Reviews
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Reviews If I could use one word to describe "No Dope On Sundays," it would be faith.
By
Karlton Jahmal -
Reviews Earl Sweatshirt's latest album is a druggy, introspective vision from one of rap's most distinctive young voices.
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Chris Tart -
Reviews "$oul $old $eparately" sees Gibbs not just find his feet within the major label structure, but defiantly plant his flag in it.
By
Robert Blair -
Reviews Amidst a slew of guest appearances, DMX's "Exodus" shines whenever the legendary MC steps to the mic.
By
Mitch Findlay -
Reviews Ghost did it again.
By
Chris Tart -
Reviews It's nice to have Nas back in the fold, but "Nasir" ultimately falls short of lofty expectations.
By
Mitch Findlay -
Reviews "Nightride" is the latest mixtape by R&B songstress Tinashe, in anticipation of her eventual sophomore album. It sounds like she's saved the hits for "Joyride," though "Nightride," free of constraints, is a showcase of her far-reaching skillset.
By
Maxwell Cavaseno -
Reviews Doechii delivered her major label debut, and because it only sits at 5 tracks, fans were left wanting more from Florida's next in line.
By
Erika Marie -
Reviews Everyone's favorite Coke Boy shows a desire to evolve on "Jungle Rules."
By
KC Orcutt -
Reviews With no features this time around, “Slimeball 3” attempts to establish Young Nudy as one of East Atlanta's premier acts.
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Narsimha Chintaluri -
Reviews Lloyd Banks comes correct with his latest project, proving why NY shouldn't be slept on.
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Perry Simpson -
Reviews Jhene Aiko continues to amaze.
By
Matt Aceto
