Joe & Donell Jones Set For Next Verzuz R&B Matchup

BY Erika Marie
Link Copied to Clipboard!
Maxwell In Concert - Louisville, KY
LOUISVILLE, KENTUCKY - MARCH 27: Singer Joe performs at KFC YUM! Center on March 27, 2022 in Louisville, Kentucky. (Photo by Stephen J. Cohen/Getty Images)
Two staples of late ’90s and early 2000s R&B are heading to Verzuz as Joe and Donell Jones prepare for their August event.

Two catalogs built for late-night radio and slow-jam playlists are about to share a Verzuz stage. Joe and Donell Jones have been announced as the next R&B pairing, bringing together singers whose biggest records helped define the genre’s late-1990s and early-2000s run. The event is expected to take place on August 20.

Jones had already let the news slip before the official rollout. While backstage at the Wine & Slow Jams Festival in Maryland, he revealed that a matchup with Joe was coming and made it clear he was not approaching the night like a grudge match. “For me, it’s not really a Verzuz. It’s a celebration,” he said. He also suggested there would be none of the tension that has occasionally taken over previous Verzuz events.

Read More: Donell Jones & Left Eye's "U Know What's Up" Was No. 1 When Y2K Hit

That tone fits a matchup built less around rivalry than two different lanes of the same R&B era. Jones broke through after signing with LaFace Records and released his debut, My Heart, in 1996. His second album, Where I Wanna Be, became his defining project, led by the title track and “U Know What’s Up,” which featured TLC’s Lisa “Left Eye” Lopes. The latter reached the Top 10 of the Billboard Hot 100 and spent eight weeks at No. 1 on the Hot R&B chart.

Moreover, his résumé extends beyond the songs he recorded himself. Jones co-wrote Usher’s early single “Think of You” and later contributed to 702’s “Get It Together.” He also found an audience with his rendition of Stevie Wonder’s “Knocks Me Off My Feet,” giving him enough material to move between recognizable singles and records that became fixtures for R&B listeners without relying entirely on crossover hits.

Joe arrives with the broader commercial catalog. “All the Things (Your Man Won’t Do)” and “Don’t Wanna Be a Player” established him during the 1990s, while My Name Is Joe pushed him further into the mainstream at the turn of the century. “I Wanna Know” became one of his signature records, and “Stutter” with Mystikal gave him another major hit. His voice also became familiar to Hip Hop audiences through Big Pun’s “Still Not a Player,” while his appearance alongside Mariah Carey and 98 Degrees on “Thank God I Found You” expanded his reach into pop.

Read More: Too Short Pitches 2-On-2 Verzuz With E-40 Against Another Duo

The Recording Academy has nominated Joe seven times, including recognition for My Name Is Joe, “I Wanna Know,” and the later album Better Days. That history gives him plenty of obvious records to reach for, but Verzuz has rarely been decided by chart numbers alone. Song placement matters, and so does knowing when a deep album cut carries more nostalgia in the room than the bigger single sitting beside it.

Joe and Jones are also stepping into a Verzuz season that has been moving steadily across both R&B and Hip Hop. Tank and Tyrese faced off in March before Rick Ross and French Montana took over in May. B2K met Pretty Ricky in June, while YG and The Game brought the series back to West Coast Rap in July.

About The Author
Since 2019, Erika Marie has worked as a journalist for HotNewHipHop, covering music, film, television, art, fashion, politics, and all things regarding entertainment. With 20 years in the industry under her belt, Erika Marie moved from a writer on the graveyard shift at HNHH to becoming the Co-Head of Original Content. She has had the pleasure of sitting down with artists and personalities like DJ Jazzy Jeff, Salt ’N Pepa, Nick Cannon, Rah Digga, Rakim, Rapsody, Ari Lennox, Jacquees, Roxanne Shante, Yo-Yo, Sean Paul, Raven Symoné, Queen Naija, Ryan Destiny, DreamDoll, DaniLeigh, Sean Kingston, Reginae Carter, Jason Lee, Kamaiyah, Rome Flynn, Zonnique, Fantasia, and Just Blaze—just to name a few. In addition to one-on-one chats with influential public figures, Erika Marie also covers content connected to the culture. She’s attended and covered the BET Awards as well as private listening parties, the Rolling Loud festival, and other events that emphasize established and rising talents. Detroit-born and Long Beach (CA)-raised, Erika Marie has eclectic music taste that often helps direct the interests she focuses on here at HNHH. She finds it necessary to report on cultural conversations with respect and honor those on the mic and the hardworking teams that help get them there. Moreover, as an advocate for women, Erika Marie pays particular attention to the impact of femcees. She sits down with rising rappers for HNHH—like Big Jade, Kali, Rubi Rose, Armani Caesar, and Amy Luciani—to gain their perspectives on a fast-paced industry.