Review: Theophilus London's "Vibes"
    Who is Theophilus London, anyways? The Brooklyn-based, Trinidad-born 27-year old isn't really an MC, but he doesn't really sing all the time either. He cares about The Smiths more than he cares about Gang Starr and for some reason all of this attracts the likes of Kanye West to take on the roll of executive producer on his newest album Vibes. 
    Review: J. Cole's "Born Sinner"
    Cole World: The Sideline Story was considered somewhat of a disappointment to fans who really knew the raw talent that J. Cole posseses. The storyteller and the street smart rapper that fans loved was missing in his debut album. This time around Cole delivers a more cohesive project, with tracks easily flowing one by one to create a complete concept: Born Sinner.
    Review: Wiz Khalifa's "O.N.I.F.C."
    O.N.I.F.C. is a solid project on the whole, but fans of pre “Black and Yellow” Wiz Khalifa may notice a seeming lack of inspiration and conviction. More on that soon, but the positive aspects of the album must be lauded.Wiz’s flow is deliberate and consistent throughout the project. Though slightly repetitive, Wiz’s delivery is among the most unique in the game.
    Review: The Weeknd's "Kiss Land"
    Fame is a helluva drug for any celebrity. For some, it's a way of giving voice to a worthy cause. For others, it's a license to do and say whatever they feel or pursue any artistic path they choose. With The Weeknd, fame could be downright scary.
    Review: Gucci Mane's "Brick Factory Vol. 1"
    Even while behind bars, Gucci Mane has proved that he can produce quality music no matter where he is. His newest mixtape, also available on iTunes, Brick Factory Vol.1, is assumed as one of several compilations to follow, and the series is off to an impressive start.
    Review: Chief Keef's "Almighty So"
    "They want that old Sosa… for what doe?" Well, for good reason. Chief Keef ran into some icebergs with Bang Pt. 2, and the ship continues to sink. The same qualities that were present on his last mixtape reappear on Almighty So. Poor mixing and sloppy delivery continue to cloud the highlights. Thankfully the beats were banging, or else this mixtape would have been a lot worse.
    Review: RiFF RAFF's "NEON iCON"
    Today marks the culmination of the strangest rap career genesis this country’s ever seen, one that has included an MTV reality show, a hip-hop trio name Three Loco, OG Ron C, a Harmony Korine film, a slew of investigative articles and perhaps most importantly, about as much hate as the internet can muster.
    Review: Nispey Hussle's "Crenshaw"
    To answer the above question, yes, mostly. His recent headlines alone show that there’s something to Nipsey Hussle, and we do get a glimpse of what that 'something' may be in Crenshaw. Overall, the tape is a good listen and a sound effort.
    Review: J. Cole's "Truly Yours" EP
    J.Cole is following the formula that seems to be the norm in the rap game nowadays. In a quest to drum up some buzz for his sophomore album, the Roc Nation rapper has released some new free music. Fans were a little disappointed when Born Sinner, originally slated for a late January release, suffered a few delays. To make up for the wait, J. Cole released Truly Yours, a five-track EP.
    Review: Twista's "Reloaded"
    After a bit of silence in the mainstream rap world, Twista is back at it again with his Don Cannon hosted mixtape, Reloaded. He definitely didn’t disappoint as he dropped a ton of new material to hold us over until his album The Dark Horse hits stores. In total there are 15 tracks on the mixtape, mostly original with some remixes.
    Review: DJ Khaled's "Suffering From Success"
    DJ Khaled has been behind some of the hottest records of the last few years and if there's one thing he's made consistently clear it's that he has a winning formula for hits. This is also his greatest fault. It's never been so clear how one dimensional DJ Khaled's music really is than here on Suffering From Success, the DJ's seventh studio album.
    Review: Ghostface Killah's "36 Seasons"
    Ghostface Killah’s new LP 36 Seasons comes to us just one week after the release of Wu-Tang Clan’s A Better Tomorrow. While the latter LP received lukewarm reviews due to questionably experimental tracks, 36 Seasons is the exact opposite. It is concise and precise, using that classic Wu sound to march along an incredible story line while The Revelations provide the production.
