editorial
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Original Content 21 Savage wins the feature game on Metro Boomin's new album, which basically just means, we need more Savage and Metro collaborations.
By
Rose Lilah -
Original Content In our quest to re-capture lightning in a bottle, have we become too dismissive of what Young Thug still has to offer?
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Narsimha Chintaluri -
Original Content Why the hip-hop community worships Nas' "Illmatic" and how the album's classic status has shaped the direction of the genre
By
Luke Hinz -
Music Regardless of your taste in music, you cannot disagree with the notion that is explicitly claimed in the title of one of their most popular songs; “Wu-Tang Clan Ain’t Nuthing ta F*** Wit."
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Kristen Bromiley -
Original Content We explore how mumble rap can be likened to the 19th century Impressionist movement in art.
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Nelson Aguilar -
Original Content An editorial offering up the stance that Auto-Tune did not kill hip-hop, rather, it brought new life into the genre.
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Matt Aceto -
Original Content Step into the depths of Nudy's Land.
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Mitch Findlay -
Original Content Uncertainty abounds for the platform's progeny.
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Luke Hinz -
Original Content With the recent release of YouTube’s documentary "G Funk," it’s as good of a time as ever to trace the history of the West Coast sound that ruled the world throughout the 90s and set the stage for hip hop as we know it today.
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Gus Fisher -
Reviews Though incomplete, the T-Wayne project is a necessary reference point for an influential time in both artists' careers.
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Trevor Smith -
Original Content Four years on from its inception, we take a look at whether Friday is truly the best day to drop music or if it's detrimental to everyone but a certain level of artist.
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Robert Blair -
Original Content Now that he's laying down the law on a regular basis, it's time for a refresher course on how J. Prince became one of hip-hop's most formidable figures.
By
Robert Blair