Yung Miami Keeps It Polite While Confronting Lore’l Over Past Shade

BY Erika Marie
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A routine interview got tense when Yung Miami reminded Lore’l of her earlier comments about the BossMan Dlow tour.

The question was supposed to be about why women seem to catch extra heat over their music. Yung Miami heard something else entirely. During a stop at The Morning Hustle, Lore’l asked the rapper why people had been coming at her “as a female” over her music. Miami interrupted before she could get much further.

“Why was you coming at me? As a female?” she asked.

The room did not explode, but the temperature definitely changed. Lore’l explained that she had been looking forward to the interview and had plenty of positive questions prepared, while also defending her right to critique Miami’s music. Miami was not arguing with criticism itself. Her issue was that she believed Lore’l’s previous comments went well beyond reviewing a song.

Miami said she had heard the earlier discussion and came close to calling into the station at the time. Rather than doing that, she apparently saved the conversation for when the two were sitting across from each other.

Read More: Is Yung Miami’s “Spend Dat” Bad For Hip-Hop?

Yung Miami Had Not Forgotten The BossMan Dlow Commentary

The comments bothering Miami stemmed from her July departure from BossMan Dlow’s Motion Party Tour. After she pulled out of the trek, Lore’l criticized the decision on-air and suggested Miami thought she was “above the program.” She also joked about the City Girls hit “Act Up” not paying as much anymore as others in the studio laughed.

Miami had publicly given a different explanation for leaving. In her announcement, she said she needed to finish her debut album and was facing deadlines, telling fans she had to “lock in” to get the project done. BossMan Dlow subsequently postponed the tour after what his team described as Miami’s “last-minute departure.” Her statement made it clear she was stepping away to work on the album rather than abandoning touring altogether.

Her press run comes as she prepares to release Watch Dis, her first full-length solo album, on Oct. 23. The project follows “Spend Dat,” “F You” and “2008,” with Miami using much of this rollout to address the criticism that has followed her solo career. Judging by her visit to The Morning Hustle, she isn't limiting those conversations to the people criticizing her from a distance.

Read More: Yung Miami Had A One-Word Response When Asked About A City Girls Reunion

About The Author
Since 2019, Erika Marie has worked as a journalist for HotNewHipHop, covering music, film, television, art, fashion, politics, and all things regarding entertainment. With 20 years in the industry under her belt, Erika Marie moved from a writer on the graveyard shift at HNHH to becoming the Co-Head of Original Content. She has had the pleasure of sitting down with artists and personalities like DJ Jazzy Jeff, Salt ’N Pepa, Nick Cannon, Rah Digga, Rakim, Rapsody, Ari Lennox, Jacquees, Roxanne Shante, Yo-Yo, Sean Paul, Raven Symoné, Queen Naija, Ryan Destiny, DreamDoll, DaniLeigh, Sean Kingston, Reginae Carter, Jason Lee, Kamaiyah, Rome Flynn, Zonnique, Fantasia, and Just Blaze—just to name a few. In addition to one-on-one chats with influential public figures, Erika Marie also covers content connected to the culture. She’s attended and covered the BET Awards as well as private listening parties, the Rolling Loud festival, and other events that emphasize established and rising talents. Detroit-born and Long Beach (CA)-raised, Erika Marie has eclectic music taste that often helps direct the interests she focuses on here at HNHH. She finds it necessary to report on cultural conversations with respect and honor those on the mic and the hardworking teams that help get them there. Moreover, as an advocate for women, Erika Marie pays particular attention to the impact of femcees. She sits down with rising rappers for HNHH—like Big Jade, Kali, Rubi Rose, Armani Caesar, and Amy Luciani—to gain their perspectives on a fast-paced industry.

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