Reviews
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Reviews Gucci Mane makes good on his mixtape's title by delivering a collection of his signature brand of animated trap cuts, along with some bigger features than we've seen on his previous tapes.
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Raphael Katz -
Reviews Following a tumultuous few years, "Megan" feels like a triumphant leap for Megan Thee Stallion, even with a few missteps.
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Aron A. -
Reviews "What It Means To Be King," the first posthumous release from King Von, expands the vision he laid down on his debut album while hinting at what could have been his artistic evolution.
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Aron A. -
Reviews Despite feeling more like a compilation than a joint project, EST Gee and 42 Dugg strike gold whenever they're in sync with one another.
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Aron A. -
Reviews Brent Faiyaz's new album is unlike anything that's out right now.
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Joshua Robinson -
Reviews Local talent illuminated Rolling Loud Bay Area.
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Karlton Jahmal -
Reviews Moneybagg Yo delivers on the promises of his recent projects with a star-studded debut.
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Narsimha Chintaluri -
Reviews Ka$hdami's latest release may not be an album of the year contender, but it does show great promise for the young rapper's future.
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TeeJay Small -
Reviews Cozz's debut album "Cozz & Effect" proves the sky is the limit for the young-LA artist.
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Mike Philson -
Reviews Dave East delivers his major label debut, as he prepares for the mainstream.
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Oliver W. Colbert -
Reviews Drake's eclectic "More Life" is too scattered to be a classic, but it's just what he needed after "Views."
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Patrick Lyons -
Reviews On BANCO, Sir Michael Rocks is still finding his way to separate himself, both from the Cool Kids' sound, and to some degree, former versions of himself.
By
Kahron Spearman
