editorial
-
Original Content We just really want a new body of music from Lil Uzi Vert. How bout you?
By
Narsimha Chintaluri 13.7K Views
-
Original Content Step into the depths of Nudy's Land.
By
Mitch Findlay 4.9K Views
-
Original Content Nicki Minaj's recent decision to stick to feature spots is a great move for the rapper: here's why.
By
Kemet High 12.3K Views
-
News Vanessa Satten, XXL's Editor-in-Chief, says that there will be more print editions of the magazine next year.
By
Rose Lilah 3.0K Views
-
Original Content Are hip-hop sequels a foregone conclusion?
By
Mitch Findlay 17.4K Views
-
Original Content Trav should make a statement.
By
Karlton Jahmal 11.5K Views
-
Original Content J. Cole's third album celebrates five years.
By
Mitch Findlay 6.5K Views
-
Original Content Bushwick Bill has a penchant for turning his perceived shortcomings into double-edged swords.
By
Devin Ch 6.1K Views
-
Original Content Fresh from Joyner Lucas wishing death upon him on "Devil's Work," we examine how Death Row's Suge Knight became the most hated villain in hip-hop's collective history.
By
Robert Blair 21.2K Views
-
Sports Rajon Rondo documented the aftereffects of a young Lakers' roster emasculated on the trade block.
By
Devin Ch 4.0K Views
-
Original Content We reflect on the lasting legacy and influence of Odd Future.
By
Gus Fisher 26.0K Views
-
Original Content New Orleans has always been a hub for music, first with Jazz and then more recently with hip hop. NOLA hip hop culture has been around since the '80s and the bounce movement, putting the city on the map for quality hip hop. But the damage of the storm proved to be much stronger than anyone expected. Artists and record companies like Cash Money and No Limit had no choice but to relocate to other states and lay low. Despite the permanent damage Hurricane Katrina inflicted on so many lives, the underground hip hop scene has slowly returned to the city in an effort to rebuild the New Orleans spirit.
By
Rula Al-Nasrawi 277 Views