Do you love Hip-Hop as much as DJ Khaled? If so, this album is for you.
Two years ago, Jay-Z and Kanye West joined forces and crowned themselves the kings of rap. After an extensive worldwide Watch The Throne tour, the two went back to their separate careers to work on solo projects. Although they both welcomed a brand new baby in the last year and a half, they couldn’t be in more different places musically.
It’s been a long road to the top for Big Sean. Back in 2005 after hearing Kanye West was going to be at a local radio station in Detroit for an interview, Big Sean headed down there to chance fate. Two years later he signed with G.O.O.D. Music but it wasn’t until 2011 that his debut album Finally Famous would hit the shelves.
Studio albums have a way of working as a litmus test for hip-hop's up and comers. Mixtapes and guest appearances are one thing, but for an artist to prove that he/she can create a strong cohesive album while delivering on lyrics, beats, and bravado is another. Meek Mill seems capable of preforming this balancing act with Dreams & Nightmares, a
I just have to say that I have never really understood the hype about Rick Ross, but the hype was at an all time high after he dropped “Rich Forever.” “If he gives this to us on a mixtape, imagine 'God Forgives, I Don't'?!!?” But, it is true that “Rich Forever” was some huge ish.
Seriously, is there a more versatile rap star than Snoop Dogg? Name another rapper who has done full albums of reggae, funk and rap over the last 5 years alone. Or an MC who’s released music on Death Row, No Limit, Star Trak, Mad Decent, and Stones Throw. Or one who’s released albums with Wiz Khalifa, toured with Korn, and acted alongside Ben Stiller and Owen Wilson.
Earlier this year, hip-hop bible XXL Magazine featured rappers A$AP Rocky and French Montana on its cover declaring New York rap is back. While the focus of the game has shifted to other parts of the country in the past several years or so, there are some native New York emcees that are doing their part to rep their city.
It’s official: Pharrell Williams is back. With the recent success of songs like “Get Lucky”, “Blurred Lines” and his newest Oscar-nominated single “Happy”, Pharrell has reclaimed his spot in the R&B royal family and is killing it. Not that he was ever really gone, since he’s been co-producing for other artists throughout.
Although he’s been in the rap game since the early '90s, Pusha T had yet to release a studio solo album. Until now. As one-half of the Clipse with his brother (now) No Malice, Push saw his popularity rise with their hit single “Grindin.” Three albums and 16 years later, Push, real name Terrence Thornton and his brother parted ways musically to work on their solo careers.
Tyler, the Creator's previous two solo projects were critically-acclaimed pieces of work. The success of Bastard and Goblin allowed him to garner the crazed fan base that follow his every move, but with Wolf, the Los Angeles native has moved on to something new.
Ever resilient and defiant, Big K.R.I.T. drops K.R.I.T. (King Remembered in Time) for hip-hop heads to feast on. Placing a stake in Mississippi, K.R.I.T. presents a project to deliver his message that he’s a force to be reckoned with in the rap game.
In a way, Coke Boys 4 is exactly what was expected. Plenty of features, varied production, and a heavy supply of trunk bangers make this a typical French Montana project. This time around, OTF rapper Lil Durk was notably involved after recently joining forces with the Coke Boy family. Even with Durk's contributions, however, the mixtape lacks originality.
When we last heard from CyHi the Prynce, he was cruising around college campuses with his Ivy League: Kick Back mixtape early last year. Now, ready to show us what he’s learned, he takes us back to school with Hystori: Black History Project. His most socially conscious body of work yet, CyHi gives us a history lesson throughout the project.
Following the earlier release of their debut project Indigoism this year The Underachievers are back with a solid new mixtape, The Lords of Flatbush reasserting their undeniable spot in the Beast Coast movement.
When Gucci Mane released his World War 3 series on iTunes last month, it was merely a hint of what was to come. The first shots were fired on September 7th, when Guwop and Waka Flocka engaged in a Twitter argument. As more names got involved , the feud grew nastier. The peak of Gucci’s Twitter rant came on September 9th, when he put moguls such as Jeezy, Nicki Minaj, and T.I. on blast.
Pusha T has by no means been quiet over the last couple of years, but it has been a while since we heard a new mixtape from the G.O.O.D. music signee. Push has kept himself on the blogosphere with a number of singles, and his part in the G.O.O.D. Music compliation album, Cruel Summer. His name has also been in
Nas has done it again, and further cemented his place amongst hip hop royalty. With one of the most anticipated albums of 2012 now dropped the entire hip-hop community can breathe a collective sigh of relief. The Queensbridge rapper’s tenth studio album, Life is Good, is a shock to the system for a community that has become accustomed to musical mediocrity. As a
Starvation 2 kicks in and you realize you're hungry for an Ace Hood track as the synth-heavy, hi-hat hitting "Root of Evil" starts and the production is instantly impressive - with lyrics that come off as a warm-up, as it's just the opening track.
From the moment they came onto the rap scene with their debut album in 1994, Outkast proudly wore their individualism on their sleeves and in their music. Always one step ahead of the curve, Outkast coupled dirty Southern rap with funkadelic beats and became one of the most successful hip-hop groups ever. 16 years and 25 million albums sold later, Big Boi left the comfort
If the first Starvation mixtape proved to be a metaphor for Ace Hood’s unmitigated hunger for the level of super stardom usually reserved for rappers like his friend, Lil Wayne, then Starvation 3 makes Ace Hood sound as hungry as ever, except this time around, the production values are a lot better.
Since 1993, Sean “Diddy” Combs has always kept his finger on the pulse of trends in hip-hop music. When he founded Bad Boy, he assembled a roster that included one of the greatest rappers of all time. Never one to rest on his laurels, Diddy continued to reinvent his label to stay current with the time.
Every so often an honest whisper echoes louder than lies. Hip Hop has experienced the truth of this as of late. Soul is again a subject of interest as artists like Big K.R.I.T. bear theirs on every outing. However, as the aforementioned rapper reveals, soul is not something
Curren$y is definitely a main-stay in the rap game. He's one of the few rappers who remains underground, but is still able to touch the mainstream without backlash from fans. He says it best himself on “What It Look Like”: “mainstream cheese, but I ain't actin' like y'all.” That's the truth. The Stoned Immaculate was the
Keeping Gucci Mane out of the headlines is no easy task. Once again he’s back, although this time with the release of his digital album The State Vs. Radric Davis II: The Caged Bird Sings. While the rapper is surrounded by mounting legal problems, he's nonetheless found the time to keep his fans fed with this Christmas day release.
If there’s one rapper out there that shows unfaltering consistency in his melodic style and lyrical flow, it has got to be Gucci Mane. The seasoned Atlanta rapper’s newest mixtape, Trap God 2, unveils the same playful energy as Chicken Talk, which he put out in 2006—a mere 27 mixtapes ago. As for Trap God 2,
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