    Review: Drake's "Nothing Was The Same"
    “Prince Akeem, they throw flowers at my feet, nigga!” Drake declares in the intro of his third album. In 2009, he released the highly-acclaimed So Far Gone mixtape and since then the half Jewish, half Black kid from Canada has gone on sell millions of records, sell out concerts, become insanely rich and currently holds the title for most number one songs on the Billboard rap charts.
    Review: French Montana's "Excuse My French"
    It’s been hard to turn on the radio in the past year or so and not hear French Montana’s rich yet slurred delivery coming through the speakers. The Moroccan born, Bronx, NY bred rapper’s rise to the top may seem like it happened overnight but that’s far from the case.
    Review: Wiz Khalifa's "Cabin Fever 2"
    It only seems appropriate that Wiz would treat us to some of his new sounds, giving us a taste of what to expect on O.N.I.F.C. Full of chilled out, smoking vibes and plenty of party anthems, Cabin Fever 2 resembles a chilled bottle of Bombay Sapphire that sprouted legs and just walked out of the champagne room with a joint in hand.
    Review: Gucci Mane's "Diary of a Trap God"
    When Gucci Mane released his World War 3 series on iTunes last month, it was merely a hint of what was to come. The first shots were fired on September 7th, when Guwop and Waka Flocka engaged in a Twitter argument. As more names got involved , the feud grew nastier. The peak of Gucci’s Twitter rant came on September 9th, when he put moguls such as Jeezy, Nicki Minaj, and T.I. on blast.
    Review: Chief Keef's "Bang Pt. 2"
    After months of anticipation, Chief Keef finally released Bang Pt. 2 on his 18th birthday, August 15th. Bang Pt. 2 is Sosa’s first project following the release of his major-label debut album Finally Rich, and much has happened since that time.
    Review: Big Sean's "Hall of Fame"
    It’s been a long road to the top for Big Sean. Back in 2005 after hearing Kanye West was going to be at a local radio station in Detroit for an interview, Big Sean headed down there to chance fate. Two years later he signed with G.O.O.D. Music but it wasn’t until 2011 that his debut album Finally Famous would hit the shelves.
    Review: Waka Flocka's "DuFlocka Rant: Half-Time Show"
    Halftime at any sporting event is usually the time when folks go to the bathroom, get refreshments and talk amongst themselves about the game. For Waka Flocka Flame, halftime is no time for an intermission. Instead, it’s a period to continue carrying the heat.  
    Review: Childish Gambino's "Because The Internet"
    Originality is a rarity in modern hip-hop, and when an experimental album comes along, it tends to polarize listeners initially. Take Kanye West's new album Yeezus, for example. Its minimalism, raw emotion and amalgamation of genres was difficult for many diehard fans to stomach at first (not to mention the left-field visuals).
    Review: YG's "Just Re'd Up 2"
     Right off the bat, YG’s fifth mixtape Just Re’d Up 2 illustrates just what the Californian rapper is all about. Starting bold from the second track with bumping 808’s and underscored by synthesizers, “Im 4Rm Brompton” really sets the tone for the mixtape’s high energy.
    Review: Tyga's "Hotel California"
    The snare and synth-filled beats, the arrogance in the rhymes, and the claims to fame are all reasons why Tyga has gained so many followers, and this shines through on the first three tracks of Hotel California. It's this familiar, blanket sound that has garnered him the success he so rightfully brags about.
    Review: Future’s “Pluto”
    It would be lazy, bordering on irresponsible, to run with the “future of rap” motif when looking at the hotly anticipated debut LP from Atlanta’s, Future.  Fact is, the latest in a long line of talented ATL rappers, has a sound that’s not so much futuristic, as it is transcendent.
    Review: Yo Gotti's "I Am"
    “I am the struggle. I am the hustle. I am the city. I’m the pot in the kitchen.” Yo Gotti raps on the title track of his latest album, I Am. The self-proclaimed king of Memphis has been involved in the trap game for a while now, and he has much to share, telling stories through out his new album, I Am. Gotti‘s strong southern influence is clearly shown throughout the 13-track project.
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