Reviews
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Reviews DJ Khaled's likeability withstands the declining power of his musical imprint.
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Devin Ch -
Reviews Strong performances from the rest of the Shady label aside, acceptance of "Shady XV" will purely depend on your acceptance of Eminem’s savant syndrome manifestation.
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Kahron Spearman -
Reviews The energy of Chief Keef, and the whole Drill movement out of Chicago, has grown to palpable levels since “I don’t like” and its popular remix released, absorbing the rap community in furious and polarized debate about the youth, violence and rap culture. That energy culminates in Keef’s major label debut "Finally Rich," but does the music itself reflect the scope of Keef’s talent?
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Perry Simpson -
Reviews Taking a closer look at the first episode of "The Vince Staples Show" and the accompanying music.
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Sanibel Chai -
Reviews Juice WRLD's posthumous album "Legends Never Die" takes its place in history as the biggest posthumous debut in the last twenty years.
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Alex Zidel -
Reviews At long last, Joey Crack has decided to hang up his Yankee fitted, at least for now.
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Luke Hinz -
Reviews French Montana's long-awaited "MC4" is a botched release that could have been a decent-to-great album if handled better.
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Patrick Lyons -
TV "Barbershop" is the season's goofiest episode while underlying the importance of the black barbershop experience.
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Dhruva Balram -
Reviews “On The Rvn,” Young Thug’s latest in a string of relatively minor releases, is his best solo offering of 2018.
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Narsimha Chintaluri -
Reviews Ahead of his debut album, Mick Jenkins tides fans over with this EP.
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Perry Simpson -
Reviews Diddy surveys his empire on "MMM," a grandiose tape that doesn't offer much in the way substance.
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Patrick Lyons -
Reviews Miguel strikes R&B gold once again with "WILDHEART", managing to try out new sounds while making them his own.
By
Matt Tompkins