Review: King Los' "Becoming King"

After resigning with Diddy and Bad Boy, Los is finally ready to take his turn in the spotlight and reclaim the crown with his latest offering.

    Review: Curren$y's "The Stoned Immaculate"
    Curren$y is definitely a main-stay in the rap game. He's one of the few rappers who remains underground, but is still able to touch the mainstream without backlash from fans. He says it best himself on “What It Look Like”: “mainstream cheese, but I ain't actin' like y'all.” That's the truth. The Stoned Immaculate was the
    Review: 2 Chainz's "Freebase" EP
    I don’t believe there’s a single person on Earth who saw Tity Boi becoming a national superstar. From background appearances in old Ludacris music videos to becoming a one hit wonder as a part of Playaz Circle to having the number one hip-hop album in the country, the rapper formerly known as Tauheed Epps is an incredible example of what hard work and dedication can do.
    Review: Joell Ortiz's House Slippers
    Joell Ortiz changed this album’s title from Yaowa, basically because this is him at his most comfortable. In Hip Hop, getting too comfortable can sometimes lead to a decline in effort due to loss of hunger. Anyone familiar with Joell Ortiz would probably find it hard to imagine him not putting effort into a project, comfortable or not.
    Review: PARTYNEXTDOOR "PARTYNEXTDOOR TWO"
    PARTYNEXTDOOR is Canadian rising star Jahron Brathwaite, formerly a producer of soft, sunny R&B with EDM inflections. His first wide release under the new name represented a new label situation, through signing with Drake’s OVO Sound, and a fully realized change in sound and lyrical content.
    Review: A$AP Rocky's "Long.Live.A$AP"
    Most of the album's best qualities are present in the intro and and title track: catchy hooks, hard-hitting lyrics, confidant flows, obscure topics and absolutely amazing production.
    Review: Tyga's "Well Done 4" Mixtape
    Tyga has been a very busy man. After banking more than a few racks after his massively successful 2011 strip club banger "Rack City", Tyga (aka Michael Ray Nguyen-Stevenson) has showed no signs of slowing down.
    Review: Rich Gang's "Rich Gang"
    When Young Money released their We Are Young Money album four years ago, they were undeniably the hottest team in hip-hop. Lil Wayne's army was young and hungry, as artists like Tyga and Nicki Minaj had yet to develop into superstars. Veterans such as Mystikal and Busta Rhymes have since joined the Young Money militia, though have failed to make a lasting impact with the group.
    Review: ScHoolboy Q's "Oxymoron"
    An important facet of memorable groups throughout hip-hop history is chemistry: the dynamics every member brings to the table is an essential part of a group's success. Black Hippy's rise to the top has been so prevalent and quick because each of their four main members - Ab-Soul, ScHoolboy Q, Jay Rock and Kendrick Lamar - each bring something radically different to what the crew represents.
    Review: B.o.B.'s "Strange Clouds"
    B.o.B. is not unfamiliar with the criticism that he's gone pop, but if this album proves anything, it may be that those criticisms are true. It's not that Bobby Ray can't do rap, he definitely can, but he chooses to incorporate rock and pop elements into most of his music.
    Review: Jon Connor's "The People's Rapper LP"
    Gaining recognition after Nas famously co-signed and encouraged him, along with Scarface's timely advice, Jon Connor has had a lot to prove these days to live up to expectations.  The up and coming artist from Flint, Michigan, just dropped his latest mixtape, 'The People’s Rapper LP' on April 13th under All Varsity Music, (produced by DJ Don Cannon) proving he can certainly deliver.
    Review: Ty Dolla $ign's "Beach House 2"
    Ty Dolla $ign delivered his Beach House 2 mixtape just in time for summer. At first glance, the tape's tracklist looks iffy. There's at least one guest appearance on each song, something which is often frowned upon by devout fans and critics. However, flooding a project with features has been done successfully before, as was the case with The Game's 2012 album Jesus Piece.
