Reviews
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Reviews An entertaining concoction of lust, aggression, messiness, and brilliance, "Her Loss" is an incredible rap album with a subtle nuance looming beneath the surface.
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Joshua Robinson -
Reviews Juicy J returns with more of the same on "Blue Dream & Lean 2."
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Alex Galbraith -
Reviews "$oul $old $eparately" sees Gibbs not just find his feet within the major label structure, but defiantly plant his flag in it.
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Robert Blair -
Reviews Surprising calm in a career maelstrom.
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Maxwell Cavaseno -
Reviews Stalley's debut album "Ohio" has been a long time coming. The Maybach Music MC delivers 12 hip-hop cuts of hometown pride, enthusiastic Chevy-riding and getting stoned.
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Chris Tart -
Reviews J. Cole releases his most personal and poignant album.
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Glennisha Morgan -
Reviews On BANCO, Sir Michael Rocks is still finding his way to separate himself, both from the Cool Kids' sound, and to some degree, former versions of himself.
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Kahron Spearman -
Reviews "PARTYNEXTDOOR TWO" proves to be a continuation of the first installment for PARTYNEXTDOOR, as he displays more quality production and an endless amount of all-consuming lust.
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Kahron Spearman -
Reviews Theophilus London's sophomore album is the good 'Vibes,' both on the surface and when you dig a little deeper.
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Chris Tart -
Reviews On "STN MTN," Glover enlists DJ Drama to create an ode to a long-gone version of Atlanta, using some of the forgotten nuances and motifs. "Kauai EP" represents a present, based on discovery and 'blunt' reflection. Using visions of a pleasant past and colorful present, Donald Glover and Childish Gambino have finally fused together.
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Kahron Spearman -
Reviews On the dark and moody, Metro Boomin’ assisted, Monster, Future displays himself first as an artist with a tremendous ear for production, and as a “loose cannon,” fraught with troubling paranoia.
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Kahron Spearman -
Reviews The Weeknd clocks in with a seductive, reflective follow up to "Trilogy" that doesn’t disappoint.
By
Chris Richburg