editorial
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Original Content New York hip-hop never went anywhere, really.
By
Richard Bryan -
Original Content Can today's artists still sell out?
By
Luke Hinz -
Original Content The state of the music industry's two newest streaming services.
By
Nicholas DG -
Original Content 2018 is shaping up to be a truly monumental year.
By
Luke Hinz -
Original Content Is California the strongest region in hip-hop history? Draft your own team in our new Bracket Competition!
By
Mitch Findlay -
Original Content Caught in the middle of two generations, J.Cole is doing his utmost to create a future where the two can prosper.
By
Robert Blair -
Original Content Between plummeting attendance figures, negative press and the meteoric rise of AEW, we analyze whether WWE are precariously close to losing their iron grip over the wrestling industry.
By
Robert Blair -
Original Content What will hip-hop's next-generation sound like? We unpack some of hip-hop's evolution to better understand where it's headed.
By
Karlton Jahmal -
Original Content New Orleans has always been a hub for music, first with Jazz and then more recently with hip hop. NOLA hip hop culture has been around since the '80s and the bounce movement, putting the city on the map for quality hip hop. But the damage of the storm proved to be much stronger than anyone expected. Artists and record companies like Cash Money and No Limit had no choice but to relocate to other states and lay low. Despite the permanent damage Hurricane Katrina inflicted on so many lives, the underground hip hop scene has slowly returned to the city in an effort to rebuild the New Orleans spirit.
By
Rula Al-Nasrawi -
Original Content Should we listen to music against a dead artist’s wishes? Determining how to appropriately immortalize deceased artists is a tall order, and one of the hardest questions in 21st-century pop music.
By
Luke Hinz -
Original Content 21 Savage is grown.
By
Rose Lilah -
Original Content Examining the "current state of hip-hop" and if we really need to "blame" anyone at all.
By
Aida C.