected toward Taylor's debt.

With The Documentary III now commercially available, the question shifts back to enforcement. Whether specific revenue from the album is ultimately redirected will depend on how that income falls under existing orders, but the August 26 ruling leaves Rainey’s broader collection case intact.

About The Author
Since 2019, Erika Marie has worked as a journalist for HotNewHipHop, covering music, film, television, art, fashion, politics, and all things regarding entertainment. With 20 years in the industry under her belt, Erika Marie moved from a writer on the graveyard shift at HNHH to becoming the Co-Head of Original Content. She has had the pleasure of sitting down with artists and personalities like DJ Jazzy Jeff, Salt ’N Pepa, Nick Cannon, Rah Digga, Rakim, Rapsody, Ari Lennox, Jacquees, Roxanne Shante, Yo-Yo, Sean Paul, Raven Symoné, Queen Naija, Ryan Destiny, DreamDoll, DaniLeigh, Sean Kingston, Reginae Carter, Jason Lee, Kamaiyah, Rome Flynn, Zonnique, Fantasia, and Just Blaze—just to name a few. In addition to one-on-one chats with influential public figures, Erika Marie also covers content connected to the culture. She’s attended and covered the BET Awards as well as private listening parties, the Rolling Loud festival, and other events that emphasize established and rising talents. Detroit-born and Long Beach (CA)-raised, Erika Marie has eclectic music taste that often helps direct the interests she focuses on here at HNHH. She finds it necessary to report on cultural conversations with respect and honor those on the mic and the hardworking teams that help get them there. Moreover, as an advocate for women, Erika Marie pays particular attention to the impact of femcees. She sits down with rising rappers for HNHH—like Big Jade, Kali, Rubi Rose, Armani Caesar, and Amy Luciani—to gain their perspectives on a fast-paced industry.

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