Albums this anticipated aren’t supposed to be this good.
Ludacris is back in the game and reminding us who thafuck he is with his new mixtape “1.21 Gigawatts (Back To The First Time).”
Lil Wayne has always differentiated himself from us mere mortals, something he clearly set out to prove again with I Am Not A Human Being II, his tenth (and possibly final) studio album. He's explored the outer limits of the rap game with this one, bringing fellow rappers 2 Chainz, Nicki Minaj, Drake and Future along for the ride.IANAHB2 is the sequel to Weezy’s 2009 album of the sa
In all honesty fans of Rockie Fresh's earlier tapes like Rockie’s Modern Life and Otherside may mark Electric City as a departure from the lyricism and alternative qualities of those efforts. The degree of departure will definitely vary between listeners, but overall the spirit of early Rockie Fresh is pretty clearly present here.
Since the release of We Are Young Money in 2009, Nicki Minaj has risen from femme fatale on the rise after dropping the excellent Beam Me Up Scotty to ubiquitous representative of aggressive femininity. Drake, once Lil Wayne’s fresh-faced protégé, is now the biggest crossover success in hip-hop — not just Young Money.
Review: Justin Timberlake's "The 20/20 Experience - Part 2 of 2" Oct 6, 2013 at 03:07 PM 21,553 Views
Justin Timberlake fans are still basking in the martini-drinking, suit-wearing, gold-plated visions of The 20/20 Experience, but the pop crooner’s sights are already set on the steamy after party. The 20/20 Experience – 2 of 2 evokes the grit, sweat and sex missing from the first iteration, which took its extravagant vibe to the top of the charts as the best-selling record of 2013 so far.
It would be lazy, bordering on irresponsible, to run with the “future of rap” motif when looking at the hotly anticipated debut LP from Atlanta’s, Future. Fact is, the latest in a long line of talented ATL rappers, has a sound that’s not so much futuristic, as it is transcendent.
Throughout the years Kanye West has transcended hip hop and has made music of his own kind. A hybrid of many sounds and ideas, Yeezus is an ambition expansion of West’s sound palette. Introducing news soundscapes and textures, the album has a completely new sound for the artist, and is a complete disregard for the rules of hip hop and music and because of it, it works.
In the hip-hop industry, there are four kinds of artists: those who have crossover appeal, those who don’t, those who choose not to, and those who shouldn’t. Slaughterhouse, as a collective and as solo members, simply shouldn’t.
There was a time not too long ago when Lil Wayne was widely considered the best rapper alive. Since 2009's No Ceilings, Lil Tunechi has left fans scratching their heads and wondering what happened to the once dominant Mixtape Weezy. All that mediocrity recently caught up to the Young Money star. Tunechi wasn't nominated for this year's MTV VMAs or the BET Awards.
Kid Ink may have suddenly rose to popularity with the 2012 catchy hit “Time of Your Life” but the California rapper has been at it longer than that. Releasing his first mixtape in 2010, Kid Ink, real name Brian Collins, gained a slew of fans with his laid-back style and blend of singing and rapping.
There has been a heavy influx of modern and neo r'n'b in the past few years, but R. Kelly will always remain an important figure in what we now consider “old school r'n'b”.
2012 was an eye-opening year for Snoop Dogg. So much so that the West Coast rapper held a press conference in July to publicly announce that, after spending some time in the Caribbean island of Jamaica, he was a changed man. Snoop declared he was leaving the gangsta-image alone to adopt the ways and culture of a Rastafarian.
Isaiah Rashad’s debut EP, Cilvia Demo, is very easily among the most captivating mainstream debut projects from a new artist since the likes of J. Cole, Drake or even label mate Kendrick Lamar.
It only took one day for Iamsu!’s debut album, Sincerely Yours, to reach iTunes’ top album charts, a feat which is, quite frankly, surprising. Though the album is not a flop, it’s not a work of artistic genius either. There is nothing about this album that differentiates it from his previous seven albums, and many of the songs on it sound alike.
With the recent release of his EP Beach House, Ty Dolla $ign has been on our radar for a while. The West Coast rapper, responsible for producing and writing the hit “Toot It And Boot It” for YG, has since made a name for himself through two successful mixtapes, Beach House and Beach House 2.
Right off the bat, YG’s fifth mixtape Just Re’d Up 2 illustrates just what the Californian rapper is all about. Starting bold from the second track with bumping 808’s and underscored by synthesizers, “Im 4Rm Brompton” really sets the tone for the mixtape’s high energy.
Action Bronson is not your typical rapper. The portly fire-flame gourmet chef turned rapper with a shock of curly red beard, whose father is an Albanian immigrant and mother is a Jewish New Yorker, looks nothing like his peers. Sharpening his lyrical skills with several mixtapes, Bronson dropped his major label debut EP Saaab Stories a few months ago.
After a few listens to Nicki Minaj's latest album, The Pinkprint, it is pretty clear that, to a certain extent, she does pay attention to critics. Her last album, 2012's Pink Friday: Roman Reloaded, was universally panned in reviews for being disjointed, gimmicky and lackluster, among other things.
Review: Kid Cudi's "Satellite Flight: The Journey To Mother Moon" Feb 27, 2014 at 05:55 PM 45,837 Views
Although none of his albums have really been critical hits, Kid Cudi’s main appeal is using outside, atypical influences and sounds to articulate some sort of emotional journey into the tortured soul.
The snare and synth-filled beats, the arrogance in the rhymes, and the claims to fame are all reasons why Tyga has gained so many followers, and this shines through on the first three tracks of Hotel California. It's this familiar, blanket sound that has garnered him the success he so rightfully brags about.
Following the release of T.I.’s last two somewhat lackluster albums, 2010's No Mercy and 2012's Trouble Man, combined with the rise of new age rap stars like Drake, Kendrick Lamar, J.
Call him Steve-O. The Cleveland Wild Boy is back with his new mixtape, Black Flag. Featuring all original music, the free album is more or less a gift to his dedicated EST fanbase. This project comes not too long after Machine Gun Kelly’s debut studio album, Lace Up, which released in October of last year. Nevertheless, MGK certainly didn’t rush the making of his latest mixtape.
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