Reviews
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Reviews With 7 new songs, Doja Cat continues to push boundaries on "Scarlet 2 CLAUDE."
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Paul Barnes -
Reviews A little over a year after Lil Durk's "7220," the Chicago icon is officially back with his eighth studio album "Almost Healed."
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Caleb Hardy -
Reviews Yeat's oddball cloud rap isn't engaging enough to justify the 1-hour runtime, but is undeniably exhilarating in small doses on 'Afterlyfe."
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Caleb Hardy -
Reviews Lil Baby and Lil Durk build off their consistency as solo and feature artists to achieve what few rappers of their stature have done effectively on a collaborative project -- complement each other.
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Aron A. -
Reviews On "STN MTN," Glover enlists DJ Drama to create an ode to a long-gone version of Atlanta, using some of the forgotten nuances and motifs. "Kauai EP" represents a present, based on discovery and 'blunt' reflection. Using visions of a pleasant past and colorful present, Donald Glover and Childish Gambino have finally fused together.
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Kahron Spearman -
Reviews With a bit more clarity and ambition, "Blue Lips" is a gratifying listen that encompasses a level of depth that we haven’t heard from ScHoolboy Q before.
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Aron A. -
Reviews In his "Alone" EP, A Boogie Wit Da Hoodie goes hard with the bars but showcases his personal and relationship struggles.
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Chukwudi Onyewuchi -
Reviews Migos' ever-widening catalogue gets 19 tracks deeper with the release of Quavo's solo debut. Is it "for keeps?"
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Trevor Smith -
Reviews "Slime Season 2" might be Thugger's best-curated mixtape yet.
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Patrick Lyons -
Reviews With sizable list of all-star collaborators, Kid Ink's third studio album showcases his ability to make crossover hits for mass appeal.
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Eric Diep -
Reviews The legacy of Capital STEEZ was celebrated in the biggest "Steez Day" festival yet.
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Richard Bryan -
Reviews "Souled Out" features songstress Jhene Aiko bravely stretching out on her own, for which she should be commended. However, the album's lack of diversity and dynamism, in overall production, nullifies Aiko's magnetism to a considerable extent.
By
Kahron Spearman