Reviews
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Reviews With his profile at an all-time high, Jack Harlow doesn't quite manage to capitalize on the hype with "Come Home The Kids Miss You."
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Robert Blair -
Reviews Fabolous' new album promised '90s inspiration and style, but does it deliver?
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Chris Tart -
Reviews DJ Khaled's likeability withstands the declining power of his musical imprint.
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Devin Ch -
Reviews Earl Sweatshirt's latest album is a druggy, introspective vision from one of rap's most distinctive young voices.
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Chris Tart -
Reviews After an EP and a handful of singles, Majid Jordan have completed their debut, self-titled album-- does it rise up to our expectations of the OVO-signed duo?
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Maria Pasquini -
Reviews The proud Harlem-native puts on for his city with this classic New York hip-hop EP.
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Ben Shatzman -
Reviews In what is perhaps his most introspective and vulnerable album to date, Post Malone makes some daring creative choices.
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Joshua Robinson -
Reviews JID's "DiCaprio 2" reveals the scope of his potential.
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Mitch Findlay -
Reviews The Soul Tape 2 has its mistakes and cracks but is overshadowed by Fabolous' strength on the mic and the guests he brings on for the features.
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Dhruva Balram deleted -
Reviews "The Super Mario Bros. Movie" delivers on nostalgic feels, but stumbles as a cohesive narrative.
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Mike Fugere -
Reviews The third collaborative album from ATL’s most insightful shit talker, Killer Mike, and Brooklyn’s otherwordly underground producer/rapper, El-P, is their strongest yet—and one of the year’s best releases.
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Angus Walker -
Reviews With a reputation for creating some of the hottest baby-making music of all time, R. Kelly sets out to reclaim the r'n'b throne with "Black Panties."
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Nikita Rathod