Profiles
-
Profiles Meet Focus..., in-house producer at Aftermath and integral member of the team that made Dr. Dre's "Compton."
By
Danny Schwartz -
Profiles J.U.S.T.I.C.E. League might be the heroes a hurting hip hop industry needs right now.
By
hnhh -
Profiles SauceLord Rich, one-half of the hit-making production duo FKi, discusses his decision to put himself out there as an artist in a lamentable industry climate.
By
Angus Walker -
Profiles The trap titan talks horror soundtracks, 808 Mafia, Sacii Lyfe and the hottest producer tag of 2015.
By
Patrick Lyons -
Profiles HNHH's new series "Behind The Beat" profiles unique producers that are looking to change the soundscape.
By
Angus Walker -
Profiles We talk with duo Nez & Rio about their production on A$AP Rocky's highly anticipated "Pretty Flacko 2," among other things.
By
Rose Lilah -
Profiles Interview: Anderson .Paak talks about growing up in Oxnard, CA, music school days, and working with Dr. Dre.
By
Danny Schwartz -
Profiles Interview: Zaytoven speaks on his long history as church organist, the remarkable making of "Beast Mode," and how he's managed to remain a devoted family man while serving the streets with combustible trap beats for the past 15 years.
By
Danny Schwartz -
Profiles After a surprise deal with Fool's Gold, Atlanta trapper ManMan Savage has his sights set on EDM and beyond.
By
Angus Walker -
Profiles HNHH's new series "Behind The Beat" profiles unique producers that are looking to change the soundscape.
By
Angus Walker -
Profiles C4, producer of T.I.'s "Money Talk" and Young Thug's "Thief in the Night," is the latest subject of Behind the Beat.
By
Angus Walker -
Profiles The most famous audio engineer in the game gained Young Metro's trust, and now he's looking to share his knowledge.
By
Patrick Lyons -
Profiles AraabMuzik: “I'm basically the Michael Jordan of what I do.”
By
hnhh -
Profiles INTERVIEW: Nick Grant discusses his breakout mixtape '88 and more.
By
Danny Schwartz -
Profiles We talked to Taiwo of the duo Christian Rich, the twin brothers behind Earl Sweatshirt's "Doris" and Vince Staples' "Señorita," about how producers can hold on to their artistry while fighting for high-profile credits.
By
Angus Walker