    Review: Slaughterhouse's "welcome to: Our House"
    Although Joe Budden, Royce Da 5’9, Joell Ortiz, and Crooked I all struggled independently for years, in 2008 all of that changed when they collaborated for a song on Budden’s Halfway House album. Thereafter they took the title of said song and made a group out of it. Slaughterhouse even released an independent album. Yet, it wasn't until they signed to Shady
    Review: Cassie's "Rockabyebaby"
    Cassie seems to have finally grown into her own, after suffering a few career stumbles early on. After guidance and direction from Bad Boy records, and no doubt her boyfriend, Diddy, her progress as an artist can be heard on her new mixtape, Rockabyebaby.
    Review: DJ Khaled's "Suffering From Success"
    DJ Khaled has been behind some of the hottest records of the last few years and if there's one thing he's made consistently clear it's that he has a winning formula for hits. This is also his greatest fault. It's never been so clear how one dimensional DJ Khaled's music really is than here on Suffering From Success, the DJ's seventh studio album.
    Review: Freddie Gibbs' "ESGN"
    Freddie Gibbs is a veteran in the rap game but it’s taken him a decade to put out his first studio album. Cutting his teeth on the mixtape circuit, Gibbs released a steady stream of solid projects rife with stories of the drug game. After signing with Interscope Records, Gibbs was shuffled to the back of the bus before being dropped altogether.
    Review: ScHoolboy Q "Habits & Contradictions"
    Schoolboy Q dropped his latest project, “Habits & Contradictions” via iTunes, asking $7.99 for it. It was definitely worth the almost-eight bucks! This latest work show his growth as an artist since “Setbacks,” it displays his versatile flow and his ear for a unique beat.
    Review: J. Cole's "Born Sinner"
    Cole World: The Sideline Story was considered somewhat of a disappointment to fans who really knew the raw talent that J. Cole posseses. The storyteller and the street smart rapper that fans loved was missing in his debut album. This time around Cole delivers a more cohesive project, with tracks easily flowing one by one to create a complete concept: Born Sinner.
    Review: Soulja Boy's "Life After Fame"
    July 30th approached quickly for Soulja Boy. Originally announced as an album, Life After Fame arrived at its release date with little to no hype. Instead of pushing the album back, the “Crank That” rapper delivered a nineteen-track mixtape with zero features. Recent singles “We Ready” and “Ridin’ Round” are nowhere to be found on the tracklist.
    Review: Wiz Khalifa's "O.N.I.F.C."
    O.N.I.F.C. is a solid project on the whole, but fans of pre “Black and Yellow” Wiz Khalifa may notice a seeming lack of inspiration and conviction. More on that soon, but the positive aspects of the album must be lauded.Wiz’s flow is deliberate and consistent throughout the project. Though slightly repetitive, Wiz’s delivery is among the most unique in the game.
    Review: Drake's "Nothing Was The Same"
    “Prince Akeem, they throw flowers at my feet, nigga!” Drake declares in the intro of his third album. In 2009, he released the highly-acclaimed So Far Gone mixtape and since then the half Jewish, half Black kid from Canada has gone on sell millions of records, sell out concerts, become insanely rich and currently holds the title for most number one songs on the Billboard rap charts.
    Review: Vado's "Sinatra EP"
    For Vado, Sinatra represents much more than just another one of the several tapes he has dropped over the past few years. The smooth flowing Harlem representer is in the midst of a crucial part of his rap career. The Dipset affiliate went from NYC --> MIA to link up with DJ Khaled and in 2013 he signed with Khaled's We the Best label.
    Review: Jhene Aiko's "Sail Out"
    Stunning. If Jhene Aiko wasn't already a household name, she ought to be by now. The 25-year-old singer has appeared on numerous hip-hop tracks throughout the year, most notably Drake's "From Time", J. Cole's "Sparks Will Fly", and Big Sean’s radio smash "Beware". Sail Out* is Jhene’s first major label EP, and what a debut it is.
    Review: Rittz's "Next To Nothing"
    It's no secret that hip-hop at large is lacking in original content. If the music isn't about money, it's about sex; if it's not about sex, it's about who's the hardest (no pun intended); if not who's hardest, it's about hip-hop itself. It's in this musical landscape that a label like Tech N9ne's Strange Music is needed the most.
    Review: Stalley's "Ohio"
    Rick Ross and the Maybach Music Group have taken their time with Stalley. Signed in 2011, the same year as Meek Mill and Wale (who were almost immediately launched in to mainstream eyes), the MC is just getting a proper debut album released.
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