Reviews
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Reviews Reloaded and richer: the Cash Money Billionaires return with their first compilation album since 2009.
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Matt Aceto -
Reviews Ghostface Killah's '36 Seasons' quickly follows up Wu-Tang Clan's 'A Better Tomorrow,' an album he was relatively quiet on.
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Chris Tart -
Reviews Walker is on pace to break the record set by Beyoncé’s “Lemonade” with her emotional new album.
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Hayley Hynes -
Reviews Rolling Loud NYC was a movie, and it didn't come without a bunch of surprises.
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Alex Zidel -
Reviews Latto proves that luck has little to do with her success on her most versatile project to date, "777."
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Aron A. -
Reviews With no features this time around, “Slimeball 3” attempts to establish Young Nudy as one of East Atlanta's premier acts.
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Narsimha Chintaluri -
Reviews After much anticipation, MGK returns from the shadows with his new "Black Flag" mixtape.
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Matt Aceto -
Reviews "For All The Dogs" feels like a lackluster finale to a long-winded chapter in Drake's career.
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Aron A. -
Reviews Lil Tjay is manifesting his destiny.
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Rose Lilah -
Reviews Ten years on, "Graduation" stands as Kanye's first major stylistic shift, as well as his most ill-advised.
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Patrick Lyons -
Reviews "Battered Bruised & Bloody" is a three-act display of Carnage's willingness and ability to work within multiple styles of hip hop and electronic music.
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Patrick Lyons -
Reviews Drake and PartyNextDoor's best collaborations have thrived in small doses, where their chemistry is complementary rather than forced. Stretching that formula across an entire album dilutes what makes their collaborative efforts work in the first place.
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Aron A.
