The Notorious B.I.G’s “Ready To Die”: A Raw & Captivating Reality

From Lil Wayne’s “Tha Carter III” cover to Travis Scott’s “SICKO MODE,” “Ready To Die” followed hip-hop on its journey to becoming a global phenomenon.

BYAron A.
The Notorious B.I.G’s “Ready To Die”: A Raw & Captivating Reality

Your favorite rapper probably called his or her's upcoming album a “classic” before it even hit shelves. Yet, we all know, a classic album is only determined through the test of time. Classic albums are just that: timeless bodies of work that still resonate years on, even decades after its release. Not many people are able to achieve this within their career-span, since it takes...time. The Notorious B.I.G’s life was cut short at the age of 24 with only one album under his belt, Ready To Die -- an album that can confidently be placed among greatest albums of all time.

Times were different 25 years ago when Big unleashed Ready To Die. Cassette tapes were just beginning to phase-out in favor of compact discs, while streaming services, let alone websites like Napster were barely imaginable. The term “unsigned hype” wasn’t used for influencers with 1M followers and only one song to show -- it was used for wordsmiths like Biggie whose name spread by word of mouth thanks to a penchant for rapping on NYC street corners. It’s those same corners where he freestyled and sold drugs that served as the inspiration behind the album. 

Ready To Die is described as semi auto-biographical but by the way that Big rapped, every bar felt like a scene out of a movie; and Biggie was our trusted narrator. Drug dealing, murder, robbery, and criminal acts were the main themes of the project but what Big did was add layers to these actions -- his thoughts, emotions, regret, and reasoning behind each deed. It captured the struggle that many people identified with, especially in his own Brooklyn community. A child from the projects who was trapped in a life of crime and vying for a way out. But he couldn’t -- he had a child on the way, his mother was suffering from cancer, and he had to make sure that he could provide for his family.

That’s the beauty of Ready To Die -- there’s so much of Big’s unfiltered and raw reality blended with a romanticized version of the drug trade that his emotional vulnerability throughout the project not only captivates but immerses you into his world. He details the excitement of the drug game like a high that he continues to chase. But the lows, paranoia, stress, and depression sound like the bare bottom of a comedown. For example, the project’s titular track finds Big imagining himself coming out of the womb with an umbilical cord tied around his neck, bringing it all back to the project’s title. “I’m seeing death and I ain’t even take my first step/ I’m ready to die and nobody can save me/ Fuck the world, fuck my moms, and my girl/ My life’s played out like a Jheri Curl, I’m ready to die,” he raps.

His autobiographical details drew people in but the way that Big’s verses were delivered was unseen at the time. The rhyme schemes were as complex as the environment he was surrounded in; yet he was extremely skilled in crafting together narratives that were easy to understand and follow at the same time.

Although reluctant, Ready To Die had a perfect balance of radio-friendly records and pure gutter bars. Hell, even on his radio-friendly records, Biggie didn’t water down his skillset in the least. 

“Everyday Struggle” and “Suicidal Thoughts” were reflections of the darker days while songs like “Gimme The Loot” found the rapper reaping the benefits from a devious lifestyle. But what balanced it all out were songs like “Big Poppa” and “Juicy” that, to this day, can be heard in any club in the world.

Maybe that’s why Ready To Die is still one of the greatest bodies of work ever created. Biggie captured America with celebratory anthems like “Juicy” but at the same time, he asserted himself as one of the greatest rappers with his sheer skill and gritty narratives that spoke to those who society has swept to the side. The cultural impact of Ready To Die is something Biggie wasn’t able to witness during his lifetime but it’s something we can see and celebrate today. From Lil Wayne’s Tha Carter III cover to Travis Scott sliding in a quick homage to Big on “SICKO MODE,” Ready To Die has followed hip-hop on its journey to becoming a global phenomenon. 

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About The Author
Aron A. is a features editor for HotNewHipHop. Beginning his tenure at HotNewHipHop in July 2017, he has comprehensively documented the biggest stories in the culture over the past few years. Throughout his time, Aron’s helped introduce a number of buzzing up-and-coming artists to our audience, identifying regional trends and highlighting hip-hop from across the globe. As a Canadian-based music journalist, he has also made a concerted effort to put spotlights on artists hailing from North of the border as part of Rise & Grind, the weekly interview series that he created and launched in 2021. Aron also broke a number of stories through his extensive interviews with beloved figures in the culture. These include industry vets (Quality Control co-founder Kevin "Coach K" Lee, Wayno Clark), definitive producers (DJ Paul, Hit-Boy, Zaytoven), cultural disruptors (Soulja Boy), lyrical heavyweights (Pusha T, Styles P, Danny Brown), cultural pioneers (Dapper Dan, Big Daddy Kane), and the next generation of stars (Lil Durk, Latto, Fivio Foreign, Denzel Curry). Aron also penned cover stories with the likes of Rick Ross, Central Cee, Moneybagg Yo, Vince Staples, and Bobby Shmurda.