editorial
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Original Content "Codeine Crazy" is one of trap music's lasting contributions.
By
Luke Hinz -
Original Content How Mac Miller reinvented himself, took control of his narrative and his legacy while on a collision course with tragedy.
By
Michael Kawaida -
Original Content Tracing the dissolution of Azealia Banks to figure out where it all went wrong.
By
HNHH Staff -
Original Content From a Lil Wayne chorus to an inescapable cultural phenomenon, we reflect on the "Bling Bling" era.
By
Luke Hinz -
Original Content Peak social media era is upon us, gobbling up virality and spitting it back out to mixed (and often controversial) results.
By
Luke Hinz -
Original Content Tyga is making a return. We're here for it.
By
E Gadsby -
Original Content Lyricism and flow are essential tools, but which rappers have truly mastered the art of "voice?"
By
Mitch Findlay -
Original Content We look at the reciprocity between hip-hop and jazz over the years.
By
Gus Fisher -
Original Content Examining what makes Playboi Carti's music and everything else he does, so appealing to the masses.
By
Samuel Allan -
Original Content The Rae Sremmurd artist is increasingly branching out into solo territory, proving to be a versatile and valuable player.
By
Joseph Coffey-Slattery -
Original Content Rap music, specifically its lyrics, have been given numerous labels, but not necessarily the positive labels bestowed upon other forms of creative expression. No matter the divisiveness or repulsion, other forms and disciplines are usually accepted whole. Here, we explore some of the reasoning behind the subtle, and overt, rejections of rap lyrics as true art form.
By
Kahron Spearman -
Society Joyner Lucas' "I'm Not Racist" has people reevaluating the conversation surrounding race.
By
Mitch Findlay
