Nas Explains Biggie's Influence On "It Was Written"

Nas explains how Biggie helped him realize the importance of mainstream success when he worked on "It Was Written."

BYAron A.
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It’s been a big week for Nasir Jones, who is fresh off of his sold-out performance at Madison Square Garden. Nas's latest show came on the heels of the third installment in the King’s Disease series which undoubtedly rejuvenated Nas’s career. Following the Ye-produced Nasir in 2018, he returned to the drawing board with Hit-Boy to create their own wave. That project finally earned the Queensbridge native the first Grammy award of his 30-year career.

The most interesting part of King’s Disease is that Nas didn't need a single and found a comfort zone that didn't rely on industry politics. He managed to reach widespread acclaim by returning to his roots as an MC. Maintaining his integrity has always been at the forefront. However, the criticism surrounding the post-Illmatic releases surrounded the mainstream appeal. It Was Written remains one of the most commercially successful projects in Nas's catalog. Singles like “Street Dreams, “If I Ruled The World,” and “I Gave You Power" turned him into a household name.

Biggie’s Influence On Nas

It Was Written might not have even dropped if it weren’t for Biggie Smalls. Nas explained that he felt the pressure to remain “underground” at the time of It Was Written. He said witnessing songs like “Big Poppa” succeed allowed him to see just how far he could take his career. “... Biggie made it different, where you can’t just be the hot dude that they liked from New York to Connecticut to Virginia. You got to hit the mainstream. You got to touch the world,” he told GQ.

Though he credits the Brooklyn legend for shining light on the possibilities of his career, it wasn't a one-sided exchange. He said collaborating with Dr. Dre on It Was Written possibly helped open the doors for Biggie and Bone Thugs’ collab. “I feel like that collab [with Dre] brought in the idea, maybe, for things like Bone Thugs-N-Harmony and Biggie together,” he said. “I didn’t invent it, but it made it more of a thing, like, ‘Hey guys, we’re always so standoffish. You come into my market, I come into your market, and let’s have fun. It’s all a family thing.'”

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Aron A. is a features editor for HotNewHipHop. Beginning his tenure at HotNewHipHop in July 2017, he has comprehensively documented the biggest stories in the culture over the past few years. Throughout his time, Aron’s helped introduce a number of buzzing up-and-coming artists to our audience, identifying regional trends and highlighting hip-hop from across the globe. As a Canadian-based music journalist, he has also made a concerted effort to put spotlights on artists hailing from North of the border as part of Rise & Grind, the weekly interview series that he created and launched in 2021. Aron also broke a number of stories through his extensive interviews with beloved figures in the culture. These include industry vets (Quality Control co-founder Kevin "Coach K" Lee, Wayno Clark), definitive producers (DJ Paul, Hit-Boy, Zaytoven), cultural disruptors (Soulja Boy), lyrical heavyweights (Pusha T, Styles P, Danny Brown), cultural pioneers (Dapper Dan, Big Daddy Kane), and the next generation of stars (Lil Durk, Latto, Fivio Foreign, Denzel Curry). Aron also penned cover stories with the likes of Rick Ross, Central Cee, Moneybagg Yo, Vince Staples, and Bobby Shmurda.