editorial
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Original Content Does J. Cole's "K.O.D." mark the return of hip-hop's benevolent king?
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Mitch Findlay -
Reviews Though incomplete, the T-Wayne project is a necessary reference point for an influential time in both artists' careers.
By
Trevor Smith -
Original Content Can comedic rap ever escape the asterisk beside its name?
By
Sanibel Chai -
Sports Rajon Rondo documented the aftereffects of a young Lakers' roster emasculated on the trade block.
By
Devin Ch -
Original Content Bushwick Bill has a penchant for turning his perceived shortcomings into double-edged swords.
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Devin Ch -
Original Content The spirit of Kurt Cobain lives on through hip-hop music.
By
Robert Blair -
Original Content Atlanta is home of hip-hop's most exciting sub-genre: Trap.
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Matt Aceto -
Original Content Trav should make a statement.
By
Karlton Jahmal -
Original Content What direction will Drake's music take with the mega-"Scorpion" release behind him?
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Matt F -
Original Content "Horrorcore" is often considered a niche art-form, yet many mainstream producers have gladly drawn from the macabre.
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Mitch Findlay -
Original Content Ten years after its release, "Tha Carter III" holds up in spite of— or maybe because of— its pop crossovers and weirdo ambition.
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Patrick Lyons -
Original Content Have we misunderstood what Lil Pump is all about, really?
By
Taylor Rubright