Tank Thinks "People Would Rather Hear Rappers Singing Bad Than Singers Singing Good"

BYErika Marie1.8K Views
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Tank

The "R&B Money" star breaks down why R&B hasn't been dominating the charts like it once did.

With R&B Money making waves in the industry, Tank has been giving his takes on the state of the genre. The singer emerged in the 1990s as a background vocalist, but it didn't take long for Tank to find his solo footing. Soon, he was amassing successes that matched those of artists he once worked for, and these days, the music veteran has quite a bit to say about where R&B is headed.

“Record labels are in this to make money,” Tank told Variety. “Radio conglomerates are in this to make money."


He added: "Venues are in this to make money. A Rap record that was made for $2,500 in somebody’s basement sold a million copies. An R&B record made in the biggest studio in the world, had already spent $1.2 million, sold the same one million records. … 'As Rap takes over, all of a sudden Melodic Rap sneaks in. Now, people would rather hear rappers singing bad than singers singing good.”

Elsewhere, Tank also touched on losing his hearing, something that the singer revealed over a year ago. He was diagnosed with tinnitus and it had understandably been a difficult time.

“For the first time, I wasn’t myself,” he said. “I was down mentally, physically, and spiritually. … Medication is a very big part of it. You can’t figure your way out of the fog; you can’t find your clearing. I went to the doctor, I was supposed to get an eighth or ninth round of shots in my eardrum. He said ‘Listen man, I think we’re going to stop because it’s not working. Before your body gets any worse, let’s pull you off of it. Let’s see what happens.’”

Tank added that he began "recording with my one ear" and while it was strange, he adapted to the change. "I started feeling good about my purpose again — I’m doing what I’m supposed to do.”

A post shared by Dr. Durrell “Tank” Babbs Sr. (@therealtank)

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About The Author
Erika Marie is a seasoned journalist, editor, and ghostwriter who works predominantly in the fields of music, spirituality, mental health advocacy, and social activism. The Los Angeles editor, storyteller, and activist has been involved in the behind-the-scenes workings of the entertainment industry for nearly two decades. E.M. attempts to write stories that are compelling while remaining informative and respectful. She's an advocate of lyrical witticism & the power of the pen. Favorites: Motown, New Jack Swing, '90s R&B, Hip Hop, Indie Rock, & Punk; Funk, Soul, Harlem Renaissance Jazz greats, and artists who innovate, not simply replicate.