Reviews
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Reviews Iggy Azalea's "The New Classic" is a flat LP that fails to utilize what that makes Iggy unique.
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Lloyd Jaffe -
Reviews Three years, two albums and two mixtapes after dropping his first “No Genre” mixtape, B.o.B. returns with a worthy sequel. Can B.o.B be contained in one genre?
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Chris Richburg -
Reviews On "10 Summers", DJ Mustard finds himself going down the same road, with very few detours. At least those short detours are interesting.
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Kahron Spearman -
Reviews Kid Cudi's worst habits are more prescient on "Satellite Flight: The Journey to Mother Moon."
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Brian Josephs -
Reviews "Seen It All: The Autobiography" finds the trap legend at the top of his game, comfortable with his position, and ready to finally dispense true-to-fact game.
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Kahron Spearman -
Reviews Joe Budden's new EP is a turbulent ride, but it's worth the journey he takes us on. Joey is doing what he does best on "Some Love Lost."
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Dallas Darden -
Reviews Classic West Coast albums "The Chronic" and "Doggystyle" were released as a reaction to the turmoil in Los Angeles in the early 90s. Kendrick Lamar's debut studio album "good kid, m.A.A.d. city" tells the story of living in the aftermath of the riots and violence of those times.
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Dhruva Balram deleted -
Reviews Two years in the making, Slaughterhouse finally release their sophomore effort on Shady Aftermath.
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Jon Godfrey -
Reviews Brockhampton, now with more beat change-ups and multi-genre excursions! Not much else has changed though.
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Patrick Lyons -
Reviews The first half of "Major Key" doesn't sound like a DJ Khaled album, but over time, it becomes clear that it's the same old Khaled.
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Patrick Lyons -
Reviews "The Life Of Pablo" has made me totally reconsider how I view Kanye West.
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Patrick Lyons -
Reviews NAV doesn't have much to offer beyond his beats and limited worldview.
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Patrick Lyons