Reviews
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Reviews "WE DON'T TRUST YOU" is, in many ways, exactly what we expected. But the legendary trap duo proves that we are taking their talent for granted.
By
Gabriel Bras Nevares -
Reviews Lil Baby and Lil Durk build off their consistency as solo and feature artists to achieve what few rappers of their stature have done effectively on a collaborative project -- complement each other.
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Aron A. -
Reviews ScHoolboy Q's fifth album plays it safe, but never sorry.
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Mitch Findlay -
Reviews A subtle brand of sorcery.
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Mitch Findlay -
Reviews The new Hellboy misses the mark in every way.
By
Jibril Yassin -
Reviews "Savage Mode II" is a glorious expansion of the undeniable chemistry that Metro Boomin & 21 Savage introduced four years ago, further cementing their status in the pantheon of rapper-producer duos.
By
Aron A. -
Reviews Boogie's greatest gift is the ability to speak frankly.
By
Mitch Findlay -
Reviews Local talent illuminated Rolling Loud Bay Area.
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Karlton Jahmal -
Reviews Earn, after a series of L's, sets in motion another event-filled night for Paper Boi and the crew leading to bruised ego’s and faces.
By
Dhruva Balram -
Reviews Gucci Mane is back with his third project of 2017, but have we gotten too much of a good thing?
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Maxwell Cavaseno -
Reviews Michael B. Jordan's Killmonger is the best comic movie villain since Heath Ledger's Joker.
By
Karlton Jahmal -
Reviews Big Sean and Jhené Aiko both underperform on "TWENTY88."
By
Patrick Lyons
