The proud Harlem-native puts on for his city with this classic New York hip-hop EP.
Who is Theophilus London, anyways? The Brooklyn-based, Trinidad-born 27-year old isn't really an MC, but he doesn't really sing all the time either. He cares about The Smiths more than he cares about Gang Starr and for some reason all of this attracts the likes of Kanye West to take on the roll of executive producer on his newest album Vibes.
To answer the above question, yes, mostly. His recent headlines alone show that there’s something to Nipsey Hussle, and we do get a glimpse of what that 'something' may be in Crenshaw. Overall, the tape is a good listen and a sound effort.
Lloyd Banks' pedigree as an ill emcee speaks for itself at this point. During G-Unit’s active days, Banks was widely considered the best pure spitter in the group. Very little has changed in that regard; if anything Banks' career since the early 2000s has distinguished him as one of the most technically savvy rappers out. F.N.O. (Failure's No Option) only makes it easier to argue the case.
Schoolboy Q dropped his latest project, “Habits & Contradictions” via iTunes, asking $7.99 for it. It was definitely worth the almost-eight bucks! This latest work show his growth as an artist since “Setbacks,” it displays his versatile flow and his ear for a unique beat.
News flash, Xzibit doesn’t just pimp rides. Every now and then when X wants to he has proven he can spit, and this was very apparent at this years BET Awards show. His verse at the BET Cypher this year was nothing short of memorable, and his album follows suit.Napalm is X’s first commercial attempt since his last studio album Full Circle, which was released in 2006.
With Waka Flocka Flame’s newest album set to come out later this year, the Atlanta rapper has released a mixtape to hold us all over in the meantime. The tape, Re-Up features all-star collabs and on-point production.
Fabolous hasn't released a studio album since 2009 but has dropped four strong mixtapes in the three years since, the latest of which was The Soul Tape 2, a mixtape that should convince label heads to give Fabolous the distribution he deserves. The first two tracks are dope and gives hope that this will be a classic mixtape by the Brooklyn rapper, but then he segways into "Bite,"an unimagina
It’s official: Pharrell Williams is back. With the recent success of songs like “Get Lucky”, “Blurred Lines” and his newest Oscar-nominated single “Happy”, Pharrell has reclaimed his spot in the R&B royal family and is killing it. Not that he was ever really gone, since he’s been co-producing for other artists throughout.
When Gucci Mane released his World War 3 series on iTunes last month, it was merely a hint of what was to come. The first shots were fired on September 7th, when Guwop and Waka Flocka engaged in a Twitter argument. As more names got involved , the feud grew nastier. The peak of Gucci’s Twitter rant came on September 9th, when he put moguls such as Jeezy, Nicki Minaj, and T.I. on blast.
Halftime at any sporting event is usually the time when folks go to the bathroom, get refreshments and talk amongst themselves about the game. For Waka Flocka Flame, halftime is no time for an intermission. Instead, it’s a period to continue carrying the heat.
Pusha T has by no means been quiet over the last couple of years, but it has been a while since we heard a new mixtape from the G.O.O.D. music signee. Push has kept himself on the blogosphere with a number of singles, and his part in the G.O.O.D. Music compliation album, Cruel Summer. His name has also been in
Starvation 2 kicks in and you realize you're hungry for an Ace Hood track as the synth-heavy, hi-hat hitting "Root of Evil" starts and the production is instantly impressive - with lyrics that come off as a warm-up, as it's just the opening track.
After 14 years of waiting, D’Angelo’s surprise album Black Messiah had every right to be the R&B/Soul equivalent of Guns & Roses' Chinese Democracy - a creaky mess that was done no favors by the weight of fan expectations. But that’s not what happened.
Action Bronson is not your typical rapper. The portly fire-flame gourmet chef turned rapper with a shock of curly red beard, whose father is an Albanian immigrant and mother is a Jewish New Yorker, looks nothing like his peers. Sharpening his lyrical skills with several mixtapes, Bronson dropped his major label debut EP Saaab Stories a few months ago.
The snare and synth-filled beats, the arrogance in the rhymes, and the claims to fame are all reasons why Tyga has gained so many followers, and this shines through on the first three tracks of Hotel California. It's this familiar, blanket sound that has garnered him the success he so rightfully brags about.
In the hip-hop industry, there are four kinds of artists: those who have crossover appeal, those who don’t, those who choose not to, and those who shouldn’t. Slaughterhouse, as a collective and as solo members, simply shouldn’t.
Future is lightyears ahead of his time. Since touching down in 2012 with his Epic Records debut album Pluto, the Freeband Gang founder has continued hustling as an artist. The sloppy, melodic flow Future introduced on Pluto has been used by virtually every trapper who’s poppin’ today, and U.O.E.N.O. it.
Ever resilient and defiant, Big K.R.I.T. drops K.R.I.T. (King Remembered in Time) for hip-hop heads to feast on. Placing a stake in Mississippi, K.R.I.T. presents a project to deliver his message that he’s a force to be reckoned with in the rap game.
Among Odd Future’s colorful cast, Earl Sweatshirt is almost reserved. Almost.
Tyga has been a very busy man. After banking more than a few racks after his massively successful 2011 strip club banger "Rack City", Tyga (aka Michael Ray Nguyen-Stevenson) has showed no signs of slowing down.
Nas has done it again, and further cemented his place amongst hip hop royalty. With one of the most anticipated albums of 2012 now dropped the entire hip-hop community can breathe a collective sigh of relief. The Queensbridge rapper’s tenth studio album, Life is Good, is a shock to the system for a community that has become accustomed to musical mediocrity. As a
If the first Starvation mixtape proved to be a metaphor for Ace Hood’s unmitigated hunger for the level of super stardom usually reserved for rappers like his friend, Lil Wayne, then Starvation 3 makes Ace Hood sound as hungry as ever, except this time around, the production values are a lot better.
Cole World: The Sideline Story was considered somewhat of a disappointment to fans who really knew the raw talent that J. Cole posseses. The storyteller and the street smart rapper that fans loved was missing in his debut album. This time around Cole delivers a more cohesive project, with tracks easily flowing one by one to create a complete concept: Born Sinner.
Ludacris is back in the game and reminding us who thafuck he is with his new mixtape “1.21 Gigawatts (Back To The First Time).”
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