J Dilla's "The Shining" Turns 17

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A poignant and powerful album that serves as a fitting tribute to the late icon.

J Dilla, renowned producer and rapper, lived a short life but is remembered forever in the hearts of many Hip Hop fans. Despite his untimely death, he made his mark, and many often take solace in that. His legacy will remain, and his music will live forever, thanks to incredible bodies of work like The Shining. August 22, 2023 marked 17 years since the posthumous album was released to widespread acclaim. The masterfully written and produced album was the first of many J Dilla projects to comfort fans after his passing. 

The posthumous release can be quite controversial among music fans. The question of whether an album is a cash grab often arises following the announcement that an incoming release is underway. However, The Shining was widely anticipated before its drop, owing to the fact that J Dilla was almost done with the album. Fellow Detroit native and longtime friend, producer Karriem Riggins helped handle the rest of the production.

Read More: Boldy James Says He’s Preparing To Drop A J Dilla-Produced Project

Background

J Dilla developed an early interest in music, particularly Hip Hop. He began making beats when he was a teenager and soon became quite proficient at it. He gained a reputation for his unique production style, which featured intricate drum patterns. Throughout his career, J Dilla was highly sought-after due to his irreplicable production style. He collaborated with numerous Hip Hop and R&B artists as a result. Before albums like The Shining were released, he had already etched his name in the genre’s history books.

J Dilla was a founding member of the Hip Hop group, Slum Village, formed in 1996. The group comprised three members: himself, and two of his classmates from high school, Baatin and T3. He played a significant role in shaping their sound, largely due to his peculiar musical ideas, and sharpened production skills. The group dropped two albums together before Dilla left to pursue a solo career in 2001. J Dilla was also a founding member of the musical collective, The Soulquaries, which was formed in the late ‘90s. The collective consisted of experimental Black music artists, as well as pioneers of genres like neo-soul and jazz fusion.

Read More: Sango Pays Homage To J Dilla With “Won’t Do (Sango’s Michigan Remix)”

J Dilla Goes Solo

After leaving Slum Village, J Dilla released his debut solo album Welcome 2 Detroit in 2001. It was characterized by his keen ear for finding obscure and soulful samples, and his innovative interpretations of them. Subsequently, the rapper’s sophomore solo studio album, Donuts, was released on his 32nd birthday in February 2006. The album is widely regarded as Dilla’s magnum opus, and a remarkable instrumental Hip Hop album. 

Donuts was also his last album released during his lifetime. He passed away three days after the album dropped. Throughout his career, Dilla battled various health issues, including thrombotic thrombocytopenic purpura and lupus, but he continued to create music despite the challenges. Donuts was almost entirely recorded in Dilla’s hospital room during his extended stay at a medical center in 2005. The rapper sadly passed away, due to complications from the rare blood disorder, and lupus.

Read More: Watch Kanye West Talk About J Dilla, Upbringing In Chicago, & Fashion In Rare 2013 Interview

The Shining

The Shining was J Dilla’s first posthumous album, released in August 2006 soon after his passing. The album was completed and released with the help of friends and collaborators. As usual, J Dilla handled the majority of the production on the album himself. Evidently, his signature production style is on display throughout the project. It also vividly showcased his ability to blend various genres seamlessly.

J Dilla’s choices for the album’s guest features also exemplify his virtuosity at melding different styles. The album features a notable lineup of guest artists including Common, D’Angelo, and Busta Rhymes, among others. The Shining also highlighted his lyrical prowess, as he delivered stellar verses on the project. 

On the final track, “Won’t Do,” J Dilla sings, raps, and showcases his storytelling abilities. He also continued to deliver emotionally stirring instrumentals. “Love Jones” and  “Over the Breaks” are testaments to his attention to detail. Furthermore, the instrumental, “Body Movin’,” with assists from J Rocc and Karriem Riggins, is reminiscent of classic 90’s Hip Hop beats.

Read More: J Dilla’s MPC Will Be On Display At Smithsonian Museum

Reception and Legacy

Like many of his projects, the album received critical acclaim. The Shining was praised for its innovation, musicality, and themes. Two of the standout features on the album are “Love,” featuring Pharoahe Monch, and “So Far to Go,” featuring Common and D’Angelo. Critics praised the production quality and the emotional depth they convey.

Furthermore, J Dilla used the album to demonstrate his sample-elevating qualities. The Shining featured a wide range of musical samples. He borrowed elements from R&B legends, like The Isley Brothers, Hip Hop icons, such as Run-DMC and Public Enemy, and even dance music champion, Giorgio Moroder. However, J Dilla’s classical music knowledge also surfaced on The Shining, with a sample from Beethoven’s Symphony No. 5 making an appearance on the album.

J Dilla’s impact on Hip Hop is immeasurable. He is also often regarded as one of the greatest producers in the genre’s history. Importantly, J Dilla is one of the most prolific acts out of the Detroit music scene. The Shining is a poignant and powerful album that serves as a fitting tribute to the late icon. It encapsulates his musical genius, production prowess, and lyrical talent. Consequently, this makes it a significant and enduring piece of work in the lineup of posthumous Hip Hop releases.

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About The Author
Demilade Phillips has been a Features Writer for HotNewHipHop since 2023. The self-proclaimed music fanatic deals with most things Hip Hop and R&B, while also covering film, television, and the entertainment industry at large. When he’s not working, the International Relations graduate is either binging anime, immersing himself in the underground EDM scene, or crafting up original pieces.