Reviews
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Reviews Earl Sweatshirt is not a fan of "Magna Carta Holy Grail."
By
Rose Lilah -
Reviews After the weird, jarring "Big Fish Theory," Vince Staples goes for something easier on "FM!" Or does he?
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Patrick Lyons -
Reviews With his profile at an all-time high, Jack Harlow doesn't quite manage to capitalize on the hype with "Come Home The Kids Miss You."
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Robert Blair -
Reviews In his latest mixtape offering, Jon Connor displays the gritty wordplay he is renowned for. His ability to carry actual songs with features, and not just spit bars, is what is actually the showcase for the tape.
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Rachaela VB -
Reviews Brockhampton's eclecticism is less jarring, but no less present on "Iridescence."
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Patrick Lyons -
Reviews Fabolous' new album promised '90s inspiration and style, but does it deliver?
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Chris Tart -
Reviews B.o.B. keeps it real on his third studio album, "Underground Luxury".
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Nikita Rathod -
Reviews The third collaborative album from ATL’s most insightful shit talker, Killer Mike, and Brooklyn’s otherwordly underground producer/rapper, El-P, is their strongest yet—and one of the year’s best releases.
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Angus Walker -
Reviews Trey Songz sixth album brings the hits but leaves the substance at home.
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Lloyd Jaffe -
Reviews Yelawolf's most recent is a potential prequel for greatness.
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Nicholas DG -
Reviews BigQuint offers up his reaction to Nicki Minaj's "Majesty."
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Rose Lilah -
Reviews Kendrick Lamar delivers a looser, more freewheeling set of tunes on "untitled unmastered."
By
Patrick Lyons
