Album Reviews
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Reviews Album Review: Blueface may have found glimpses of the beat on his official debut, but his inability to hold long-term attention is to his detriment.
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Michael Kawaida -
Reviews "Let God Sort Em Out" is a powerful Clipse comeback blending coke rap, spiritual growth, and grief, showcasing matured lyricism and Pharrell’s visionary production.
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Aron A. -
Reviews Rapsody further cements her claim in a long spiritual lineage of badass women.
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Richard Bryan -
Reviews On his first and only project for Shady Records, Conway The Machine puts himself through the emotional wringer in order to deliver his definitive statement.
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Robert Blair -
Reviews Meet the new boss, same as the old boss.
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Mitch Findlay -
Reviews "Luv 4 Rent" isn’t just a welcome return from one of contemporary hip-hop’s most fearlessly individualistic presences but it stands tall as the finest entry in Smino’s discography to date.
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Robert Blair -
Reviews Amidst a slew of guest appearances, DMX's "Exodus" shines whenever the legendary MC steps to the mic.
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Mitch Findlay -
Reviews "$oul $old $eparately" sees Gibbs not just find his feet within the major label structure, but defiantly plant his flag in it.
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Robert Blair -
Reviews Similar to his Griselda constituents, Benny the Butcher's saga has been a testament to his endurance not only as an artist but as a man.
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Mackenzie Cummings-Grady -
Reviews Walker is on pace to break the record set by Beyoncé’s “Lemonade” with her emotional new album.
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Hayley Hynes -
Reviews DJ Khaled's key to success is based on a formula, and it's one he seems unwilling to change.
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Aron A. -
Reviews On their latest collaborative effort, Dreamville reiterates why they're not just a label, but a full-fledged rap crew.
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Robert Blair