Can't Stop – Song by Talibando

BY Gabriel Bras Nevares
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This new Talibando song "Can't Stop" mixes "sexy drill" rhythms with dark, brooding bass and rapid-fire flows.

Like many other artists on Valentine's Day this year, Talibando chose to share a new track with fans who are feeling in a lustful mood. "Can't Stop" is his latest song, and it plays with the "sexy drill" genre by pairing its traditional percussion tropes with dark, brooding, muddy, and distorted bass, plus vocal sampling and warped synth pads. However, the East Detroit MC shows off why he unmistakably belongs to that city's hip-hop scene, delivering fast flows over a more typically East Coast sound. It makes for a surprising mix of approaches on first listen, but they all coalesce in a pretty compelling way despite the brief runtime. While it's not Talibando's finest work and it isn't much to write home about lyrically, we can't deny this new record's entrancing nature.

Release Date: February 14, 2026

Genre: Hip-Hop

Album: N/A

Quotable Lyrics from Can't Stop

My b***h the Beauty, and me, I'm the Beast,
She from the Westside, I'm from the East,
Don't know if she loving my money or me,
Don't matter, she suck it like she ain't got teeth

About The Author
Gabriel Bras Nevares is a staff writer for HotNewHipHop. He joined HNHH while completing his B.A. in Journalism & Mass Communication at The George Washington University in the summer of 2022. Born and raised in San Juan, Puerto Rico, Gabriel treasures the crossover between his native reggaetón and hip-hop news coverage, such as his review for Bad Bunny’s hometown concert in 2024. But more specifically, he digs for the deeper side of hip-hop conversations, whether that’s the “death” of the genre in 2023, the lyrical and parasocial intricacies of the Kendrick Lamar and Drake battle, or the many moving parts of the Young Thug and YSL RICO case. Beyond engaging and breaking news coverage, Gabriel makes the most out of his concert obsessions, reviewing and recapping festivals like Rolling Loud Miami and Camp Flog Gnaw. He’s also developed a strong editorial voice through album reviews, think-pieces, and interviews with some of the genre’s brightest upstarts and most enduring obscured gems like Homeboy Sandman, Bktherula, Bas, and Devin Malik.

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