Reviews
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Reviews "$oul $old $eparately" sees Gibbs not just find his feet within the major label structure, but defiantly plant his flag in it.
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Robert Blair -
Reviews While the highly anticipated opening of “The Man with the Iron Fists” is exactly a week away, the equally anticipated soundtrack has been up for streaming for some time. The album officially dropped this week on October 23rd, and as a cinematic soundtrack, is well worth a listen.
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Perry Simpson -
Reviews Rap's chaotic glory boy continues to rampage and bewilder on "Bang 3."
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Maxwell Cavaseno -
Reviews Similar to his Griselda constituents, Benny the Butcher's saga has been a testament to his endurance not only as an artist but as a man.
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Mackenzie Cummings-Grady -
Reviews Lil Baby and Lil Durk build off their consistency as solo and feature artists to achieve what few rappers of their stature have done effectively on a collaborative project -- complement each other.
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Aron A. -
Reviews Amidst a slew of guest appearances, DMX's "Exodus" shines whenever the legendary MC steps to the mic.
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Mitch Findlay -
Reviews "Savage Mode II" is a glorious expansion of the undeniable chemistry that Metro Boomin & 21 Savage introduced four years ago, further cementing their status in the pantheon of rapper-producer duos.
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Aron A. -
Reviews Brent Faiyaz's new album is unlike anything that's out right now.
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Joshua Robinson -
Reviews Walker is on pace to break the record set by Beyoncé’s “Lemonade” with her emotional new album.
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Hayley Hynes -
Reviews On their latest collaborative effort, Dreamville reiterates why they're not just a label, but a full-fledged rap crew.
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Robert Blair -
Reviews "What It Means To Be King," the first posthumous release from King Von, expands the vision he laid down on his debut album while hinting at what could have been his artistic evolution.
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Aron A. -
Reviews The twenty-song project contains more filler than substance but the highs are a firm reminder of Pop Smoke’s colossal presence.
By
Aron A.