Reviews
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Reviews Two years in the making, Slaughterhouse finally release their sophomore effort on Shady Aftermath.
By
Jon Godfrey -
Reviews The short new project from the OVO singer taps into his sought-after pop-songwriting techniques.
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Trevor Smith -
Reviews Aminé's debut is at time derivative, at other times deep, and mostly enjoyable.
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Patrick Lyons -
Reviews Desiigner flops hard on his debut project, "New English," which shows that he doesn't have much to offer beyond "Panda."
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Patrick Lyons -
Reviews Gucci Mane's newest mixtape/online release "Brick Factory Vol. 1" is a successful collection of trap collaborations with familiar faces from the Bricksquad extended family.
By
Rula Al-Nasrawi -
Reviews More unfazed than upset, Drake's "Scorpion" is anchored by the weight of its own expectation, despite moments of brilliance.
By
Mitch Findlay -
Reviews On his full-length collaboration with Atlanta producer Southside, Herbo loosens up, letting his guard down as he ventures into new musical and emotional territory.
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Trevor Smith -
Reviews Travis Scott brings the "Astroworld Tour" to the North.
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Mitch Findlay -
Reviews Lil Herb delivers his best work yet on "Ballin' Like I'm Kobe."
By
Patrick Lyons -
Reviews Here's our recap of Montreal's Metro Metro festival, including a list of our five favourite sets.
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HNHH Staff -
Reviews The third installment of the Pilot Talk series, reviewed.
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Chris Tart -
Reviews B.o.B.'s new album, "Strange Clouds," is definitely commercial rap, although this isn't necessarily a criticism, it does mean B.o.B. has pop-ified a lot of his rap music. But he still includes a hip-hop banger or two in the album.
By
Rose Lilah