Reviews
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Reviews Tyler leans even further into psychedelic R&B and delivers an album whose execution can't match its ambition.
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Patrick Lyons -
Reviews Meet the new boss, same as the old boss.
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Mitch Findlay -
Reviews Goldlink skillfully and tastefully travels the globe on "Diaspora," but falls short of his last album, a masterful love letter to his hometown.
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Patrick Lyons -
Reviews Laden with references, symbolism and easter eggs, here's our guide to understanding Jordan Peele's "Us."
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Robert Blair -
Reviews Five years on from his last studio album, Fabolous transfers mixtape prowess of recent times into a mainstream record to be reckoned with on the riveting "Summertime Shootout 3"
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Robert Blair -
Reviews Don Toliver's debut album "Heaven Or Hell" is filled with references to his mentor, Travis Scott.
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Alexander Cole -
Reviews Juice WRLD's posthumous album "Legends Never Die" takes its place in history as the biggest posthumous debut in the last twenty years.
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Alex Zidel -
Reviews Bryson Tiller’s third studio album “Anniversary” seeks to inaugurate the singer’s long-awaited comeback, while commemorating his 2015 debut album, “Trapsoul.”
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Noor Lobad -
Reviews While a fully-fledged solo debut continues to elude us, Jay Electronica and Jay Z have served up a fascinating collection of cerebral, forward-thinking hip-hop.
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Robert Blair -
Reviews The energy of Chief Keef, and the whole Drill movement out of Chicago, has grown to palpable levels since “I don’t like” and its popular remix released, absorbing the rap community in furious and polarized debate about the youth, violence and rap culture. That energy culminates in Keef’s major label debut "Finally Rich," but does the music itself reflect the scope of Keef’s talent?
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Perry Simpson -
Reviews Jesus Piece is a well-produced album that appeals to a huge audience as it's chock-full of features. It cements Game's place as one of the best modern-day rappers and marks 2012 as his comeback year.
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Dhruva Balram deleted -
Reviews Strong performances from the rest of the Shady label aside, acceptance of "Shady XV" will purely depend on your acceptance of Eminem’s savant syndrome manifestation.
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Kahron Spearman