Everyone can learn something from Asher Roth. "RetroHash" shows just how far he has come.
Straight out of Long Beach, CA, Joey Fatts is the epitome of a rapper from the streets. He tells his story of being raised in the same neighborhood that was home to hip hop legends Snoop Dogg and Nate Dogg on Ill Streets Blues. Similar to them, he is able to inspire and motivate with lyrics that detail the hard work, dedication, and heart necessary to make it out of the streets.
Even while behind bars, Gucci Mane has proved that he can produce quality music no matter where he is. His newest mixtape, also available on iTunes, Brick Factory Vol.1, is assumed as one of several compilations to follow, and the series is off to an impressive start.
J.Cole is following the formula that seems to be the norm in the rap game nowadays. In a quest to drum up some buzz for his sophomore album, the Roc Nation rapper has released some new free music. Fans were a little disappointed when Born Sinner, originally slated for a late January release, suffered a few delays. To make up for the wait, J. Cole released Truly Yours, a five-track EP.
Casey Veggies’ new mixtape exhibits a tighter production level than his previous works, an indication of the help and experience he’s amassed since his junior high days. The songs are all originals, making the mixtape worthy in title as an album, all except for the creative bottleneck of a big record company.
The Def Jam rapper explained that B.O.A.T.S II: #METime would be the ultimate record to self-reflect to, or gain some ‘me time’ as 2 Chainz calls it. Self-indulgent it certainly is, and we would expect nothing less from 2 Chainz, considering his swag and confidence.
Studio albums have a way of working as a litmus test for hip-hop's up and comers. Mixtapes and guest appearances are one thing, but for an artist to prove that he/she can create a strong cohesive album while delivering on lyrics, beats, and bravado is another. Meek Mill seems capable of preforming this balancing act with Dreams & Nightmares, a
DJ Khaled has been behind some of the hottest records of the last few years and if there's one thing he's made consistently clear it's that he has a winning formula for hits. This is also his greatest fault. It's never been so clear how one dimensional DJ Khaled's music really is than here on Suffering From Success, the DJ's seventh studio album.
Originality is a rarity in modern hip-hop, and when an experimental album comes along, it tends to polarize listeners initially. Take Kanye West's new album Yeezus, for example. Its minimalism, raw emotion and amalgamation of genres was difficult for many diehard fans to stomach at first (not to mention the left-field visuals).
If there’s one rapper out there that shows unfaltering consistency in his melodic style and lyrical flow, it has got to be Gucci Mane. The seasoned Atlanta rapper’s newest mixtape, Trap God 2, unveils the same playful energy as Chicken Talk, which he put out in 2006—a mere 27 mixtapes ago. As for Trap God 2,
Curren$y is definitely a main-stay in the rap game. He's one of the few rappers who remains underground, but is still able to touch the mainstream without backlash from fans. He says it best himself on “What It Look Like”: “mainstream cheese, but I ain't actin' like y'all.” That's the truth. The Stoned Immaculate was the
Who is Theophilus London, anyways? The Brooklyn-based, Trinidad-born 27-year old isn't really an MC, but he doesn't really sing all the time either. He cares about The Smiths more than he cares about Gang Starr and for some reason all of this attracts the likes of Kanye West to take on the roll of executive producer on his newest album Vibes.
In the hip-hop industry, there are four kinds of artists: those who have crossover appeal, those who don’t, those who choose not to, and those who shouldn’t. Slaughterhouse, as a collective and as solo members, simply shouldn’t.
Right off the bat, YG’s fifth mixtape Just Re’d Up 2 illustrates just what the Californian rapper is all about. Starting bold from the second track with bumping 808’s and underscored by synthesizers, “Im 4Rm Brompton” really sets the tone for the mixtape’s high energy.
It’s been a while since Joe Budden has blessed fans with an album, as the last studio album he released was Padded Room in 2009. Fans that have been listening to Joey since his mixtape days will be able to identify with Mouse’s new found
Fabolous hasn't released a studio album since 2009 but has dropped four strong mixtapes in the three years since, the latest of which was The Soul Tape 2, a mixtape that should convince label heads to give Fabolous the distribution he deserves. The first two tracks are dope and gives hope that this will be a classic mixtape by the Brooklyn rapper, but then he segways into "Bite,"an unimagina
“I am the struggle. I am the hustle. I am the city. I’m the pot in the kitchen.” Yo Gotti raps on the title track of his latest album, I Am. The self-proclaimed king of Memphis has been involved in the trap game for a while now, and he has much to share, telling stories through out his new album, I Am. Gotti‘s strong southern influence is clearly shown throughout the 13-track project.
Yo Gotti has been in the rap game for well over a decade. Though he has been popular in his hometown since the beginning, Yo Gotti tirelessly worked the mixtape and underground circuit, steadily building a buzz by collaborating with various artists such as Lil Wayne, Nicki Minaj, Gucci Mane, Birdman, Bun B, 8Ball and Jadakiss. His studio debut suffered a series of delays but Live From The
Every so often an honest whisper echoes louder than lies. Hip Hop has experienced the truth of this as of late. Soul is again a subject of interest as artists like Big K.R.I.T. bear theirs on every outing. However, as the aforementioned rapper reveals, soul is not something
Halftime at any sporting event is usually the time when folks go to the bathroom, get refreshments and talk amongst themselves about the game. For Waka Flocka Flame, halftime is no time for an intermission. Instead, it’s a period to continue carrying the heat.
Ty Dolla $ign delivered his Beach House 2 mixtape just in time for summer. At first glance, the tape's tracklist looks iffy. There's at least one guest appearance on each song, something which is often frowned upon by devout fans and critics. However, flooding a project with features has been done successfully before, as was the case with The Game's 2012 album Jesus Piece.
Ghostface Killah’s new LP 36 Seasons comes to us just one week after the release of Wu-Tang Clan’s A Better Tomorrow. While the latter LP received lukewarm reviews due to questionably experimental tracks, 36 Seasons is the exact opposite. It is concise and precise, using that classic Wu sound to march along an incredible story line while The Revelations provide the production.
Cole World: The Sideline Story was considered somewhat of a disappointment to fans who really knew the raw talent that J. Cole posseses. The storyteller and the street smart rapper that fans loved was missing in his debut album. This time around Cole delivers a more cohesive project, with tracks easily flowing one by one to create a complete concept: Born Sinner.
Kid Cudi has never been one to hold his tongue or boast modestly. The Cleveland native is infamous for his onstage rants and mid-performance meltdowns. So it should come as no surprise, when talking about his fourth studio album, Cudi likened Indicud to Dr. Dre’s classic 2001 album. A bold statement indeed.
It only seems appropriate that Wiz would treat us to some of his new sounds, giving us a taste of what to expect on O.N.I.F.C. Full of chilled out, smoking vibes and plenty of party anthems, Cabin Fever 2 resembles a chilled bottle of Bombay Sapphire that sprouted legs and just walked out of the champagne room with a joint in hand.
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