editorial
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Original Content The art of competition.
By
Karlton Jahmal -
Original Content Fresh from Joyner Lucas wishing death upon him on "Devil's Work," we examine how Death Row's Suge Knight became the most hated villain in hip-hop's collective history.
By
Robert Blair -
Original Content Bushwick Bill has a penchant for turning his perceived shortcomings into double-edged swords.
By
Devin Ch -
Original Content Can The Grammy Awards ever establish themselves as a credible critical source?
By
Mitch Findlay -
Original Content Lengthy tracklists are more than just a way to offer fans a lot of music by an artist they love; they're a tool to help achieve success as regulated by the RIAA.
By
Luke Hinz -
Sports Athletes in America have been using their prestige to influence political and social changes for decades. At the time of their protests, they are viewed as controversial figures. As time passes though, we acknowledge these men as heroes.
By
Karlton Jahmal -
Original Content A decade after the rap blog era's crown prince first broke through, we're left looking back on his career with more questions and what if's than answers.
By
Harrison Tenpas -
Original Content This year, we witnessed Gucci Mane reinvent himself in previously-unthinkable ways.
By
Patrick Lyons -
Original Content A case for Big Boi as one of hip hop's GOATs.
By
Patrick Lyons -
Original Content Four years on from its inception, we take a look at whether Friday is truly the best day to drop music or if it's detrimental to everyone but a certain level of artist.
By
Robert Blair -
Original Content Trav should make a statement.
By
Karlton Jahmal -
Original Content The state of the music industry's two newest streaming services.
By
Nicholas DG
